The Style of Du Fu's Poetry The Different Styles of Du Fu's Poetry

What is the style of the poems of Du Fu, the Sage of Poetry

Du Fu's poems, many of them express the sadness of the times and the compassionate thoughts, so he is called the "Sage of Poetry". On the other hand, Du Fu's poems are often written with a strong hand and deep thoughts, showing his deep sympathy for the social reality. It can be said that Li Bai favored romance, while Du Fu favored realism. His poems had a deeper influence on the poets who cared about the social reality and emphasized the change of poetic method and the exercise of words and phrases. Du Fu's style of song was formed during the An Shi Rebellion and gradually took shape in the midst of suffering. Du Fu was y concerned with politics and people's sufferings, and emphasized realism. Dufu's artistic style is "never forgetting the king", and is characterized by a somber and staccato style. From the Middle Tang Dynasty to the Song Dynasty, Du Fu's realistic style was inherited.

"Dreary"? "Sinking" is "deep", "" that is, "accumulation", refers to the song content of the profound, deep, heavy. The word "staccato" refers to the artistic style of the poem, which talks about the pauses and turns of the words and phrases, i.e., the emotional twists and turns and the rhythmic tones of the staccato and staccato. The word critic Chen Tingzhuo said: "In the midst of depression, the transportation of staccato is the best in the word." Not only words, but also poems. Du Fu song thought content of "melancholy" through the "staccato" art form to express, formed a unique artistic style.

To understand the ideological content of Du's poetry, it is necessary to understand the experience of Du Fu and the background of the era in which he lived, as well as his ideological tendencies. In addition, to appreciate the artistic characteristics of his poetry, "staccato", you should also know a little bit of poetry meter.

Du Poetry everywhere in the real content of worry about the country and the poet at the expense of self-sacrificing ideological feelings constitute a "somber" style of poetry, and show a solid thought of the inner meaning and heavy historical consciousness. His style is characterized by realism.

First of all, Du's poetry shows unprecedented concern and sympathy for the people. "Poor years worry about Li Yuan, sighing intestinal heat" "Vermilion door wine and meat stinks, the road has frozen bones" ("Go to Fengxian Wing") not only fully expresses the poet's deep sympathy for the family name, pointing out the people's exploitation of the *** of the present to the point. He also advocated for the people in some poems: "The county is concerned about the rent, where does the rent tax come from? I believe I know that it is bad to give birth to a man, but it is better to give birth to a woman: a woman is still married to her neighbor, but a man is buried in a hundred weeds." ("The Line of Soldier's Cart") He even suggested to the rulers, "You are rich in color, but you have to open the border a lot!" ("Formerly a Guest") He did not hesitate to sacrifice himself before the people's painful life. House leakage days, children do not belch, sleepless nights, he also issued this lament: "Jun hut alone broken by freezing death is also enough! （

Secondly, Du's poem reflects the poet's concern for the life of the nation. The poet's joys and sorrows are closely linked to the fate of the motherland. When the Anshi Rebellion jeopardized the future of the country, facing the broken mountains and rivers, he was "tearful when he felt the flowers, and frightened by the birds that hated to say goodbye", and he was "tearful when he heard that the official army had recaptured Henan and Hebei", and in the long anticipation and running, he was even "hard and bitter, hating the frosty temples, and being downcast". In the long anticipation and running, he even "bitterly hated the frosty temples, downcast Soviet Union stop turbid wine cups."

Du's sympathy for the people and the fate of the country reflects the social unrest, people and the upheaval of displacement, the author's poetic feelings in which the depression deep and deep.

Du Fu's "staccato" style is mainly reflected in the five- and seven-line proximal poems, most of Du Fu's narrative poems are in five- and seven-line archaic poems, while the lyric poems are mostly in five- and five-line proximal poems. His proximity poems are characterized by the structure of the ring of illumination, the resonance of the melodic syllables, and the stability of the battle, which has a high aesthetic value.

