On the Art of Making Wedding Microfilms

On the Art of Making Wedding Microfilms

First, standardize the lens language of wedding microfilm

How did movies become a unique language? Through close-up, scene scheduling and montage 3, the short film should have the feeling of shooting a large film and fully master the skills of lens language.

1. Carefully shoot the love element-"eye contact"

The moment of love is as magical as a chemical reaction, and eye contact is an important plot to express their feelings. When shooting, the position and action of the lens should be as simple as possible, and the photographer can create a little tension. At the beginning, the two newcomers should try to avoid looking directly at each other, even if they look, they look secretly and have no eye contact. After dodging for a while, both sides summoned up the courage to look directly into each other's eyes and let the audience feel the spark of love from the camera at this time. "Eye contact" can also appear in the scenes of searching, waiting, first kiss and so on. The camera can be displayed by close-up and front and back shots.

2. Pay attention to the texture of the picture and reduce night shots and weather special effects.

The wedding microfilm scene is generally controlled within 15, and the shooting should be completed within 2 to 4 days as far as possible, making full use of the natural light effect and reducing night shooting and weather special effects. Obviously, during the day, the sun will provide enough light, and everyone can clearly see what they are doing. Sometimes, even if there is no light at all, the camera can take a textured picture, but at night, every lens needs to be carefully polished. If you rush, you will only get a pile of rubbish, and finally you will have to shoot again, so shooting at night will take more time and increase the shooting cost, so try to arrange the scene during the day, not at night. Similarly, if there are such words in the script-"In the dense fog, A goes deep into the forest" or "Rain splashes, A goes deep into the forest", please delete "Dense fog" and "Rain splashes", unless such weather is needed in the microfilm to promote plot 5.

Second, give full play to the artistic charm of editors

Editing is like a complicated jigsaw puzzle, which combines different pictures and sound parts to make it more compact and rhythmic.

1. Control the lens length, which is infectious.

Wedding microfilm should tell an infectious and cohesive love story in a short time. Besides following the basic narrative structure in story board, we should also pay attention to the length of each shot. To determine the specific length of each shot, we should comprehensively consider the content expression, scene and emotion of the shot. Generally, the length of the picture only needs to be "visible" on the basis of ensuring that the audience can "see clearly", and the contents contained in the perspective and panoramic lens are relatively complicated. At this time, a longer lens picture is needed for the audience to see clearly; Close-ups and close-ups can be shorter. When some paragraphs are used to express emotions, emotions and atmosphere, short shots can be quickly cut to give the audience a "sense of shock" visually. Sometimes, in order to better express the inner feelings of the characters, especially at the time of emotional climax, the lens length can be appropriately extended or slow motion can be adopted.

2. Carefully select the background music and grasp the rhythm.

Music is an expressive art form, and background music is an essential element in wedding microfilm. The tone of the background music laid the foundation for the production direction and editing style of the whole short film. When writing story board, the planner will determine an emotional direction, which is pleasant, sensational and touching. Different emotional rendering needs different types of music as the background, and the rhythm of music depends on the plot, which sets off the tone and style of the whole short film. The background music of conventional wedding microfilms mostly uses foreign songs, which makes the audience pay more attention to the content and emotion of the short film and downplays the specific names and singers of the background songs in just a few minutes.

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