Traditional Culture Encyclopedia - Traditional culture - What is the role of Hua Dan?

What is the role of Hua Dan?

The second category of Danhang is called Huadan. The situation in Hua Dan is just the opposite of that in Tsing Yi. In terms of clothing, they all wear short clothes, or short coats and pants, or short coats and skirts. Even wearing long dresses is embroidered with colorful patterns. From the age point of view, they all play young women. Performance, mainly to work and speak English. The spoken language is mainly Beijing white, of course, there are also rhyme white, but Beijing white is more. Characters are generally lively and cheerful, and their movements are agile and smart. This is the general difference between Hua Dan and Tsing Yi. If further elaborated, Hua Dan can be divided into two concepts: narrow sense and broad sense. Hua Dan in a narrow sense refers to playing a lively and cheerful young woman with a light and agile manner. There are many such roles, such as the matchmaker in Matchmaker, Xin Ping in Beating Cherry, Chunlan in Huatiancuo, Cao Chun in Cao Chun Chuangtang and so on. , are all played by Hua Dan. In the past, Hua Dan also played the roles of Jin Yunnv in Hongluan Jubilee and Di Yunluan in Pride. This is ... Hua Dan in a broad sense has a wide range, which generally includes several kinds: one is a young girl, which originally refers to an unmarried girl who is good at working and reading white, such as Sun Yujiao in Picking up the Jade Bracelet and Liu Yulian in The Cabinet. Later, although some characters performed steadily, they also paid more attention to singing, such as Cheng Xuee, Tang Huixian of Hairpin Phoenix, Su, and Chen Xingyuan of Mei, and so on. Later, it was also included in the boudoir.

Generally speaking, boudoir Dan plays the role of a good family or a relatively stable family Jasper. Boudoir Dan can rhyme white, and most boudoir Dan can rhyme white. For example, Sun Yujiao in Picking up the Jade Bracelet is a little girl, but she still reads rhyme. The second kind is jokes, which, as the name implies, is a kind of role that is easy to fight and make fun of. Such characters all appear in comedies or burlesque. They are joking, funny and witty for their performances. Most of these characters are equipped with clowns, and occasionally there are small students in them, but most of them are equipped with clowns. Jokes pay more attention to work, to put it bluntly. Some plays basically don't sing, and some don't even sing Pihuang, just sing a ditty or a song card. For example, there are many such scenes, such as beating a noodle jar, making a small mill, a piece of cloth, carrying a baby into the house, beating a steel knife, beating a city god, beating a bar, playing a kitchen god, playing a casserole and so on. There are also some small operas from folk songs and dances, which are mixed with some humorous performances, and also sing folk tunes with strong local flavor, such as Little Cowherd, Little Grave and Playing Flower Drum. Those who play the leading role can also be classified as jokes. The third category is called pungent Dan, which is to play a very pungent character. There are not many such plays. These characters have distinct personalities, sharp words and bohemian manners, and their main means of expression are workmanship and colloquialism. For example, Yan Xijiao in Sitting on a Building to Kill Cherish, Zou Shi in Zhanguang City, Pan Qiaoyun in Cuiping Mountain, Pan Jinlian in Song Wu Killing Sister-in-law and so on. All belong to this role. There is a most typical play in the fiery Danli, called Eight Falls Together (full name Longtan Paul or Hongbiyuan), in which there is a grandmother. This role is very hot, which can be said to be a typical hot Dan Li. There is also a role called assassination of Dan, which is to play the role of assassin in the play. This word comes from Kunqu Opera. There is a kind of assassination in Kunqu opera, that is, some women assassinate their enemies for revenge and play such a role. They perform with intense emotions, exaggerated movements and tense vocals, so there is a special business called assassination. For example, Wu Feixia in Xiang Liang Thorn Beam and Fei Zhen 'e in Zhen Xuan Thorn Tiger were all played by assassin Dan. However, assassination in Beijing opera is different. Assassination in Beijing Opera generally refers to being assassinated. As mentioned above, Zou was stabbed to death in the battle of Wancheng, Cuiping Mountain was killed by Shi Xiu, Pan Jinlian was killed in killing her sister-in-law, and Yan Xijiao in "Killing Cherish on the Floor" was also killed by Song Jiang, and so on. On the other hand, in Peking Opera, because assassins are mostly decent women and kill enemies for revenge, Tsing Yi took the job in Peking Opera. For example, Yan Xue in "God's Head Hall" stabbed Tang Qin, and Shen Xuezhen in Cheng Pai's famous drama "Green Frost Sword" killed an enemy for revenge. Some characters like this are played by Tsing Yi, so the assassination of Dan in Beijing Opera does not exist. Because the role of an assassin is different from that of an assassin, and the assassinated person is basically said together with the provocative Dan, there is not much difference between the provocative Dan and the assassination Dan in Beijing opera, and generally there will not be too much.

