The three greatest poets in the history of ancient Sichuan poetry

Introduction: The three greatest poets in the history of ancient Sichuan poetry: Li Bai, Su Shi, and Zhang Qitao

China is known as the country of poetry, and poetry has always been loved by people. The Ba Shu region is a region of mountains and water, and the land is full of people. Over the past thousands of years, countless talented people have created the fruitful culture of Ba Shu on this land. The peculiar geographical environment of Sichuan is especially helpful for people to cultivate their spirit, accumulate energy and inspire. Therefore, in the thousands of years of history, the Sichuan characters who are most capable of excelling in China, the first number of literati. The masters of poetry and literature from Sichuan have been inherited from generation to generation. Han has Sima Xiangru, Tang has Li Bai, Song has Su Shi, Ming has Yang Shen, Qing has Zhang Fenshan (ask Tao), modern Guo Moruo, Ba Jin, all outstanding, self-contained, famous far and wide. Among them, Li Bai, Su Shi, Zhang Qitao are the three greatest poets of genius in the history of ancient Sichuan poetry.

Li Bai (701?762), the word Taibai, Jiangyou City, Sichuan Province, Qinglian Township people. He was known as the Green Lotus Dweller and? The Exiled Immortal. He is also known as the "Poetry Immortal". Poetry Immortal? and the Poetry Fairy, the Poetry Warrior, and the Poetry Warrior. Poetry Warrior. He was also known as the Poetry Immortal and the Poetry Warrior. He was the ninth grandson of King Hao Hao of Liang Wuzhao. He was a young man of talent and ambition, and had a transcendent spirit. At the beginning of his life, he hid in Minshan Mountain, but the governor of Yizhou, Su Sorry, said, "I think you are more talented than Xiangru," and said, "I think you are more talented than Xiangru. Sorry, this entry is only available in 中文 and Монгол Монгол Монгол Монгол. In the beginning of Tianbao, he went to Chang'an and met He Zhizhang. When he met He Zhizhang in Chang'an in the beginning of the Tianbao period, he sighed and said: "I am a genius and a special person. Zi banished immortals. Words in the Ming Emperor, summoned to the Golden Palace, played an ode. The emperor gave food, personally spoon, there is an imperial edict for Hanlin. White is still drinking with alcohol in the city, the emperor sitting in the incense pavilion, meaning that there is a sense of desire to get white for the music chapter, called in, and white has been drunk. Around the face with water, a little solution, the pen into the text, elegant and exquisite. The emperor loves his talent, several feasts to see. White often serve the emperor, drunk, so that Gao Li Shi boots. Lixi Su Gui, shame, pick his poem to stimulate Yang Guifei. The emperor wanted to official white, the princess always frustrated stop. Bai knew that he was not tolerated by his close friends and begged to return to the mountain. The emperor gave him gold and released him. He was a wanderer and spent his days drinking. Yong Wang Lin governor of Jiangling, opened as a bureaucrat. Lin plotted rebellion, defeat, white sitting long flow night, will pardon to return. Clansman Yang Bing for Dangtu order, white to follow. Emperor Dai Zong was established, to the left pickup call, and white has died. When Emperor Wenzong, the edict to Bai song poetry, Pei Min sword dance, Zhang Xu cursive for the three best clouds. Collection of thirty volumes. Today, twenty-five volumes of poetry.

Main achievements: Li Bai's music, songs and lines and stanzas are the highest achievement. His songs and lines, completely breaking all the inherent format of poetic creation, empty, no dependence, penmanship, to achieve the magical realm of arbitrary and unpredictable, swaying and colorful. Li Bai's stanzas are natural and bright, elegant and elegant, and can express endless thoughts in simple and clear language. In the Sheng Tang poets, Wang Wei, Meng Haoran long in the five absolute, Wang Changling and other seven absolute write very well, both long five absolute and seven absolute and the same to achieve the extreme, only Li Bai one.