To understand the characteristics of Du's poetic style, you should know the reasons for the formation of the style, the author's life experience, ideological direction, and the characteristics of poetry.

Before Du Fu was 35 years old, he mainly studied and traveled. At that time, the society was rich and stable, and it was the preparation period for his creation. At the same time, he was y influenced by Confucianism in his thinking, and established the political ideal of "to the king of Kesun Shang, and then to make the customs simple". 45-48 years old, the society was in the turmoil of An Shi, the poet was trapped in the enemy's battlefield, and he had fled from the crisis, and he had actively resisted. The poet had been trapped in enemy lines, had fled from danger, and had actively resisted. The fate of the country is in danger, the people's disaster is deep, so he felt the pain of the destruction of the country and the death of the family to the bone. 49 years of age, experienced a decade-long life in the southwest drifting, although he lived in dire straits, and even often starving, but he set down a thousand poems, reflecting his worry about the country and the people's sentiments. "Tears of worry have always been shed, and loneliness has sprinkled his lapel." However, the poet who was always concerned about the fate of the country and the plight of the people finally died on a broken boat from Changsha to Yueyang. The Confucian idea of "the people are the most important", "ruling the country" and "leveling the sky", as well as the life experience closely related to the fate of the country are the main factors in the formation of the style of Dufu's poems.

Du Fu wrote his poems in close prose in five or seven lines, reflecting the people's suffering and the state's major events, which fulfilled the function of close prose. Du Poetry pay special attention to the sound, the harmony of the battle of the stability, the formation of a unique rhythmic beauty. In his creation, he also pays special attention to the structure of the poem, which is characterized by aesthetic interest.

Du Poetry, "somber and frustrated" style has been discussed before, we Du Fu's highest achievement of the representative works of the "Ascension" as an example of a detailed explanation, to deepen the understanding.

Ascension

Wind

What is the difference between Li Bai's and Du Fu's styles of writing poetry

Li Bai's poetry is characterized by a variety of styles, and it is difficult to summarize his style at different times with the word "floating". Before and after the Shu, Li Bai traveled to see the wonders of the world, y influenced by Taoist thinking, poetry "floating" style is more obvious; one into Chang'an to setbacks, but he did not lose hope, poetry style bold and unrestrained, passionate feelings, and repeatedly singing their own talent must be; two into the Chang'an, Li Bai's career is difficult, and the country's affairs are also declining, the people of the water is hot, the poetry style step by step closer to reality, bold and full of sadness. Close to reality, bold and full of worry about the country and the people's feelings of melancholy; late in life when exiled to the night, Li Bai more than a decline in the tone of grief *** Huai, uncovering the reality, scourge will be, the style of poetry has turned into a clear sadness.

Dufu's poetic style was formed during the Anshi Rebellion and was shaped by suffering. Dufu went deep into the society and was concerned about politics and people's sufferings, and regarded it as realistic. He carried the heavy responsibility for the task of the country and the nation and faithfully depicted the face of the times and his own inner feelings. Du Fu's artistic style is somber and staccato, with the words "I never forget the king". From the Middle Tang Dynasty to the Song Dynasty, Du Fu's realistic style was inherited. Especially the Jiangxi School of Poetry in the Song Dynasty

What does the style of Du Fu's poetry show?

Many of Du Fu's poems express the sadness of the times and the compassionate thoughts of the people, so he is called the "Sage of Poetry". On the other hand, Du Fu's poems are often written with a strong hand and deep thoughts, showing his deep sympathy for the social reality. It can be said that Li Bai favored romance, while Du Fu favored realism. His poems had a deeper influence on the poets who cared about the social reality and emphasized the change of poetic method and the exercise of words and phrases. Du Fu's style of song was formed in the period of the An Shi Rebellion and was gradually shaped in the midst of suffering. Du Fu was y concerned with politics and people's sufferings, and emphasized realism. Dufu's artistic style is "never forgetting the king", and is characterized by a somber and staccato style. From the Middle Tang Dynasty to the Song Dynasty, Du Fu's realistic style was inherited. Especially in the Song Dynasty, the Jiangxi Poetry School is regarded as a Confucian

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Du Fu's poetry is

Poetry style is somber and frustrated, worrying about the country and the people.

