How to play songs on the electronic piano with short sheet music

Electone Introductory Tutorial Simplified Score Electone Introductory Tutorial Simplified Score, with the improvement of living standards year by year, people in the satisfaction of the material level, and now also in the continuous pursuit of the enjoyment of spiritual life. They want to learn to play the electronic piano in their free time to improve themselves. The following is a brief introduction to the electronic piano. The following is a brief introduction to the electronic piano. 1 Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music Electronic Piano Introductory Sheet Music 1, "Happy Birthday" Happy Birthday to You (Happy Birthday to You) often referred to as "Happy Birthday" or "Birthday Song", is a popular song used to celebrate birthdays. According to the Guinness Book of World Records, Happy Birthday to You is one of the three most popular songs in the English language. 2, "I Love Beijing Tiananmen" "I Love Beijing Tiananmen" is a song in praise of Chairman Mao. It was written in 1970 and officially premiered on the Central People's Broadcasting Station in 1971. 3. "Let's Swing Both Oars" "Let's Swing Both Oars" is a song composed by Mr. Qiao Yu, composed by Mr. Liu Chih, and sung by Liu Huifang. The song is the theme song of the children's movie "Flowers of the Motherland" made in 1955. 4、The Little Girl Who Picks Mushrooms The song "The Little Girl Who Picks Mushrooms" was written in 1982, first sung by singer Zhu Fengbo, and then sung by Jin Xiaocai, it is a classic Chinese children's song. 5. "Singing of Two Little Cowherds" During the Anti-Japanese War, there appeared a nationally famous anti-Japanese hero in Laiyuan County, Hebei Province, whose surname was Yan, and his name was Yan Fuhua (Wang Erxiao), who was the king of the children in the village, and so he was called Wang Erxiao. According to the Jinchahi military region at the time of the commander of the first military division Yang Chengwu recalled, Wang Erxiao and a company commander of the first military division, Laiyuan County at that time belonged to the first military division. Wang Erxiao was only thirteen years old when he sacrificed his life. When the Japanese devils were sweeping a ravine, in order to cover thousands of old villagers and cadres, he ignored the danger of his own life and brought the enemy into the ambush circle of the Eighth Route Army. The furious Japs picked Wang Erxiao at the tip of his gun and dropped him on top of a big stone. Cadres and villagers thus out of danger, the heroic sacrifice of Wang Erxiao deeds soon spread throughout the liberated area, every villager with tears in their eyes, singing Erxiao cattle-herding boy, "Jinchahi Daily" in the front page of the report on Wang Erxiao's heroic deeds. Literary warriors in the Jinchaji Border Region, Fang Bing and Jiefu, soon composed the famous children's song of the whole China, Singing of Two Little Boys Setting Free the Cowherd. The first note: do, which is represented by 1 in the sheet music, i.e., the `central c' on the piano. You can refer to the sheet music of the song "Shoot the ball" in the picture below. The second note: re, abbreviated music with 2, is an example of the following piece. When playing, alternate between the 1st and 2nd fingers, and play the next note after the previous one has been stabilized. The third note: mi, the score is written in 3, as shown in the example of "Mary Had a Little Lamb". When playing, you need to show your feelings, keep the rhythm steady, and it is better to sing while you play. The fourth note is fa, which is represented by a 4. Our 4th finger is the weakest, so we need to practice a lot, and try to play the keys decisively, firmly, and stand firmly on the keys. The last note is sol, which is represented by a 5 in the stave. Here is the stave of the "Horn", and our 5th finger is very weak, so we have to use the end of our finger to press the key down to the bottom, and stand firmly on the key. First of all, the shape of the hand should be curved, naturally curved, with the tips of the thumb and forefinger rounded, and the entire palm of the hand in a position that keeps the tips of the fingers basically perpendicular to the keys. The distance between the tips of the fingers should be such that the fingers land on the adjacent keys. The first note: do, indicated by 1 on the stave, is the center c. The second note: re, indicated by 2 on the stave, the third note: mi, indicated by 3 on the stave, and the fourth note: fa, indicated by 4 on the stave, should be played decisively, firmly, and steadily on the keys. The last note is sol, which is represented by a 5. Use the end of your fingers to press the key to the bottom and stand firm on the key. The five fingers must be relaxed and naturally bent in an arch over the keys. Only when you know the keys and scales can you get started playing the piano. The seven notes we all know are do, re, mi, fa, so, la, xi. There are two black keys inside the keys, or three black keys inside the keys, and two black keys next to each other. The two black keys together next to each other on the left are the do notes, and the other notes are next to each other, and so on. Then there is the scale part, and the rest is the white keys, which belong to the key of C major. The exact composition of the stave is. That is, do re mi fa so la xi do xi la so fa mi re do . It is the simplest scale. If you have a good grasp of the basic scales, you can start playing. The fingers must be relaxed but strong. The whole body is curved on the keys. Just press the key you want to play. There are two fingerings that you must master in order to have a good grasp of the techniques and skills of playing the piano, the passing finger and the crossing finger. Finger passing and finger crossing are the two most commonly used fingerings in playing the piano. The fingers can be labeled as 1, 2, 3, 4, 5, which will help us to learn the electronic keyboard and skillfully operate the fingering exercises. Scale practice