Liu Chenghua's paper

20 12 "the influence mechanism of culture on art-also on the cultural interpretation path of art" 20 12 "the diachronic development of ancient singing theory-the inspired vocal music aesthetic theory" China Journal of Social Sciences 20 1 1 Symphony on the theoretical characteristics of ancient music aesthetics in China 201. From the relationship between pluralism and monism, this paper demonstrates some problems in the aesthetic construction of China's traditional music 20 10. Symphony of "skill" and "Tao" in the performance of guqin in 2009 —— From the dimension transformation of the artistic aesthetic theory of Zhuangzi's "Knowing Cows" in 2009 —— From the investigation of subjectivity and intersubjectivity. The theoretical background of Ji Kang's thought of "no sorrow and joy" in 2009; The dual mission of "preservation" and "survival" of China music in 2008: the particularity of the protection of intangible cultural heritage of music; Journal of Xinghai Conservatory of Music in 2008; Finding the True Nature of Art Wei Art Research 2008 China's Implicitness of Artistic Expression 2008 Beauty and Times 2008 Exploring the Historical Jinling Qinpai 2007 Yuefu Xinsheng Music Aesthetics Towards Intersubjectivity —— Cultural Dimension in Music Aesthetics Research 2007 Art Research 2007 Logical Form of China Music Aesthetics —— Interpreting the Theoretical Features of China's Music Aesthetics from Connotation Logic 2007 China Music and Performance, The definition of the meaning of culture to music-the mechanism of the influence of culture on music (3) The new Yuefu sound in 2006, the reproduction of culture in music-the mechanism of the influence of culture on music (2) The new Yuefu sound in 2006, on the setting of art disciplines from the relationship between art and literature, art and design. In 2006, one of the functions of culture to music was the new Yuefu sound. In 2005, The historical evolution of the relationship between "the Qin of the literati" and "the Qin of the artist" —— A historical investigation of the two traditions of guqin and their relationship, China Music, 2005, Cultural Interpretation of the Morphological Characteristics of Silkworm and Bamboo Music in the South of the Yangtze River, China Music, 2005, The Beauty and Times of Guqin Modeling and Decoration, 2005, China Traditional Culture's Cooperation with Art The Country of Piano in Xishan > A New Theory on Structured Music and Performance; The Influence of Zhejiang School in the Southern Song Dynasty on the Post-Qin School in 2004 and Its Context; The Cause and Significance of Music Culture Discipline in Journal of Hangzhou Normal University in 2004; The Spatial Creation of Musical Artistic Conception in Yuefu Freshmen in 2004; Identification of Guqin Age of China Art Series in 2004 (Serial 9- 12) The musical instrument "emotion" motif of China traditional music and its cultural implication The "nature" motif of China traditional music and its cultural implication in 2003 China Music in 2003 The implicit beauty of guqin and its personality connotation in 2003 Oriental Series in 2003 The different purposes and trends of scholars and artists' pianos in 2003 The study of contemporary music culture from the perspective of discipline structure, etc. Rhyme —— Aesthetic Character of Cultural Exchange in China Art Education 2003 Development Techniques and Characteristics of Guqin Music 2003 Research on the Mystery of Guqin China Music 2002 Differences between Chinese and Western Religious Spirits and Their Cultural Connotation 2002 Journal of Hefei Institute of Education 2002 Natural Motif of China Traditional Music and Its Cultural Implication China Musicology 200 1 China Music 200 1 Musical Aesthetics moves towards Hermeneutics "Huang Zhong, Music and Dance Research 200 1 The Diachronic Framework of Guqin Aesthetics Huang Zhong 200 1 Also on Music and Culture —— Answer to Mr. Hu 200 1 The New Voice of Yuefu People's Music 2006 54 38—— Changing "Chinese and Western" into "Pluralism" —— On the Relationship between Chinese and Western Music from the Perspective of Music Development Strategy; The Significance of Zhuangzi 20065438 The Changes of China's Literary Style from the Perspective of Life Ontology 2000 The Performance and Expression of Guqin Music 2000 On the Expression of Guqin China Musicology 2000/kloc-0. 999 New Realm of Aesthetic Interpretation in Art Education Education and Modernization 1999 Cultural Aesthetic Connotation of Guqin Huang Zhong 1999 Charm Analysis of Guqin 1999 China Music Aesthetic Implication of Guqin 0999, Activating Music with Culture-A New Realm of Aesthetic Interpretation of Music Education, The extreme of chic and elegance-aesthetic analysis of quatrains, Oriental series, China ancient and modern literature research, 1998, rhyme: the spirit of China art, literature and history magazine, 1998. The Rise of Green Aesthetics 1998 The Cultural Implication of Green 1998 The Doctrine of the Mean —— An Interpretation of the Journal of Anhui University from the Axis of Guo Yinmei's Thought and Theory 1997 The Relationship between Quality and Knowledge and Its Significance in Teaching: Education is an Important Way to Cultivate Creativity-Excerpted from Education and Modernization by the Social Thought Committee of the University of Chicago 1 997 Yuan: Timeliness of Aesthetic Space, Journal of Literature and History 1997, Philosophy as a Mind, Philosophical Vision 1997, Towards Meaning, Towards Life —— Comparison of the ontological state of Chinese and Western art, the highest aesthetic category of Oriental China art: Rhyme, Academics and Aesthetics, 1997, Chinese and Western music forms. Research on music and dance 1997 time expression of China's artistic rhyme 1997 revelation of modern people's "involuntary" state —— analysis of the meaning of Qian Zhongshu's Fortress Besieged 1996 aesthetic sensitization and disintegration of the original function of culture: an investigation of the evolution track and mechanism of Chinese musical instruments: Yuefu .10000.0000000000606 Music and Dance 1996 Timbre Characteristics and Cultural Connotation of Chinese and Western Musical Instruments 1996 "Going Deep into the Soul-A Preliminary Study on the Evolution of Modernism" Journal of Hefei Education College 1996 "luna Spirit of China Art" and "Literature and History Magazine" 1996 "In Culture, History and Life" Taoist Synthesis of Three Harmony in Life in Song and Ming Dynasties: Journal of Hefei University of Technology1995; On the differences between Chinese and Western musical traditions from the perspective of cultural traditions: Huang Zhong1994; On Wen Yiduo's Revision of Perhaps: Young Poet 1994. 1994 comparison of aesthetic characteristics between Chinese and western music; China Music, Music and Dance Research 1994 On the Development of Ancient Musical Instruments in China (Part One); 1994 The connotation and evolution of "sorrow" in Tang and Song poetry; 1994 Journal of Hefei Institute of Education; Open. Xinhua Digest 1993 On the Deep Relationship between Artistic Aesthetics and Scientific Creation from Gestalt 1990 On Aesthetic Education from Ontology to Psychology —— A New Framework of Western Aesthetic History 1989 On the Aesthetic Characteristics of Yuan Sanqu from Interest to Interest in the History of Western Scholars' Literature.