The greatest artistic characteristic of Du Fu's poetry is that the poet often hides his subjective feelings in the objective description, and lets the things themselves impress the readers. For example, the poet did not directly rebuke the Yang siblings for their prostitution, but the author's love and hate attitudes were obvious from the specific descriptions of their clothing, food and other aspects.

The language of Du's poem is simple, plain, colloquial, and realistic, but it is very skillful. He also used monologues and colloquialisms to emphasize the individuality of characters.

Du Shi is especially good at capturing details when he draws characters, such as a paragraph about his wife and children in "The Northern Expedition" is a very prominent example.

Du Fu's poetic style is varied, and on the whole, it can be summarized as somber and staccato. Here, the depression refers to the deep and implicit article, and the frustration refers to the emotional depression and twists and turns, and the tone and syllables of the tumbling and swaying.

All of this, indeed, provided Du Fu in more than three thousand years of Chinese literature

Essay on the characteristics of the style of Du Fu's poetry

Du Fu's poetry manifested itself in the rigorous metrical, emotionally introverted, depressed and frustrated, full of the artistic style of presentism, as well as his worry about the country and the people, the sadness and compassion for the character traits. His style was gradually formed in the difficult life, especially in the period of the Anshi Rebellion and the life. Du Fu's wish was "to bring Yao and Shun to the king, and then to make the people's winds simple", which was like "sunflower and patchouli pouring into the sun, and the nature of things has not been taken away" ("500 Words on Going to Fengxian County from Beijing"), and coupled with his own poverty, he had a broad human feeling and a desire to help the world and save the people. He was so persistent that he was able to "build ten million houses and shelter all the people in the world with joy!" The Song of the Thatched House Broken by the Autumn Wind. Du Fu's strong sense of responsibility for the country and the nation: "The country is broken, the grass is deep in the city. Tears are splashed on the flowers and birds are frightened." (The Lookout) "The death of a hero before he is ready to leave the battlefield often brings tears to the eyes of the heroes." (The Phase of Shu). Du Fu had a profound understanding and exposure of reality, and deep sympathy for the people. His Three Farewells (Farewell to a Newlywed, No Family, and Farewell to an Elderly Man) and The Journey of the Soldier's Cart are all such works. The "Walk of Soldiers and Chariots", which has been admired by all generations, exposes Emperor Tang Xuanzong's long history of militarism and consecutive years of war, which caused great disasters to the people, and is profoundly thought-provoking. In the art of the narrative in the feelings, the poet cut and run over, rich and deep sense of thought, have been integrated in the whole poem all the time, the poet's kind of anxiety, worry as if the image of the readers seem to show in front of them.

Du Fu's poetic style was formed during the An Shi period and gradually took shape in the midst of suffering. Du Fu was y involved in society and concerned about politics and people's sufferings, and emphasized realism. He carried a heavy responsibility for the task of the state and the nation and faithfully depicted the face of the times and his own inner feelings. Du "never forgets the king", and his artistic style is somber and staccato. Since the middle to the Song Dynasty, Du Fu's realistic style has been inherited. Especially in the Song Dynasty, the Jiangxi Poetry School regarded Du Fu as their ancestor. His influence was enormous.

First, Du Fu was good at making a high artistic generalization of real life.