The second category of Danhang is called Huadan. The situation in Hua Dan is just the opposite of that in Tsing Yi. In terms of clothing, they all wear short clothes, or short coats and pants, or short coats and skirts. Even wearing long dresses is embroidered with colorful patterns. From the age point of view, they all play young women. Performance, mainly to work and speak English. The spoken language is mainly Beijing white, of course, there are also rhyme white, but Beijing white is more. Characters are generally lively and cheerful, and their movements are agile and smart. This is the general difference between Hua Dan and Tsing Yi. If further elaborated, Hua Dan can be divided into two concepts: narrow sense and broad sense. Hua Dan in a narrow sense refers to playing a lively and cheerful young woman with a light and agile manner. There are many such roles, such as the matchmaker in Matchmaker, Xin Ping in Beating Cherry, Chunlan in Huatiancuo, Cao Chun in Cao Chun Chuangtang and so on. , are all played by Hua Dan. In the past, Hua Dan also played the roles of Jin Yunnv in Hongluan Jubilee and Di Yunluan in Pride. This is ... Hua Dan in a broad sense has a wide range, which generally includes several kinds: one is a young girl, which originally refers to an unmarried girl who is good at working and reading white, such as Sun Yujiao in Picking up the Jade Bracelet and Liu Yulian in The Cabinet. Later, although some characters performed steadily, they also paid more attention to singing, such as Cheng Xuee, Tang Huixian of Hairpin Phoenix, Su, and Chen Xingyuan of Mei, and so on. Later, it was also included in the boudoir.

Generally speaking, boudoir Dan plays the role of a good family or a relatively stable family Jasper. Boudoir Dan can rhyme white, and most boudoir Dan can rhyme white. For example, Sun Yujiao in Picking up the Jade Bracelet is a little girl, but she still reads rhyme. The second kind is jokes, which, as the name implies, is a kind of role that is easy to fight and make fun of. Such characters all appear in comedies or burlesque. They are joking, funny and witty for their performances. Most of these characters are equipped with clowns, and occasionally there are small students in them, but most of them are equipped with clowns. Jokes pay more attention to work, to put it bluntly. Some plays basically don't sing, and some don't even sing Pihuang, just sing a ditty or a song card. For example, there are many such scenes, such as beating a noodle jar, making a small mill, a piece of cloth, carrying a baby into the house, beating a steel knife, beating a city god, beating a bar, playing a kitchen god, playing a casserole and so on. There are also some small operas from folk songs and dances, which are mixed with some humorous performances, and also sing folk tunes with strong local flavor, such as Little Cowherd, Little Grave and Playing Flower Drum. Those who play the leading role can also be classified as jokes. The third category is called pungent Dan, which is to play a very pungent character. There are not many such plays. These characters have distinct personalities, sharp words and bohemian manners, and their main means of expression are workmanship and colloquialism. For example, Yan Xijiao in Sitting on a Building to Kill Cherish, Zou Shi in Zhanguang City, Pan Qiaoyun in Cuiping Mountain, Pan Jinlian in Song Wu Killing Sister-in-law and so on. All belong to this role. There is a most typical play in the fiery Danli, called Eight Falls Together (full name Longtan Paul or Hongbiyuan), in which there is a grandmother. This role is very hot, which can be said to be a typical hot Dan Li. There is also a role called assassination of Dan, which is to play the role of assassin in the play. This word comes from Kunqu Opera. There is a kind of assassination in Kunqu opera, that is, some women assassinate their enemies for revenge and play such a role. They perform with intense emotions, exaggerated movements and tense vocals, so there is a special business called assassination. For example, Wu Feixia in Xiang Liang Thorn Beam and Fei Zhen 'e in Zhen Xuan Thorn Tiger were all played by assassin Dan. However, assassination in Beijing opera is different. Assassination in Beijing Opera generally refers to being assassinated. As mentioned above, Zou was stabbed to death in the battle of Wancheng, Cuiping Mountain was killed by Shi Xiu, Pan Jinlian was killed in killing her sister-in-law, and Yan Xijiao in "Killing Cherish on the Floor" was also killed by Song Jiang, and so on. On the other hand, in Peking Opera, because assassins are mostly decent women and kill enemies for revenge, Tsing Yi took the job in Peking Opera. For example, Yan Xue in "God's Head Hall" stabbed Tang Qin, and Shen Xuezhen in Cheng Pai's famous drama "Green Frost Sword" killed an enemy for revenge. Some characters like this are played by Tsing Yi, so the assassination of Dan in Beijing Opera does not exist. Because the role of an assassin is different from that of an assassin, and the assassinated person is basically said together with the provocative Dan, there is not much difference between the provocative Dan and the assassination Dan in Beijing opera, and generally there will not be too much.