Hua Sanchuan, Four Screens of Ladies

Working brush painting, also known as "fine brush painting", is one of the categories of Chinese painting techniques. It is symmetrical with the "pictorial painting". It belongs to the category of neat and meticulous painting, such as the courtyard painting of the Song Dynasty and the figure painting of Qiu Ying in the Ming Dynasty.

The brushstroke painting requires that "there is a clever, dense and fine" (Northern Song Dynasty, Han拙 "山水纯全集"), ink and wash, light reddish-red, green, gold and blue, boundary painting and other forms of art can be expressed in brushstroke painting.

The painting of ladies - Wei Jin and North and South Dynasties is the early stage of development of the painting of ladies. The women depicted were mainly ancient virtuous women and fairy tales, etc. The archetypes of these images generally came from poems, fugues and other literary works and folklore. The Tang Dynasty, as the most glorious era of feudal society, was also a prosperous and flourishing stage for the painting of ladies.

By the time of cultural prosperity. The Song Dynasty in the creation of the painting of ladies inherited the prosperity of the Tang and Five Dynasties and innovation, especially in the subject matter, the scope of its expression has been expanded to an unprecedented level of breadth. Yuan Dynasty as the Mongolian aristocratic rule, the special social situation and ethnic conflict, so that the painters to avoid living in the mountains, focusing on the expression of feelings of seclusion landscape painting, which led to the decline of the Yuan Dynasty painting of ladies. In the Ming Dynasty, the latter was the mature stage of the art of ladies' paintings, which was characterized by aestheticism. The Qing dynasty as the last dynasty of feudal society, the development of women's painting to this point, was raised to the water, birds and flowers above the performance of the subject matter of the supreme position, as, as the Qing dynasty, high Chongrui "under the pine Qing Zhai set" said "the world's famous mountains and beautiful water, exotic flowers and birds, but the beauty of a person can be both, although the Jing, Guan ink, Cui, Ai waving the brush, as the women's collection of the great achievements. "

Throughout history, women's painting from the origin, formation to development. After more than two thousand years of long evolutionary process, become China's outstanding cultural heritage, for our painting innovation today provides a wealth of experience.

Recently, our company had the honor to collect Mr. Hua Sanchuan's "Ladies" quadruple screen, 128CM long, 35CM wide.

Four screens *** counting 16 square feet, Hua Sanchuan, as a contemporary outstanding figure painters of the brushwork, served as a member of the China Federation of Artists, director of the Shanghai Artists' Association, Shanghai Children's and Young People's Publishing House professional painters, and Shanghai Museum of Literature and History Research Librarians. During his 60 years of artistic career, he has diligently cultivated and climbed the peak, and on the basis of inheriting the tradition, he has carried out changes and innovations to form his own unique artistic style, which is unique and notable in the field of Chinese Gongbi figure painting. Its work power is also very strong, coupled with its innovative thinking, for the first time the maid of honor figure plus the idea of the dragon pattern, to create a picture of the love of the river and the mountains and the beauty of the good will.

? In the art market, paintings and drawings are repeatedly auctioned at sky-high prices, this product is a modern work, but its collection value and economic value is unpredictable.

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