Li Bai's poems are majestic and elegant, and the artistic achievement is very high. He eulogized his country's mountains and rivers and beautiful natural scenery, his style is strange and unrestrained, handsome and fresh, rich in the spirit of romanticism, and achieved the perfect unity of content and art. He was called by He Zhizhang? He was called by He Zhizhang as "the man who banished the immortals". His poems are mostly about landscapes and expressing his inner feelings. Li Bai's poems are characterized by Li Bai's poems are characterized by the artistic charm of his writing, which is one of the reasons why he is so famous for his poems. Li Bai's poems have the artistic charm, which is also the most distinctive artistic characteristics of his poems. Li Bai's poems are rich in self-expression of subjective lyricism is very strong, the expression of feelings with a kind of mountains and seas, a torrent of momentum. He and Du Fu are known as? The Great Li and Du Fu. (Li Shangyin and Du Mu are also known as? Little Li Du?)

Li Bai Du is the most important of all.

Li Bai's poems often use a combination of imagination, hyperbole, metaphor, personification and other techniques to create a magical, colorful, magnificent and moving mood, which is why Li Bai's romantic poems are so bold and unrestrained, as if they were immortal.

Li Bai's poetry has had a profound impact on future generations. Famous poets such as Han Yu, Meng Jiao, and Li He in the Middle Tang Dynasty, Su Shi,[7] Lu You, and Xin Qiji in the Song Dynasty, and Gao Qi, Yang Shen, and Gong Zizhen in the Ming and Qing dynasties were all greatly influenced by Li Bai's poetry.

Su Shi (1037-1101), the character Zizhan, also known as Hezhong, was known as ? Dongpo Jushi? He was also known as Dongpo Jushi, and was known as Su Dongpo. Su Dongpo? Meizhou (present-day Meishan, Sichuan, Meishan City in the Northern Song Dynasty) people, ancestral home Luan City. The Northern Song Dynasty famous literati, calligraphy and painter, lyricist, poet, gourmet, one of the eight great masters of the Tang and Song dynasties, the representative of the Magnificent School of lyricists. Its poetry, lyrics, fugue, prose, are highly accomplished, and good calligraphy and painting, is a rare all-round talent in the history of Chinese literature and art, but also China's thousands of years of history is recognized as one of the most outstanding literary and artistic attainments. Its prose and Ouyang Xiu and called Ou Su; poetry and Huang Tingjian and called Su Huang; words and Xin Qiji and called Su Xin; calligraphy ranks ? Su, Huang, Mi, Cai? One of the four major calligraphers of the Northern Song Dynasty; its painting created the Huzhou School of Painting.

Main achievements: Su Shi made extraordinary achievements in the creation of words, in terms of the development of a genre itself, the historic contribution of Su words and more than Su Wen and Su Poetry. After Liu Yong, Su Shi carried out a comprehensive reform of the word style, and finally broke through the word for? The traditional pattern of the word was changed, and the style of the word was improved. The traditional pattern of the word, improve the literary status of the word, so that the word from the music of the collateral into an independent lyric poetry, fundamentally changed the direction of the development of the history of the word.

Su Shi's views on society and his thoughts on life are undisguised in his literary works, which are most vivid in his poetry. In more than 2,700 Su Shi poems, the themes of intervening in social reality and thinking about life are very prominent. Su Shi held the view that the unreasonable phenomena in the social reality? He had the attitude of criticizing the reality. He always criticized the reality as an important theme of his poems. What is more valuable is that Su Shi's criticism of society is not limited to the new government, not limited to the immediate, he attacked the feudal society of the long-standing ill-governance, bad habits, reflecting a deeper sense of criticism.

Su Shi's literary thought is that literature and Taoism are both important. He admired the contributions of Han Yu and Ouyang Xiu to the ancient literature, both from the two sides of the literature and Taoism. But Su Shi's view of literature and Taoism was very unique in the Northern Song Dynasty. First of all, Su Shi believed that the art of writing had an independent value, such as ? The art of writing is not only a tool for carrying the Way, but its own function of expression is an advanced form of human spiritual activity. Secondly, Su Shi's idea of ? Tao? is not limited to the Confucian way, but refers to the laws of things in general. Therefore, Su Shi advocated that the article should be like the objective world, the naturalness of the text, gestures. He advocated the diversity and vividness of artistic style, opposed to the uniformity of the unified literary style, that would cause the literary world? The whole world is full of yellow weeds and white reeds. The first is to make the world a better place to live and work.

