Traditional Culture Encyclopedia - Traditional culture - Enlightenment from the Growth of Hulan River Biography
Enlightenment from the Growth of Hulan River Biography
Biography of Hulan River restores and imagines the memory of hometown from the perspective of childhood, exudes the tenacity and true spirit unique to the northeast people, writes the life will and spiritual ecology belonging to the northern countryside with a heroic and quiet style, and outlines the ecological landscape, scenery, people's livelihood and folk customs belonging to the northeast. The idea is unique and different, as Lu Xun said: "Narration and scenery writing are better than character description", but the story is simple and complicated, and poetry contains shock. The novel consists of seven independent chapters and an ending: a general outline and panoramic bird's eye view of the living environment of Hulan River City are given from a macro perspective, and a genre painting with the characteristics of the times and local characteristics is described freehand, highlighting the daily life of Hulan River people and the description of the big mud pit; It is important to reveal its cultural and spiritual ecology, such as exquisitely describing spiritual activities such as dancing gods, singing yangko, setting off river lanterns and playing the wild prince. It gives a light and elegant aesthetic portrayal of grandpa and big garden in my hometown memory, emphasizing the harmony between man and nature; The repeated description of the desolate courtyard embellishes the desolate life landscape in the courtyard, and then depicts the pedigree of the hometown people: the grandfather, the neighborhood group in the courtyard and so on. Through the heartbreaking tragic experience of little reunion's daughter-in-law, it reflects the spiritual numbness, ignorance, simplicity and simplicity of the aborigines; Mainly wrote Ah Q-style characters, including Bo Er's cunning and funny, as well as simple philosophy of life; Focus on the married life and difficult state of Mo Xianfeng's crooked mouth.
"Biography of Hulan River" Tik Tok the life scenes of hometown and the connected scenes, which has a sense of scene and life, and shows the inaction and laziness, humility and hardship of the people in the hometown of Northeast China. In fact, Xiao Hong's mentality is complicated in the face of primitive, lively, exuberant, cheerful, lively, rude, ignorant, closed, stagnant, desolate and filthy native culture and folk bottom. Therefore, Xiao Hong's hometown memory is complex, simple and primitive. Here, various situations and landscapes of her hometown remain in her heart, and collective historical memories such as customs, etiquette, festivals and folk entertainment become a symbol or symbolic transformation of her hometown, which affects and impacts Xiao Hong's mind and life, and also gives her aesthetic perception and expectation, spiritual comfort and rational examination and judgment.
Compared with Field of Life and Death, it was famous for a while, and was later praised as the representative work of anti-Japanese war literature. The Biography of Hulan River was ignored at that time and regarded as a "lonely" work far away from the times. It was not until the rise of "Xiao Hongre" in the late 1970s and 1980s that it won many praises. Perhaps the true aesthetic value and social value of literature are open, dynamic, eternal and beyond. As Liu Xie said in the article "Wen Xin Diao Zong Long Jing": "The three are easy to train, and their books teach the classics. Those who are also experienced, the eternal way, do not publish a big theory. " The Classic clarifies the common sense of heaven, earth and human beings, and is an eternal, supreme and indelible book of teaching and truth. Xiao Hong also said at the third symposium of the editorial board on April 9, 938/KLOC-0: "Writers do not belong to a certain class, but belong to human beings." The aesthetics and practice of Hulan River Biography comes from its personalized creation: from the ecological perspective, it focuses on the survival reality of the bottom, so that the folk voice can be truly conveyed, thus expanding the horizons of local literature; Inherit the prose tradition of Lu Xun, Yu Dafu, Shen Congwen and other short stories since the May 4th Movement, break through the stylistic limitations, break through the barriers of the traditional narrative mode of novels, take the flow of thoughts and feelings as the main line, show the memories and imagination of hometown in casual narration, and maximize the spirit of literary freedom; This paper tries to develop an expression and clarity of intellectual's spiritual ideal that transcends the times, classes, nations and even countries between literary reality and social psychological reality. All these have a potential impact on the writing of contemporary literature.
Obviously, for a writer like Xiao Hong, it is the eternal pursuit to write freely, to obtain the fluency and brightness of free spirit expression, and to embody the connotation and significance of human nature, literary ideal and aesthetic value in moderate elegance. However, at the turn of the century, great changes have taken place in China's social culture. With the construction of new traditional ethical values, there are conflicts and cracks between China people's thoughts and behaviors, and behaviors deviate from their thoughts and even betray them. This may have become a major symptom of contemporary psychological reality. At the same time, with the change of literary concept and the noise of writers, literature presents a multi-dimensional development trend, and at the same time it encounters new embarrassment and crisis, that is, the concentrated production of consumption, demand and desire of the times leads to the flood of commercialization, and the rise and spread of multimedia inevitably makes literature subject to market mechanism. The results are as follows: on the one hand, literature has entered the production development of secularization, popularization and batch; On the other hand, it lacks the spirit, thought and depth it deserves. As a result, the aesthetic standard of literary writing is gradually lower than the social moral standard, and it is impossible to truly interpret and transcend the spirit of the times. The lack of contemporary writers means that they can't adapt to a wide range of aesthetic needs and changes and can't truly express the psychological reality of contemporary people; In order to cater to the overall trend of business culture, compromise with reality, degrade one's writing taste, and break away from the follow-up and expression of literary spirit. For example, when some writers re-imagine and express history and reality, they are limited by their own historical and realistic skills, and narrative and fiction fall into the array of historical materials and realistic desires, which directly leads to imagination difficulties and narrative obstacles. Of course, a truly conscientious writer still insists on himself and defends the spiritual character of literature.
In view of this, we still expect more prophetic writers to face the reality, expand the spiritual rationality of the times, lead the literary trend and forge ahead.
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