The development of figure painting in the Tang, Five Dynasties, Song, Yuan, Ming, and Qing dynasties and their artistic characteristics.

Development of figure painting in the Tang, Five Dynasties, Song, Yuan, Ming and Qing dynasties:

1. Figure painting in the Sheng Tang period advanced to a new realm of more expressive and more vivid and touching.

2. The figure painting of the Five Dynasties was a turning point in the long history of Chinese painting.

3. The Song was a period of intensive development of Chinese figure painting.

4. In the Yuan Dynasty, ink bamboo and plum were most prevalent in literati paintings.

5. Ming Dynasty flower and bird paintings showed the blossoming of a hundred flowers.

6, the Qing Dynasty is the most developed period of writing flowers and birds.

Tang, Five Dynasties, Song, Yuan, Ming and Qing Dynasty art is characterized as follows:

1, the Sheng Tang art is characterized by portrait painting requires "appearance like.

2, the Five Dynasties art is characterized by a more delicate and complex style, the use of more "war pen" as a characteristic.

3, Song Dynasty art is characterized by heavy coloring brush figure painting more exquisite, and with the rise of literati painting, folk manuscripts were Li Gonglin raised to a style of painting known as white drawing.

4. The art of the Yuan Dynasty was characterized by the good use of brush and ink techniques and the integration of poetry into the work.

5. The art of the Ming Dynasty was characterized by a focus on evocative realism.

6. The art of the Qing Dynasty was also characterized by a focus on evocative realism.

The following is an introduction to figure painting:

Figure painting basic techniques: regardless of China and foreign countries, in the early history of the development of painting, figure painting is the main, and all for the religious or political services. From the continued excavation of ancient silk paintings or murals, you can see the ancient emperors, ministers, sages or the face of the literati, throughout the ancient Chinese figure painting, in the performance of the technique can be roughly divided into three categories, one for the white drawing. The second is the brushwork and heavy color painting method. The third is the method of painting in the sense of writing.

White drawing is the earliest, the most concise form of painting expression, China's ancient known as "white painting", also known as "line drawing". Line drawing, also known as self-drawing. It is the use of line thickness, thick and thin, square and round, twist and turn changes and the use of light and heavy, fast and slow, press, staccato and other artistic techniques to depict the structure of the object, the sense of quality, the sense of space, and the use of poly-dispersed, sparse and dense, solid and strong line drawing form factors to obtain the form of the spirit, so as to convey the feelings of the author of a form of art.

Working brush and heavy color painting method is a kind of neat and detailed modeling, colorful and slightly decorative painting method, such as the late Tang Zhou's hairpin ladies figure is a typical work of work painting working brush and heavy color method is suitable for the use of cooked paper or silk.

Drawing figures should use raw paper, usually start with a charcoal pencil on the paper gently hooked outline (such as skilled, it is not necessary to hook the outline with a charcoal pencil), and then dipped in ink to draw the main line, painted on the large ink color surface gradually aggravated, and then draw the secondary line and color surface, try to avoid the use of trivial ink and ink, so as not to undermine the unity of the whole.

The above information refers to Baidu Encyclopedia - figure painting