Traditional Culture Encyclopedia - Traditional culture - Nuo opera nuóxì explanation Nuo opera explanation is what
Nuo opera nuóxì explanation Nuo opera explanation is what
The word Nuo opera is explained: Nuo opera nuóxì. (1) one of the local opera varieties, popular in Anhui Guizhi, Qingyang area and the mountains of western Hubei. Actors wearing willow masks perform with repeated, large-scale programmed dance movements, mostly at festivals. Pronunciation is: ㄋㄨ, _ ㄒ一_. The structure is: Nuo (left-right structure) theater (left-right structure). Pinyin is: nuóxì.
Nuo opera specific explanation of what it is, we introduce you through the following aspects:
One, the network explains click here to see the plan in detail
Nuo Nuo opera Nuo opera, Chinese opera genre, is based on folk rituals to absorb the folk songs and dances, drama and the formation of a form of opera. Nuo opera originated in the Shang and Zhou period of Fang Xiang's exorcism activities, after the Han Dynasty, and gradually developed into a ceremonial ritual with a strong entertainment color and play components. Around the Song Dynasty, Nuo instrument due to the influence of folk songs and dances, theater, began to diffuse into the Nuo opera aimed at rewarding the gods still want. Nuo opera is history, folklore, folk religion and primitive theater complex. Widely popular in Anhui, Jiangxi, Hubei, Hunan, Sichuan, Guizhou, Shaanxi, Hebei and other provinces. Nuo opera in different ethnic groups and regions, the name varies, such as Nuo Tang opera, end of the public theater, the division of the play, boy play, the play, Guanzuo play and so on. Nuo opera masks as an important means of artistic modeling, content and religious ghosts and gods; Nuo opera performers, according to the role of wearing painted masks, commonly known as "face", divided into a not, two net, three students, four Dan, five ugly, six outside, seven sticker Dan, eight students; its performance is commonly known as "jumping Nuo ", the scene is accompanied by gongs and drums. Representatives of the repertoire are "catching yellow ghosts", "Liu Wenlong rush", "Meng Jiangnu", "Zhang Wenxian", "Chenzhou grain", "Xue Rengui conquest of the East", "Pang's female", "Dragon King's female", "Taoyuan Cave God", "Land of the Liangshan", etc., in addition to some of the material in the "Meilian biography", "Romance of the Three Kingdoms," "Journey to the West" story of the repertoire. 2006-2014, Nuo Opera (Nuo opera in Wu'an, Nuo Opera in Chi Chau) Nuo opera, Dong Nuo opera, Yuanling Chenzhou Nuo opera, Dejiang Nuo Nuo opera Wanzai opening Nuo, Gelao Nuo opera, Hefeng Nuo opera, Enshi Nuo opera, Renzhuang fan drums Nuo opera, De'an Pangong opera, Meishan Nuo opera, Libo Nuo Nuo opera Linwu Nuo opera, Qingtan) have been included in the national representative list of intangible cultural heritage projects.
Poetry on Nuo opera
"Ding Mao New Year's Eve - court strike drive Nuo opera"
Poetry on Nuo opera
Ting strike drive Nuo opera
On the Nuo opera idioms
Take a good hand in the drama shorties watching the play finale play shepherd slaves play dwarfs watch the drama of the lips and teeth of the opera singing solo opera stealing the dog playing the chicken
On the Nuo opera words
Handy play Zhang feast set up play drumming play people's aptitude for the game shepherd pig slavery play color to entertain relatives finale play steal dog play chicken as if it were a child's play game Samadhi
On the Nuo Nuo opera sentences
1, Guizhou Nuo culture is mainly manifested in the performance of Nuo opera.
2, Nuo opera actors and actresses old, young actors and actresses, the lack of successors has been in front of the situation.
3, he created the Chinese drama combined with the ancient Chinese Nuo opera, shadow, opera and rap.
4, to the eccentric Wang Yongshuo as the center, there are Zhuang have harmony, elegant and vulgar; and will be harmonic drama and haiku, burlesque, Nuo opera, Yuan miscellaneous plays for comparative exploration, this is the theorist to write a popular article is different from the common place.
5, explains the Tibetan opera does not belong to the "Nuo opera type" drama, but the typical Buddhist drama.
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