What is the name of the Beijing flavored music sung by the old man in Have Your Say?

Description of the problem:

Dunshou

Ans:

Qinshu - Have Your Say

The Beijing qinshu was formed in the 1940s and is popular in Beijing, Tianjin and the triangular area of Hebei Province located between Beijing and Tianjin. The predecessor was a five-note drum that was sung in the rural areas of Anji County, Langfang and the southeastern suburbs of Beijing and Tongxian County in Hebei Province during the Daoguang period (1821-1850) of the Qing Dynasty. Initially, it was sung by peasants for their own amusement during their leisure time. It is known that after the ninth year of the Republic of China (1920), professional artists began to sing in cities and towns. The original only with a big three-string accompaniment, Republic of China 24 years (1935) or so, Zhai Qingshan in Tianjin Youth Association Renchang radio broadcasting, began to change about Wei Dexiang accompanied by the yangqin, said single qin drums, also known as single qin, qin book. Later, Chang De-shan became famous for his "Haojiazhuang" (Hoojiagong), which was played on the dulcimer. In the 1940s, Guan Xuezeng changed to sing in Beijing with the Beijing voice, in the form of one person standing and singing, with his left hand striking the iron plate and his right hand holding the drum rick to strike the flat drum, accompanied by the yangqin and sihu, etc. In 1951, it was named Beijing qinshu.

The lyrics of Beijing qinshu are mainly in seven-character sentences and cross sentences, and sometimes the lyrics are accompanied by "over-utterance". The singing voice is in the form of a plate, and there are two types of plates: [slow plate] and [stack plate]. When singing, each sentence is generally the first half of the sentence said, the second half of the sentence on the rhyme drag cavity, in addition to the end of the cavity fall in a certain cadence, the other is flexible with the changes in the mood of the plot, the whole section like saying like singing, unified in the rhythm of the accompanying music, the main singing [slow board] is a board three eyes, there are also boards without eyes [pallet boards], in the speed of the change freely, listening to the popular, friendly and touching. Wu Changbao, a zither master who had cooperated with Guan Xuezeng for many years, was outstanding in the design of the singing voice and musical innovation. His yangqin accompaniment was skillful and rigorous, which made Guan Xuezeng's performance of the various characters in the story even more vivid and vivid, with both spirit and form, and increased the artistic charm of the qinshu singing. In the 1950s, in order to adapt to the needs of new content, Wu Changbao innovated, and the [palletizing board] was his creation.

In the 25th year of the Republic of China (1936), fourteen-year-old Guan Xuezeng learned to sing the single-qin drum from Chang Deshan, and then learned to sing the iron drum from Shi Jinrong, who appeared on the stage at the age of sixteen. He sang beautifully, said like singing, sang like saying, said and sang water *** fusion, the performance is also constantly innovating, making full use of the hands of the drum rickshaw to do small props, boldly absorbed the opera and other sister arts, some of the performance methods, in accordance with the needs of the story content, copying a variety of characters of the appearance of the voice and smile, giving full play to the characteristics of a person with multiple roles. In the early days of Beijing qinshu, the main focus was on rap and long books, with titles such as "The Legend of the Returning Dragon". After the founding of the People's Republic of China, it changed to singing short pieces. Organized traditional repertoire and new folk, historical stories repertoire are "Yang Bajie Tour of Spring", "Zhang Liang Na Cui", "Whipping Reed", "Gao Liang Catch Water", "Robbing the Imperial Bar", "Blue Bridge Club", etc.; reflecting the real life of the repertoire are "Examining the Goddess of Mercy", "A Pot of Porridge", "Wash the Oil Bath", "The Heart of the Compassionate Mother", "Heirlooms", "Premier Zhou will always live on in our hearts" and so on. In the sixties, Guanxue had taught seven students, and only Xiao Sibei was active on the stage.