Traditional Culture Encyclopedia - Traditional culture - Do you know "Pin-upgirls", the origin and development of pin-up art?

Do you know "Pin-upgirls", the origin and development of pin-up art?

Pin-up art, refers to the early 20th century, in the United States popular hand-painted posters, posters, posters, industrial sketches, illustrations and other forms of art, because it is often nailed to the wall, so the name pin-up (pin means pin, nail). pin-upgirl is a hand-painted beauty posters, which can be translated into the poster girl, poster girl, poster girl well-known artists such as GeorgePetty, AlbertoVargas, Gil Elvvargas, and the United States. Pin-up girls are well known artists such as George Petty, Alberto Vargas, GilElvgren and others. The term first appeared in 1941, but the origins of this cultural trend can be traced back to the 1890s. In the late 19th and early 20th centuries, when photography was underdeveloped, illustrations of beautiful women on posters, newspapers, magazines, postcards, and everyday objects such as calendars, playing cards, and cigarette lighters became an accessible source of spiritual comfort, and then a fashion benchmark that set the trend of an era.

History and development of Pin-upgirls:

GibsonGirl is recognized by many as the earliest virtual national goddess image in the United States In 1890, Charles Gibson, a famous American illustrator, created a series of illustrations featuring young women, setting off a frenzy, who were called GibsonGirls, and became popular in magazines and newspapers. magazines and newspapers, and quickly became an ideal for women and a dream for men.

The image of GibsonGirl is set to accurately grasp the popular aesthetic for women's intellectual and sexy two qualities of the pursuit, even if the reality of these two often can not be both in the intellectual, they have a slender and tall figure, more than the A4 waist thin bee waist, waterfall of long curly hair coiled up, revealing the delicate and elegant swan neck.

In the sexy, they have extremely full breasts and hips, but the intellectual temperament of the desire to greatly weaken the sense, so it will not give people the slightest charm not dignified view. They wear tight corsets (corset) and large hemline tutu, shaping an exaggerated hourglass curve, Kardashian see all to be inferior.

They are typically middle-class, chic and well-dressed, attracting attention and respect at all times. Although their bodies were exaggerated to the point of violating biological common sense, in the plot setting, they were also keen on sports and enjoying life They were good at playing golf, riding bicycles through Central Park, and would occasionally take off their corsets and change into swimsuits to play in the water and ride the waves on the beach

To look at it nowadays, this kind of sewing monster setting is overloaded with grooves, but in the context of that particular era, it was a perfect blend of the public's expectations for

In the Victorian era, it was always the dominant gender concept that men should be the center of society and women should be the center of society, even if they were well-educated, they had to focus on being a good wife and a good mother, and the pursuit of knowledge and career would be regarded as unfeminine.

Toward the end of the 19th century, rapid economic development and social change brought about a shift in ideology. As the feminist movement grew, some of the more radical new women advocated overthrowing the old order, breaking away from all the traditional female traits, pursuing freedom, sexual liberation, anti-marriage and anti-breeding

However, this radical idea, which was seen by many at the time as a deliberate departure from tradition, was met with a lot of criticism. The Gibson Girl was born in this context, and from the point of view of her creator, Gibson, it was a balancing act between the so-called traditional woman and the new woman.

Different from the popular traditional image of women with no mind and soul, the Gibson girls are more modern in spirit, with many progressive characteristics of the new women: self-confidence, solidarity, sexiness, intelligence, independence, active in school and work, and the pursuit of self-fulfillment.

But unlike the New Woman, the Gibson women are essentially depoliticized, with a gentle demeanor and a disinterest in participating in politics and elections that do not shake up the traditional male substance. They still manage to stay within the boundaries of the female role without much transgression.

The Gibson women are not traditional vases, they have a confident and determined femininity and are keen to challenge stereotypical gender power They often strike a condescending pose and dominate men. Or act as a controller, flirtatious and playful.

But this so-called mastery is more in the realm of romantic flirtation than a quest for economic and social equality. They appear to be on an equal footing with men, enjoying their adoration and consideration, but they are also objects of male projected desire, and, moreover, they do not resist marriage and family life

In short, they are both capable and in control, with small waists and fat breasts as well. This fictionalized ideal of the perfect woman became the unanimous favorite of young men and women at the turn of the century, and many of these women viewed the Gibson Girl as a standard. Gibson women as a benchmark, imitating what they wore and dreaming of their lifestyles.

