Traditional Chinese opera is the national treasure of China traditional culture.

Traditional Chinese opera is a traditional art in China. From pre-Qin to modern times, it has been constantly developing and innovating. There are many kinds of operas in China, including more than 300 local operas. According to the classification of major operas, China's operas can be divided into five categories, including Peking Opera, Huangmei Opera and Pingju Opera, and China Opera is praised as "Oriental Opera" by the world.

However, with the development of the times, we find that the younger generation knows little about opera, and even "doesn't catch a cold at all". Why is this happening?

First, the tune is boring and the lyrics are difficult to understand.

In the eyes of the younger generation, opera is often "teasing the baby" and the lyrics are often incomprehensible. In addition, many operas are based on allusions and real events, and young people know little about these historical cultures, which creates a special situation-young people do not exclude understanding and promoting our traditional art and culture, but choose not to go deep because they can't understand it. Nowadays, the popularity of pop music culture has also impacted the inheritance of traditional opera culture in China to some extent.

Second, China traditional opera culture is not rooted in our education.

The education in China is mainly based on the knowledge of mathematics, physics and history, and the traditional opera culture has not been absorbed into the classroom. Mr. Liang Qichao's education once said: A strong teenager is a strong country, and this sentence is also applicable to the education in China-"Teenagers are eager to learn and traditional culture is prosperous." We should root the traditional Chinese opera culture in basic education, start with dolls, and fundamentally arouse the society's attention to traditional Chinese opera culture.

Third, drama-related industries have not been revitalized.

As a traditional artistic expression in China, drama has not really become popular in China, and people who study drama in universities often choose to change careers. The lack of social attention and the revitalization of related industries will often affect the appeal of China traditional opera, and indirectly affect the appreciation and acceptance level of contemporary young people to "opera", a national treasure and quintessence of our country.