This generalization is mainly operated through two artistic means. One is to select typical things, through the objective, the complex social phenomena concentrated in two lines of poetry, so as to reveal its essence. Than "from the capital to Fengxian County Wing Huai 500 words" to the sharp class conflict concentrated in the "the vermilion door wine and meat stinks, the road has frozen dead bones" ten words, make people shocked. The second is to make a general introduction to some pieces through people's words. For example, the poem "Soldier's Cart" extensively introduces the heavy burden of military service, the hardship of war, and the people's opposition to the opening of the border through the words of a person. The poem "Stone Trench Officials" introduces what happened to this one family through the words of an old crone, while generalizing millions of families. The realism of the poem does not lie in the portrayal of typical characters. Although he did write about many people, they did not appear as types with personalities. The main point of his realism is to select typical events from real life, to describe them in a highly generalized way, and to reveal the essence of real life through such a description.

Secondly, the majestic and expansive artistic realm and meticulous expression.

The art world is majestic and magnificent, but the present method is meticulous. Du Fu has a patriotic and patriotic mind, profound knowledge, and rich life experience, so his poetry is majestic and magnificent. However, this majestic realm is often achieved by portraying the precursor's detailed scenery and expressing the subtle fluctuations of inner emotions. Li Bai and Fu, both of their artistic realm is very magnificent, but the way to reach such a magnificent realm is different. Li Bai is the use of wind and lightning, bold and daring techniques to achieve, while Du Fu is to considerate, carving fine, that is, the small see the big, close to the realization of the method.

Du Fu's poems are like "silent" light wind and rain, unconsciously penetrate the reader's mind, so that people can easily get close. For example, in "Three Officials" and "Three Farewells", Du Fu wrote about the various aspects of the war in detail, from different perspectives and different aspects of the war brought the country and the people a deep disaster. Li Bai also wrote about the Anshi Rebellion, but the way he wrote about it was from a big place. His "Ancient Winds", the nineteenth song, first wrote and the gods and immortals to ascend to heaven, ascending to the sky to look down from above and see the earth, and then there are a few lines reflecting the political situation after the Anshi Rebellion - "Overlooking the Luoyang River, the bewilderment of walking Hu soldiers. Bleeding blood coats the weeds, and jackals and wolves are crowned."

What is the difference between the poetic styles of Li Bai and Du Fu?

1. Li Bai belongs to the Wave Lord and Du Fu belongs to Critical Realism .

Li Bai's poetry is distinctive and varied, and it is difficult to summarize his style at different times with the word "floating". Before and after the Shu, Li traveled to see the beautiful, y influenced by Taoist thinking, poetry, "floating" of the grid is more obvious; a setback into Chang'an, but he did not lose hope, poetry style bold and unrestrained, passionate feelings, singing their own talent must be used; two into the Chang'an, Li Bai's career is difficult, and the country's affairs are in decline, the people are in deep trouble, the style of poetry. Step by step close to the window of the Jinzhong now, bold, full of worry about the country and the people's feelings of melancholy; exiled in his later years, Li Bai, more than the tone of the decline of grief *** Huai, expose the reality, scourge of the community, the wind has clearly turned into a sad and tragic.

Du Fu's poetic style was formed in the period of the Anshi Rebellion and gradually shaped in the suffering. Du Fu was y involved in society and concerned about politics and people's suffering, and emphasized realism. He carried the heavy responsibility for the task of the country and the nation in the window of Jinzhong, faithfully depicting the face of the times and the feelings of his own heart. Du Fu "did not forget the king", art style somber and staccato. Since the Middle Tang Dynasty to the Song Dynasty have inherited Du's realistic style. Especially in the Song Dynasty, the Jiangxi School of Poetry was regarded as Du Fu's ancestor. His influence is huge.

2. The most fundamental difference between Li Du's creative work, simply put, is in the different attitudes towards the subjective and objective. In Guowei's words, Bai in 'subjective poet, Du Fu belongs to the 'objective poet', Du Fu is good at objective description, the masterpiece is the narrative poetry, his lyric poetry with objective color.