The scale is the material of the tune and the generalization of the modes. By practicing different scales on the basis of each tuning, you can not only improve the dexterity of your fingers, but also improve your feeling of the tuning and style of music, and accumulate musical vocabulary. In the "various scales" exercise, in addition to a variety of major and minor scales, you can also introduce a variety of national and folk scales, such as: with three steps down, seven steps down the blues scale; and even their own scales, such as whole tone scales. When practicing this kind of scales, through the reasonable arrangement of fingerings, and fully practicing in various tunings, we can develop our musical thinking ability and finger movement ability, so that we can play different styles of music or improvise with ease. In order to make the practice of scales more interesting, you can combine the multi-timbral function of the electronic keyboard and use different tones when practicing scales. For example, you can practice "gypsy scales" with folk violin tones, "Japanese scales" with shamisen tones, whole tone scales with fantastical cosmic tones, and even add certain sound effects, such as bends and vibrato, to your practice. While practicing scales, you can experience the way of playing and the sound effect of this instrument in the technique of key touching and so on. Improvisation is a must for electronic piano majors, and various variations of scales should be added to the basic fingering exercises to adapt to improvisation. In order to make the practice of scales vivid and interesting, and applicable to the harmonization of improvisation, scales can also be matched with different harmonies at all levels: traditional, pop, jazz, etc. This is one of the traditional fingering exercises in the entry. This is a rare feature of the traditional fingering exercises, and it is a great way to improve your knowledge of the use of scales and chords in different genres of music. In the scale fingering practice, add a certain number of other types of scales, combined with the various functions of the electronic keyboard to practice, so that the content of the basic training is not only full and rich, but also get rid of the monotony and tediousness of the previous practice. The basic practice of chords is more complicated than the scale practice. Therefore, it is necessary to enrich the basic exercises with chord types and appropriate chord connections. In this way, not only will you be able to improve your fingering ability, but you will also be able to learn the structure and function of the various chords and their ins and outs during the training. The chords in the traditional fingering tutorials are only limited to major triads, minor triads, dominant seventh, minor seventh, diminished seventh and other chords, which is far from enough for the electric piano and improvisation. Harmonic thinking is becoming more and more complex with the development of music, and the harmonic vocabulary is becoming more and more rich, so in order to adapt to this trend, a lot of new contents have to be added to the basic exercises, such as all kinds of seventh chords, augmented chords, suspended chords, high superimposed chords of the ninth, eleventh, thirteenth, etc. The chord connections are also more complicated in the traditional exercises. Chord connections in traditional exercises are also relatively homogeneous, for example, in the termination of the Hanon scale, there is only the triad and the dominant seventh chord, plus a secondary seventh, which is a very traditional termination pattern. The chords in many fingering tutorials are only the dominant chords, dominant seventh chords and diminished seventh chords of each key, and the chord exercises are all isolated entries with no harmonic function related exercises. The electronic piano fingering practice should break through these limitations and enrich a lot of chord and chord connection exercises, so as to feel more harmonic meanings. In the basic practice of chords, according to the principle of instrumental method, different chords can be played on different electronic piano tones, in order to realistically reflect the articulation characteristics of different instruments, and make the chord practice more interesting. Such as in the appropriate register, with the trumpet tone to do the harmonic background of the performance, imitating the solo cello open chord playing. Enrich the chord rehearsal of the electronic piano, enrich the understanding of harmony and chord playing skills, will lay a solid foundation for future works of sight-reading, performance and improvisation. Third, on the arpeggio practice arpeggio has a certain tune, it often appears in the music as a melodic fragment. Arpeggio is another horizontal form of chord expression, often as an accompaniment background to emphasize the main melody. Therefore, arpeggios are also important in the basic training of fingering. In the chord fingering exercises in contact with the various types of chords, in the arpeggio exercises should be contacted. In the arpeggio practice, to try to break through the traditional isolated chord pattern, to combine with the key, combined with the characteristics of the electronic piano performance, flexible use of a variety of methods. For example, with the key to practice a variety of common seventh chords. In order to strengthen the fun of practice, you can use the electronic piano in the piano, harp, bells, a kind of tone, so that the arpeggio performance effect is more clear and beautiful. In order to adapt to the electronic piano improvisation teaching, arpeggio practice can be used in a variety of variations. Such as fm7 chords, available chord decomposition playing method, you can also use the arpeggio variations of the added chords outside the tone of the practice. When this training Chen made some progress, but also according to the chord symbols to carry out a variety of arpeggio variation exercises, which helps the improvisation of the electronic piano.