Classification of roles in the opera

On the eve of the Anti-Japanese War, the flower dynasty theater only "raw", "Dan", "ugly" three roles, commonly known as "triangular theater "

After the victory in the War of Resistance Against Japanese Aggression, the Cantonese Opera went up to the river (i.e., to perform in Zijinshan District), and the Flower Dynasty artists, based on the artistic characteristics of the Flower Dynasty Opera itself, absorbed and melted some of the Cantonese Opera's performance programs, which greatly enriched the art of the Flower Dynasty and changed the loose state of the past naturalism and the phenomenon of a man dressed as a woman due to the bondage of the feudalistic rites and rituals, so as to make it have the embryonic form of a division of labor between the lines. There are the Sheng line of Zheng Sheng, Xiao Sheng, Lao Sheng; Zheng Dan, Hua Dan, Xiao Dan, Qing Yi; the clown line of clowns, three flowers; the end of the line of the end, outside, miscellaneous, and so on.

After the founding of New China, the art of huachao was explored, studied and reformed. In terms of music and singing, from the needs of the theater, a change in the past "tofu block" situation, in the "tunes and embellishments" in a bold attempt to innovate, supplemented by changes in the plate style. It not only preserves the tradition and style, but also overcomes the situation of monotonous melody and impoverished plate style. In terms of performances, they respectively explored and tried to absorb the "horse step", "broken step" and "tea picking" of the tea picking opera on the basis of the development of traditional performance techniques, "round hand", "fan flower", "towel flower", and other movements, so that the performance art of Hua Chao opera is more rich.