Li Bai is good at self-expression, most of them are lyric poems, and his narrative poems also have lyric *** color. His poems always take "self" as the heart, emphasize and enhance the role of the main body, to the extent that the object (the object of description) of the mastery, the degree of conquest. For example, "The Road to Shu".

What is the most appropriate poem to describe Du Fu?

A different generation is not the same time, ask so Jiangshan, the dragon huddled tiger lying a few poems;

Mr. also living in the apartment, there is a long time to stay in heaven and earth, the moon is clear a grassy hall.

The world's devastation, the poem in the saint;

the people's suffering, pen waves.

The land has a thousand years, the south to find the Prime Minister's ancestral hall, the same great name in the universe;

The bridge passes ten thousand miles, the east to ask the Xiangyang old man, a few people in the Jianglou.

Thousands of words of poetry and history, a swan first bone in the fall;

Cao Tang five miles, spring water, gulls wild old heart.

A branch of the pen up between the horse class, allow carry forward three long talent and knowledge;

A hundred years after the feelings of Kaibao, Shen lonely anger to come today.

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Introduction to the poet:

Du Fu (712-770), the word Zimei, Han nationality, the Tang Dynasty, Henan County (now Zhengzhou, Henan Province, Yi City), the self-proclaimed ShaoLing wild old man, the Tang Dynasty, the great poet of the modernist, and Li Bai, known as "Li Du". In order to distinguish himself from the other two poets, Li Shangyin and Du Mu, who were known as "Little Li and Du", Du Fu and Li Bai were also known as "Big Li and Du", and Du Fu was also known as "Old Du". Du Fu's influence in classical Chinese poetry is so far-reaching that he has been called the "Sage of Poetry" by later generations, and his poems have been called the "History of Poetry". His poems were called "History of Poetry". Later generations called him Du Shi and Du Gongbu, and he was also known as Du Shaoling and Du Cao Tang. Du Fu's ideology was Confucianism's idea of benevolence and government, and he had the grand ambition of "to make the ruler Shun Shang, and then to make the customs simple". Although Du Fu was not famous when he was alive, his reputation spread far and wide, and he had a profound influence on both Chinese and Japanese literature. Some 1,500 poems by Du Fu*** have been preserved, most of which are collected in the Du Gongbu ji (The Collection of Du Gongbu).

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Family Background:

Du Fu was born in Nanwan, Gong County, Henan Province (present-day Gongyi City, Zhengzhou, Henan Province), in 712 AD. Du Fu came from the Du Clan of Jingzhao, which is a great scholarly family in the north. His distant ancestor was Du Zhou, a famous cool official of Emperor Wu of Han Dynasty, and his grandfather Du Shenyan. Du Fu and another great poet of the Tang Dynasty, Du Mu, the "Little Li and Du", were both scholars and generals of the Jin Dynasty. However, the two schools of thought were far apart, with Du Fu coming from Du Tan, the second son of Du Zhou, and Du Mu coming from Du Yin, the youngest of Du Zhou's sons. As a young man, Du Fu lived a relatively stable and affluent life in a favorable family environment. He was a good student since he was a child, and at the age of seven, he could compose poems, and he had the ambition to "bring Yao and Shun up to the king, and make the customs simple again". He was also very naughty when he was a teenager, "I remember when I was fifteen years old, my heart was still a child, and I was as healthy as a yellow calf walking again. The first time I saw him was when he was a young man, and he was still a child, and he was as healthy as a yellow calf.

