Brief introduction and development of peasant paintings in Huangzhong, Qinghai Province

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Qinghai Huangzhong folk painting originated in Ming and Qing Dynasties and took shape in the early 1970s. Formed a modern folk painting with unique artistic style dominated by Han and Tibetan culture-Huangzhong peasant painting, which can be called a wonderful flower in the treasure house of traditional folk art in Qinghai-Tibet Plateau.

1In March, 988, "Peasant Painting in Huangzhong" boarded the art hall of the China Art Museum in the capital with the earthy fragrance of the Qinghai-Tibet Plateau, creating the first painting art exhibition held by the China Art Museum in Qinghai Province since the founding of the People's Republic of China. In the same year, Huangzhong County of Qinghai Province was awarded the honorary title of "Hometown of Modern Folk Painting in China" by the Ministry of Culture. Over the past 30 years, its creative team has gradually grown, and fine products have emerged one after another. He has created more than 2,000 peasant paintings, of which 100 works participated in national exhibitions, more than 50 works won prizes, and more than 20 works were collected by China Art Museum and other units. Meng Aokui and Zhang Bin were rated as outstanding painters of modern folk painting in China by the Ministry of Culture.

Peasant painting in Huangzhong is a melting pot of national culture, local culture and folk painting art. Based on distinctive regional colors and strong national characteristics, it draws nutrition from folk embroidery, paper-cutting, national costumes and folk architecture, and selectively draws lessons from the modeling, composition, color setting, line drawing and special expression techniques of different national folk art forms to choose an innovative, unique and new look. Modern folk painting in Huangzhong has been listed in the intangible cultural heritage list of Qinghai Province.