How to treat the composition of traditional festivals

Reading the newspaper word by word, I don't believe it is true: Dragon Boat Festival, a traditional festival in China, has been declared as an intangible cultural heritage of South Korea. I'm surprised, I'm angry and I'm very ashamed. How is that possible? How is that possible? How is that possible? Accompanied by more than two thousand years of hand in hand, more than two thousand years of honor and disgrace intertwined with * * *, more than two thousand years of sadness and joy, is it suddenly torn and erased by force? Is the cultural building formed by more than 2,000 years' accumulation on 9.6 million square kilometers of land in China Shenzhou so vulnerable?

Who can tell me? Who can tell me, this is not true, no, absolutely not. ...

As a China person, apart from our mother tongue, I'm afraid our traditional festival is the only one that can always remember our identity. In the hearts of countless people with a little conscience in China, traditional festivals with a long history are an indispensable part of our 5,000-year civilization and also our cultural symbols. Traditional festivals carry historical changes, cultural treasures, our nostalgia and admiration for our ancestors, and our blessings for the future. Through it, we seem to see the warm night scene of the Mid-Autumn Festival with a family sitting around the yard enjoying the moon and talking about wine. ...

However, through it, we also see the crisis faced by traditional festivals.