Until the outbreak of World War I, the Gibson Girl fashion trend was on the wane. The country had to keep running, women had more important things to do, corsets and layers of floor-length tutus were abandoned, and clothing began to move in a utilitarian direction.

By the 1930s, a more classic pin-up image began to emerge in the form of the Pettygirl, painted by artist George Petty. GeorgePetty's painting style of clean lines, clean and fresh colors. The painting of the girl curves delicate, well-proportioned flesh and bones, posture stretch light, full of vitality, to the proportion of exaggerated long legs as a trademark feature.

Many of them are wearing ballet slippers, or ballet slippers shaped like a large arc of high heels at the end of the long legs, high arched insteps painted over a beautiful arc, in the slender toes on the end, as if at any time will leap up, looks incredibly silky ~

George Petit has been engaged in airbrush and illustration business for many years, the early obscurity of the early days of the first he drew calendars and advertising posters of beautiful women illustration. illustrations of beautiful women on calendars and advertising posters. In 1933, he joined the then-unknown Esquire magazine to create illustrations for the magazine, which became an instant hit.

Most of Petty's drawings were printed on the centerfold of Mr. Fashion magazine, where readers could tear them out and pin them up as pictorials in a variety of places they wanted to decorate; the grounded, utilitarian design of a wall, a door, or a locker propelled wider distribution and contributed to the explosion of Petty's work.

World War II prevalent nose art (Noseart) is the pinup culture to play out the flower soldiers in the barracks and on the battlefield dancing guns, nose and closet posters painted on the beauty of the carefree smile, became the American soldiers in the military career of the solace of the soul.

World War II's best known B-17 Flying Fortress bomber Memphis Belle (MemphisBelle), using the image of the poster girl created by Petty.

The Memphis Belle was named after a feature film that pilot Morgan watched in which the main character owned a riverboat named the Memphis Belle. After deciding on the name, Morgan contacted Petty at the offices of Mr. Men's Vogue magazine and asked him to provide a painting with the same name, and Petty found one in the magazine's April 1941 issue.

You're no stranger to Elvgren's signature if you like vintage-style illustrations.

One of the most prolific and influential artists of the 20th-century pinup scene, GilElvgren's poster girls are still widely available online today.

His work is extremely personal with strong colors and signature cursive script signatures. The sexy, voluptuous, and flamboyant women, with their animated eyebrows and playful red lips, hold your attention and convey a strong sense of interaction.

The richness of everyday elements and the substitution of diverse scenes will make the viewer feel that these ladies are not stereotypical people in paintings, but have personalities and vivid vitality

In the 1950s, the development of the camera entered a period of refinement, and the real beauties smelled better than the paper people, and photography gradually began to replace illustration.

The big hit pinup girl of the 1940s was Betty Grable, who wore the iconic white one-piece bathing suit with her back to the camera, her delicate backward glance and angelic smile became a timeless classic Although it was a black-and-white photo, it was as if the color of the sunlight could be seen in it, making people fall deeper into it at a glance.

In the 1950s, the most famous and popular pinup girl was none other than Bettie Page. With her trademark bangs, she was photographed in sexy, crazy, and boldly behaved fetish-style outfits that took the nation by storm.

Modern pinup fashion. The retro style of the pinup girl has existed as a subculture after the 80s to the present day. Nowadays, in the age of the Internet, all kinds of cyber soft shyness have risen to prominence, and the channels for obtaining and presenting forms of sexual attraction have been greatly diversified. pinup girl style is synonymous with retro, playfulness, elegance, and petty fun in the present day, which in turn does not trigger a strong male gaze.

Unlike in the past when it was so sexually charged due to the limitations of the times, this style is now favored by women and has become a distinctive fashion style.

In the #pinup hashtag on Instagram, girls are wearing polka-dot crop tops, high-waisted jeans, A-line skirts, waist-skimming hemline dresses, tapered bras, brightly-colored hair bands and other items, with retro red lips and arched eyebrows, in an interpretation of an old classic.

The poster girl, once the focus of obsession, is the embodiment of perfection; is as monotonous as a black-and-white photo of the monotonous life above a splash of color, is the spiritual solace of the turbulent times unlike the pursuit of the reality of the perfection of the price often have to pay a huge price, the painting of the girl was born to be perfect, the beauty of a natural, effortless. As the years go by, the innocent smile of the girl in the painting remains the same. Who hasn't dreamed of effortless perfection

This article is reprinted from the Internet, originally written by Edogawa Gone

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