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Lu Pai's inner painting techniques were first introduced from Beijing. During the Guangxu period of Qing Dynasty, Wang of Boshan Xieshunzhuang went to Beijing to do business. Knowing that Zhou Leyuan, an artist in Beijing, is familiar with the techniques of interior painting, he visited Zhou Leyuan many times, hoping to get a glimpse of the techniques of interior painting. On one occasion, Feng Wang saw the hook-shaped bamboo pen in the painting and knew the mystery of the painting. So, he returned to Boshan to learn art behind closed doors, repeatedly explored the painting method of internal painting, and gradually mastered some preliminary techniques of internal painting. But because he is not good at painting, he has not made great achievements in the art of internal painting. In the 16th year of Guangxu in Qing Dynasty (1890), Bi Rongjiu, a Boshan painter, studied interior painting techniques with Wang. After careful study and repeated pondering, he and local painters Sun Tampu and Xue Dudu finally mastered the techniques of indoor painting. Painters gradually formed their own style by combining the characteristics of Boshan local art, especially ceramic art, thus laying the foundation for Lu Pai's inner painting (Boshan inner painting).

As a traditional local craft, the traditional artistic characteristics and essence of Lu Pai's inner painting are mainly embodied in the words "glaze", "melting", "expensive", "full" and "wonderful". "Glaze" means that the pigment used in internal painting is the glaze color used in porcelain. The painting on the wall of the inner painting pot is made of glaze color, and it is fixed by baking at high temperature, which overcomes the weakness that the inner painting fades when it meets water and makes the inner painting products easier to collect and use. "Integration" refers to the integration of calligraphy, painting and sculpture in Lu Pai's inner painting snuff bottle, and the integration of Boshan glass technology with traditional Chinese painting, oil painting and other artistic techniques. When composing a composition, we should also consider the relationship with the outline, material and color of the pot blank, and reasonably place internal paintings and books in it. "Expensive" means that pigments are precious and varied. Boshan area is rich in colored glass, and there are hundreds of pigments, among which there are many rare varieties, such as Yingqing (blue colored glass with crystal material), Golden Red (colored glass with red gold), silk shop (drawn into a plane with colored glass material), enamel, chicken liver stone and so on. The snuff bottle with internal painting made of these pigments is exquisite, which embodies the uniqueness of Lu Pai's internal painting art. "Full" means that the picture composition is full and the lines are smooth. 1958, Xue Jingwan invented the writing brush for interior painting, which made the lines of interior painting more flexible and slender, and enhanced the expressive ability of interior painting art, which was also one of the important reasons for the change of interior painting theme. After the popularity of internal painting brush, Lu School's internal painting began to turn into more grand works, and many figures were concentrated in one pot, such as Li's A Classic Map of Luoyang, Wen's Bai Meitu and Sun's Bai Zitu. The characters were exquisitely portrayed and the animals were lifelike. "Miao" refers to the author's "feeling in the scene", which combines his true feelings and understanding of traditional culture with modern aesthetic taste and shows it in his works, giving it a profound, meaningful and implicit artistic conception.