Classic aria of Peking Opera

The classic aria of Beijing Opera include Yang's Adagio and the Original Plate, Ma's Borrowing the East Wind, Ma's Looking at Luo Ji and Tan's Mulberry Garden.

1, Yang's Adagio and the original board.

The aria is smooth and stretched, rich and mellow, desolate and sad, and there is no harsh voice. The linear cavity is powerful and full. Although the treble is a bit lacking, the mid-bass sound quality is rich and wide, and the volume is sufficient. For long notes, Mr. Yang's long notes are continuous and natural, with no hurry or delay, cadence, coherence and uniformity, and natural roundness.

At the back of the fast original board, Mr. Yang sang more smoothly and naturally, with clear pronunciation and mellow voice, using cough skillfully, making rapid progress in one go, which was amazing. In a word, Mr. Yang's singing is not famous for its high-pitched strangeness, but for its charm, which is a classic of old Beijing opera singing.

2, Ma's "Borrowing Dongfeng" lead board, the original board. This aria is one of the representative choruses of Beijing Opera Horse School, and it is also one of the Beijing Opera choruses that opera fans like to hear very much. Personally, Mr. Ma's vocal characteristics are: broad, bright, elegant, stretching the atmosphere, long lasting appeal, full of spirit, with Ma school characteristics, artistic appeal and temptation, which also well shows Zhuge Liang's extraordinary temperament full of strategy, fairy spirit, calmness and self-confidence.

3. Ma Li Anliang is extracted from Kanluoji.

Advise chitose to kill words and not to export them. This aria is one of the classic ones of Ma School. Although the length is not long, it has a high artistic appeal and is one of the well-known Beijing opera aria. Personally, I think the characteristics of this aria are: first, handsome, and second, free and easy, which truly reflects the characteristics of Beijing opera singing. Singing is also very harmonious, combining rap and singing, coherent and smooth, step by step, one step at a time, and can meet the audience's appreciation needs.

4. Tan Fuying's Sangyuan ji zi.

Well, brother, once he dies. This aria is a song in which the hero Deng Bodao laments his younger brother's early death, runs away with his son and nephew, and comes to his grave and cries sadly. This aria, sung by Mr. Tan, is mournful, sonorous, round and crisp, full of verve, quite characteristic of Tan School and full of artistic appeal. It is one of the representative works of the New Tan School in Beijing Opera.