Poems about pavilions

View pavilions and pavilions read ancient poetry

---Pavilions and pavilions poetry remote thought

The pavilions and pavilions, or towering above the green hills, attached to the banks of the river, or embellished in the gardens, the birth of the fall in the prosperous land, like a kind of decorative according to the landscape, a bright landscape, the stars shift and turn they have become a historical legacy, cultural attractions, the famous pavilion and pavilion is often a combination of history and culture, anecdotal stories of natural scenery, many literati were its. They have become a historical legacy, cultural attractions, the famous pavilions are often integration of history and culture, anecdotal stories, natural scenery in one, many literati were attracted to it. They climbed high and far away, chasing the right to explore the victory, some confusion, and then condensed into poetry?

Love the evening pavilion

Bricks and tiles, stone base and flying eaves, ancient color. Four corners slightly cocked, like a roc spreading its wings, is about to overhang the concave curve of the roof, to avoid the modeling of the cold, beautifully set in the landscape of nature, as if they have become part of heaven and earth, sent in the infinite attachment of people to nature, parked and strolling, maple leaves red all over the sky, the flowers bloomed in February, send love and love the evening, a word, taste this fly not to be able to "Wing Rang! "

Eight mirrors platform

magnificent, brilliant, climbed the platform to look out over the "South looking at the Five Ridges, East off the seven Min" blue mountains of the jagged, overlooking the flow of the run, the clouds and smoke out of the grass and trees in the evening, the Euphrates look at each other, the sound of dogs and chickens heard each other, the world of the peaches and daughters of the world! So Ganzhou City, Mingwen long-lasting cabinet culture, red columns, emerald green tile, eaves layer by layer, four such as a, table-shaped long points, placed "double dragon fence, and like a wave rolled. Atmosphere is again"! Poems about pavilions and pavilions

HuangHeLou

When the yellow crane to come back, and since the gold, look at the continent of all the thousand years of grass, today the white clouds are still there, ask? The city's May plum blossoms! The heart is far away from the wide, the wine by the building to listen to the jade flute plum blossoms, at this time to fall or not? I resigned from the river to go, push the window to send concepts, ask the immortal yellow crane, when to return? The first building in the world, the amount of literature and books who can be compared? Cui Hao's sentence "Gou people have taken the yellow crane to go, this place is empty after the yellow crane building". To make its reputation began to flourish as a household name, for thousands of years, countless Wen a amount of guests in this climb to visit the sacred realm, by the railroad, and remembered in the text, chanted in the poem, shaped in the painting, is the Yellow Crane Tower has become a long time to write the theme of the unfailing.

Tengwang Pavilion

The emperor's son of Cheung Chau, the Immortals return to the museum, the general's arsenal, the Bachelor's words, Tengwang where? Remaining high Pavilion thousands of autumn drama pity painting building Zhu Lian, are turned into empty pool cloud shadow, Yan Gong can pass,仗书生一序寄于东南宾主，莫轻看过路才人--王勃，落一霞与孤鹜齐飞，秋水***长天一色，风月无边， situated in the nature of Tengwang Pavilion, seems to be forever expressed in the " I climbed again, the eye of the lake and mountains thousands of miles away, the strange text *** appreciate, people in the water and sky in one color," the breathtaking.

The pavilions and pavilions, set thousands of years of poetry and culture, gathered the world in the literati, **** appreciation of its architectural greatness, the mood of the deep and secluded.

Poetry about pavilions and pavilions (two): pavilion poetry appreciation

Traditional Chinese pavilions and pavilions in a variety of shapes, its aesthetic value does not lie in the buildings themselves, but in the buildings through the appreciation of the vast space around the natural scenery and the famous pavilions and pavilions are often integrated into the historical and cultural, anecdotal stories, the natural scenery in one, many literati and elegant people were attracted by them. They climbed to see the distance, to explore the ancient victory, the heart has a feeling, formed a large number of poems, these literary works are often sent to the love of farewell, the wanderer nostalgia, thinking of women nostalgia, the strong song of sorrow, the scribe is not met and other emotions, and many of the masterpieces of the future generation of a strong spiritual appeal, become part of the spiritual cultural heritage of the Chinese people.

Tao Qian has "a long way to the new autumn eve, Pavilion moon will be full" ("Wushen year in June meets the fire"). Li Bai said, "The sad place in the world is the pavilion for sending off guests. The spring breeze knows the bitterness of parting, but does not send the willows green" ("Laolao Pavilion"); "Where is the way back? The long pavilion is even shorter" ("Bodhisattva Barbarian"); "Sending you off to the Ba Pavilion, the Ba water is flowing immensely" ("Farewell to Ba Row"). Lin Jingxi wrote "I have thoughts of autumn, but I am still in the pavilion at sunset" (Xi Pavilion). In Wang Shifu's The Story of the Western Wing, he wrote, "I can see in the distance that the ten-mile long pavilion has been reduced to a jade muscle, and who can know this hatred". Modern people are most familiar with Li Shutong's "Farewell", "Outside the long pavilion, by the ancient road, the grass is blue even to the sky" and so on. From these poems, we can see that the "pavilion" that appears in most literary works has become a symbol of parting and lovesickness.

