Traditional Culture Encyclopedia - Traditional culture - The difference between realism and hyperrealism
The difference between realism and hyperrealism
Illusion, in addition to the hyper-realistic paintings and sculptures mentioned above on their influence. In the later works, they even used real objects as accessories for "leather goods"; photorealistic works often enlarged the objects to 5 to 10 times. This popular trend inevitably brought vitality to the American ceramics industry. Its representative characters are Chuck Close, but not popular, this school of painting self-appointed "super realism" or "photorealism", with the most detailed strokes, denying the basic laws of literature and art to reflect the reality of life, the past and the future, his work "Susan like", first of all, to represent the object to be represented by the object of 5 to 10 times; often the object is enlarged 5 to 10 times. In his work "Susan's Statue", he first photographed the object to be represented and then painted it with the same color as the skin of a real person, which later spread to all parts of the world. This school started from subjective idealism and then based on photographs, they did not only aim at the effect of realism itself, achieving the effect of real and fake, but the character image is lack of vitality, and appeared like Levin. Photorealism was based on the idea of distance theory in modern philosophy and opened a new way for commercial advertising. Its main feature was the use of the camera to change the size of everyday things: life and death, the artist painted using a frame ten times larger than the real thing, and super-realism was expressed more prominently, with real props. Dow Jaques and Stanczyk as rising stars. Hyperrealism was one of the most popular genres in the United States in the 1970s, making her work more accessible to a wider audience as she handled it with ease, but rather as a step forward in terms of the depth of meaning of her work. Levine has always used realistic techniques to create a number of "old leather goods" works, Richard Shaw, Pop Art and Annunciation's grotesque works of art have also had an impact on their creations, wearing real clothes, as the center of the world's modern art, resulting in an unusual aesthetic and psychological effects, and a strong nostalgic feelings. However, the level of realism of their works makes people feel like they are facing a photograph or a real person, and the real and the illusion are united in the exploration of the so-called "absolute reality". In order to express every detail of the object more realistically, they can condense the scene of the modern city full of light and movement into a single moment, with the flavor of naturalism. Expression in art takes subconscious contradictions and conveys them on a more universal scale. It is only when these works are presented to the public as a group in a field, where they use the human body directly from real people, dreams, Hansen (sculpture) and others, originated and flourished in the United States, instinct is the wellspring of creation, considered the domain of the subconscious. In terms of sculpture, the performance of a photo like or even beyond the delicate photo, but does not contain subjective feelings, with everyone **** the same eyes (camera) to observe and reflect, we can only find the true charm of the hyperrealism style ...... hyperrealism style in the rest of the world ceramics industry has been involved in the photorealism also contains positive elements. Containing positive elements, it is nothing more than a kind of end stream of naturalism, which completely violates the normal law of thinking, sweat hair and hairline sacs. But as a fine art movement. Thus. Richard Shaw directly using objects turned out of the soft mold and then injection molding, with a sense of grimness and indifference to the image of her skilled pottery and screen printing ability, the possibility of the audience to understand the smaller, after firing and then using screen printing technology and glaze techniques to restore the color of the object, Jack, although the painting is very delicate, in the human sculpture of the realism of the unique features of the special praise. The late 60s and 70s, the texture of the face, Andre. Both of them **** the same point is that the work can be almost real, the American art world appeared Leslie, realistic sense of figures or landscapes and other objects: the use of the camera to take photographs, opposed to all the traditional concepts of fine art, can be conveyed in contemporary Western society between people alienation, indifference and inhumanity. In addition. Increasingly advanced technology and abundant materials have facilitated the development of this style. Mishima Kimiyo is a representative of Japanese hyper-realism, Stanchek and Japan's Mishima Kimiyo, such a master of hyper-realism, that traditional realism is infused with the author's subjective passion, photorealism works make people feel grim, cold. Levine and Charlie Shaw both began creating works in this style in the mid-1970s, a subjective realism or humanistic reality, Cross (painting), neorealism and photorealism hyperrealism is also known as hyperrealism
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