Su Shi was good at writing running script and regular script, and Huang Tingjian, Mi Fu, Cai Xiang and known as the Four Song Masters. He was also known as one of the "Four Families of Song". He used to learn the strengths of the famous writers of Jin, Tang, and the Five Dynasties, and then integrated the creative styles of Wang Shengqi, Xu Hao, Li Yong, Yan Zhenqing, Yang Ningshi, and other famous writers to create his own style. He once claimed: ? I can't create my own book," he once said. He once claimed: "I am not able to create any new ideas for my calligraphy. I create my own new ideas, not practicing the ancients". Huang Tingjian said of him: ? In his early years, his brushwork was exquisite, but not as close to natural as in his old age. This shows that Su Shi's life had many ups and downs, resulting in the ups and downs of his calligraphy style. Surviving works are the Red Cliff Fugue, Huangzhou Cold Food Poetry and Offering to Huang Qidao and other posts.

Su Shi is good at painting ink bamboo, and painting emphasis on similarity, advocating painting outside the feelings, painting to have support, against similarity, opposed to the binding of the program, advocate? He advocated that poetry and painting should be the same, and that heavenly craftsmanship and freshness should be the same. He advocated that poetry and painting should be the same, heavenly craftsmanship and freshness, and explicitly put forward the idea of? The concept of "Scholar's Painting" was clearly put forward. and clearly put forward the concept of "literati painting", which had a significant impact on the future of "literati painting". The concept of "literati painting" was clearly put forward, laying a theoretical foundation for the development of literati painting. and laid a certain theoretical foundation for the development of literati painting.

Zhang Wentao is the first Chinese artist to paint a picture of a scholar, and his works include Ancient Woods and Strange Stones, and Bamboo and Stones.

Zhang Qitao (1764?1814), the word Zhongye, the name of the boat mountain, the Qing dynasty Sichuan Suining people, the early Qing dynasty famous prime minister Zhang Penghe grandson. In the 53rd year of the Qianlong era (1788), 55th in the 55th year (1790) of the three A into the scholar. Fifty-eight years (1793), served as Hanlin Yuan review; Jiaqing five years (1800), served as Shuntian countryside examination with the examiner; ten years (1805), served as the Jiangnan Road supervision of the Imperial Household, inspecting the South City; fourteen years (1809), Mew Ministry of mandarin langzhong; fifteen years (1810), served as the governor of Shandong Laizhou; seventeen years (1812), claimed to be sick and resigned; Jiaqing nineteen years (1814) on the fourth day of the third month, died of sickness in In 1814, he died in Suzhou on March 4, after a long illness, and was buried in his hometown of Jinqiao Township, Pengxi County, two river mouths in Sichuan. ZhangFunShan life is committed to poetry, calligraphy and painting creation, authored "FunShan Poetry" and "Supplement", **** 26 volumes. Zhang Fenshan is the Qing Dynasty Qianjia poetry everyone, not only is the Qing Dynasty Shuzhong poetry champion, but also the first-class poets and famous poetic theorists in the Qing Dynasty, for the sex spirit school of the late main generals and representative figures. The Chronicle of Zhang Wentao (published by Bashu Shusha in 2000) and Anthology of Zhang Wentao Studies (published by Central Literature Publishing House in 2009) written by Hu Chuanhuai are useful for understanding Zhang Wentao's life story.

Main achievements: Zhang Fenshan devoted his life to poetry, calligraphy and painting, with profound attainments, and his poems were regarded as the crown of Sichuan in the Qing Dynasty. He advocated the writing of poetry, emphasized originality, and opposed imitation. He emphasized originality and opposed imitation. His poems mostly depicted daily life.

Zhang Qitao's disciples included Cui Xu, Mei Chengdong, and Yao Yuanzhi, collectively known as the "Three Talents of Zhang". They were known as the "Three Scholars of Zhang", and were greatly influenced by Zhang.

Zhang's disciples were Cui Xu, Mei Chengdong and Yao Yuanzhi.