/kloc-How did Swedish, Danish and Belgian fine arts develop in the 0/9th century?

/kloc-the 0/9th century was a great era in Scandinavia, where world-famous artists appeared. They are rooted in the northern cultural background and show their national characteristics and influence in the torrent of European art development with realistic techniques and unique strength.

Zuo En (Zom, 1860— 1920), a Swedish oil painting, printmaking and sculptor, is the best representative of Northern Europe. /kloc-studied sculpture at Stockholm Art School when he was 0/2 years old. At the age of 20, he produced a watercolor masterpiece "Woman in Mourning". He traveled all over Europe and visited the exotic scenery of Turkey and the other side of the ocean. When he arrived in Paris at the age of 28, he immediately became famous in the art world with the oil painting The Fisherman. From beginning to end, Zuo En drew materials from ordinary life and scenery, and liked to paint foggy lakes, snowy jungles and residents living on the endless Yuan Ye. Even the female body that never leaves the daily creative environment. Sunday Morning depicts a female worker taking advantage of her rare leisure time to bathe and freshen up. Nordic women's strong figure, smooth skin and long blonde hair cover their faces, which makes them particularly beautiful in low shacks. A few busy women workers in the background and a beam of morning light in the small window make the picture look kind and vivid. The Woman Carrying Water and Open Air are Zuo En's representative works. The painter's unique bright light gray tone combined with the lighting performance of the impressionist party has infinite charm, and the strong sense of volume created by the broad brush strokes is even more impressive. His copperplate prints are also unique, hidden and magnificent, with long arrow-shaped straight lines interspersed between things. Although there is no outline, it can make the form appear in the absent place. The portraits of France, Renoir, Rodin and Villena are unforgettable. In watercolor painting, Zuo En is also an outstanding figure, and it is particularly refreshing for those who express the interlaced landscapes of Hong Kong and Macao with the reality and changes of light tones. Rodin once said: "No matter what era, Zuo En is worthy of being a true master of painting."

Thorwaldsen (1770-1844) spent half his life in Rome and became a leader of neoclassicism. His representative mythological figures, Ebe and Tosson, the portrait of Hontozzi, the monument of Pope Pierre VII and the Christ of Notre Dame de Copenhagen, are concise and concise, combining profound observation with bold imagination, while maintaining elegance and nobility. /kloc-in the second half of the 9th century, a talented vigeland also appeared in Denmark (1869- 1943). This realistic sculptor opposes the expression of pure reason and aims to create a "corner of life". Ibsen, Yonali, Boyesen. A woman's body has a strong vitality, while the embossed hell exudes symbolic significance.

David, who lived in exile in Brussels 10, had a great influence on Belgian art in 19 century. In order to reflect the interests and habits of the nation, a group of outstanding painters, such as Ley, Gru, Stevens and Brackler, have tried to find their own way by describing real life. However, what really makes Belgian art unique should be the "millet in sculpture"-Mesnil (Mesnil, 183 1 ~ 1905). After studying at the Saint Luc Academy of Fine Arts, he went deep into the mines and glassware factories in Val Saint Rabe to create oil paintings and bronze sculptures praising workers. His works are bold and straightforward, deleting all details and seeking a strong sense of volume and shock. The burly bodies, tight muscles and shiny black faces in Workers' Monument, Gas Explosion and Raking the Ground have raised the image of workers to a typical height, which is symbolic. The port and industrial stevedores in Antwerp exude great power to conquer everything. Meniere is good at grasping the most representative and exciting moments in all kinds of labor. The relief "Miner" chooses the difficult action of workers crouching in a narrow space where they can't stand up straight, so it is arrogant. His oil painting "Returning from the Mine" has a strong sense of sculpture, while the relief "Sweat" is a rare work in the history of art, with the human body pulling the plow to the front row and the sky rolling backwards, which shows the vivid atmosphere of painting.