Lonely Pavilion

Li Bai, a great poet of the Tang Dynasty, wrote in "Bodhisattva Barbarian": "The plain forest is full of smoke. The cold mountains are sad and blue. The color of the mountains is so sad and blue. Some people are sad upstairs. The jade steps stand empty. The birds return to their home in a hurry. Where is the way back? The long pavilion is even shorter.

The Northern Song Dynasty's Liu Yong's "Rain Lin Bells" has the words "The cold cicadas are woeful, the evening of the long pavilion, the first break in the rain. The rain started to fall. I have no idea how to drink at the door of the pavilion, but I am in love with the place where the orchid boat is urging me to send out. I am speechless as I look at each other with tears in my eyes. I'm not sure if I'm going to be able to get a good look at you, but I'm sure I'm going to be able to get a good look at you.

The Qing dynasty Liao Hong also wrote a poem for this pavilion: "The end of the world in the lonely pavilion, this is the floating life as a view. View all the bleak West Lake moon, the light of the water is especially cold for the beauty,

Strong man sad song, the scribe is not met

Chen Zi'ang's "Ascending the Youzhou Terrace Song," "before not seen by all people, after not seen by the next generation, the idea of heaven and earth's yo-yo, alone in pathos, however, slipped down." The poet is alone on the Youzhou Terrace, looking at the mountains and rivers, thinking a thousand thoughts. Like Yan Zhaowang as the previous generation of the wise king is no longer visible, and then the wise lord is too late to see, they really were born at the wrong time; when climbing the platform to look into the distance, only to see the vast universe, the sky and the earth, can not help but feel lonely and lonely, from the sadness, pathos and tears. This sadness is often for the feudal society, many talented people have ***, and thus get a wide range of *** Ming

"Lanting set of preface" in the Wang Xizhi "look up to see the universe of the great, overlooking

Check the win of the class", after the wandering eyes and feelings "feelings with the matter of change! "," to the happy, between the ups and downs, has been a stale, but can not help but to the Xinghuai; situation of the short and medium with the chemical, the end of the period in the end ". This sentiment of the shortness of life plucked the heartstrings of ancient and modern writers and artists, causing a long **** Ming. The poem about the pavilion and pavilion

Traveler's nostalgia

Miles of sadness in the fall often as a guest, a hundred years of disease alone on the stage. I have been a frequent visitor for thousands of miles, and I have been alone on the stage for a hundred years. I have been in pain, and I hate the frost on my temples, and I have been in despair." Du Fu's "Ascension" Du Fu's "Ascension to Yueyang Tower", the author in his twilight years climbed the long admired Yueyang Tower, both to see the "Wu and Chu Southeast Chapel, Qiankun day and night floating" of the natural world of the magnificent meteorological, but also lamented the "friends and relatives without a word, the old and sick have a lonely boat" of the bleak and lonely, but also the "friends and relatives without a word, old and sick have a lonely boat" of the "friends and relatives without a word, old and sick have a lonely boat" of the "friends and relatives without a word, old and sick have a lonely boat". But more valuable is the author face "Rongma Guanshan North", and "with the Xuan snivel flow" feelings of national concern, y infected the descendants of the Southern Song Dynasty lyricist Liu Yong due to travel to other countries, career difficulties, and homesickness, cherish life, on the occasion of the boarding of the meaning of life and reflect more than anyone else. The meaning of life and reflection on the occasion of the ascent of the "Standing on a dangerous building, the wind is fine, looking at the extreme spring sorrows, eerily born in the sky. Grass color, smoke and light in the residual light, no words who will be on the fence intention" ("Butterfly Lovers"); "is the place where the red decayed green, Ran the rest of things. Only the Yangtze River is flowing eastward without a word. Can not bear to climb high in the distance, looking at the hometown of the small escape, return to the thought of difficult to collect" ("eight voices Ganzhou"), these from homesickness, spring sadness brewed out of the feeling of the bitter shortness of life [4]. The poem about pavilions

Thinking about women

Ouyang Xiu "Tapsa Xing" inch tenderness, full of pink tears, building high not close to the dangerous fence leaning.

Tang Xianzu's famous "Peony Pavilion" says, "But I can't bear to think of each other, and the Peony Pavilion is on the road of three lives."

The Peony Pavilion is the place where the promise of another life is made. In the small space of the Peony Pavilion, the love story of Du Liniang's resurrection from the dead and her reunion with Liu Mengmei is staged. writes love in a dream, the dream is imaginary and real, the love is real and unreal, Du Liniang is illusive and Liu Mengmei is real. In the poignant love through time and space, it gives rise to a real and unreal mood, which has caused a ****sound to thousands of descendants in the future.