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Writing style:

Du Fu's poetry in the wind, both a variety of styles, Yuan Zhen kind of evaluation of Du Fu: "to the son of the United States, the so-called on the thin * * * * * , under the Shen, Song, the words of the Su, Li, the gas swallowed Cao, Liu, cover the Yan, Xie's isolation, mixed with the Xu, Yu's flow of beautiful, the best of the ancient and modern body of the situation, and everyone's unique specialize in the carries on. " Guan also has a similar view: "So the Du Mei, poor, high and wonderful style, extremely easy gas, package of light interest, both handsome and clean posture, ready to algae, and the families of the less than. However, not set the long of all families, Du can not be unique in this also." For example, Du Fu also has a free-spirited side, from his masterpiece "Drinking in the Eight Immortals Song" can be seen Du Fu's boldness. According to the mainstream opinion, Du Fu's poetic style is lush and staccato, the language is refined, the meter is rigorous, the work is poor and ingenious, the feelings are sincere, the plainness is elegant, the descriptions are profound, delicate and touching, and the image is distinctive. His creative style is "to delay a good sentence for the sake of human seclusion, and to speak without shocking death". Some scholars believe that Du's characteristic narrative and discursive styles are influenced by "Xiao Ya" (The Classic of Poetry), and that his mournful and generous style is similar to "Li Sao" (The Divorce of the Souls). Some scholars believe that Du's poems have the traditional spirit of benevolent ideology and the spirit of Sima's factual record. There is also the view that Du Fu's poetry has a "humanitarian spirit". Han Yu, a great writer of the Tang Dynasty, once compared Du Fu with Li Bai, saying: "Li Du Zhang is here, and the flame is ten thousand feet long". Wang Anshi honored Du's achievement in poetry: "The ugliness and beauty of his poems are different from one another, but there is no way to see how they are engraved". Chen Shan, "Lice language" Volume 7: "The old Du poetry when the poem in the "scripture", other people's poetry is the son of

How to understand Du Fu's poetic style of melancholy and frustration

Du Fu's poetic style of melancholy and frustration can be reasoned, melancholy is the article of the deep implicit, frustration is the feelings of the depression of the zigzagging, language, syllables, tumbling and trailing.

The analysis of Du Fu's style can be started from the following aspects: 1, the content is full of concern for the society and people's livelihood.

Du Fu was born in the Yuan Dynasty and the An Shi Rebellion, his life was turbulent, through all the grinding, his poems widely remembered the reality of life in this period, known as the "history of poetry". Du Fu specialized in various poetic styles, and his poetic style was so strong that it had a great influence on the future generations.

Take the poem "From Beijing to Fengxian County, 500 words" as an example, the poem profoundly reflects the sharp social contradictions at that time, "the door stinks of wine and meat, the road freezes to death," the ancient famous line, which graphically reveals the disparity between the rich and the poor in the social reality. The poem reflects the suffering of the people, exposes the ruling group's corruption, and is the first full-length work in Du Fu's "epic poems".

2. He is concerned about the country and the people, and his emotions are deep and strong.

Du Fu's is a sincere, full of worry about the country and the people, so it is difficult to go, sincere and touching.

Such as "heard the official army to collect Henan and Hebei" a poem, reflecting the Anshi rebellion to the country and the people brought great disaster, Du Fu has long been looking forward to the early pacification of the Anshi rebellion. When the day finally came, he was so excited that he wept with grief and joy. In the first four lines, from "suddenly rumored" to "first heard" to "but see" "scroll", several consecutive actions to surprise the The mood of surprise is depicted in several consecutive actions. Four through the imagination, try to describe the "happy crazy" when the excitement: he not only want to sing and drink, but also hate to take the spring immediately back to his hometown, which from his breath list of four places, you can see that his heart has long been along the route to fly away!

3. The language is condensed and strong, simple, just powerful.

The language of Du Fu's poetry is condensed and colorful, and he paid close attention to the meaning of words and phrases to enhance the language of poetry and expressive power. His poems are both refined and powerful, carved points of the police, there are popular and natural, fresh and beautiful and other diverse characteristics. Such as "ascent" the author of this poem written in his later years, when nine heavy sun poets help the sick platform, mixed feelings, wrote this famous poem, is the poet's most representative of the works of the poet in the seven lines of the poem. The first four lines of this poem write the scene, the last four lines of lyricism. The first line takes the scenery as the object, and writes in a highly generalized style about the magnificence and sadness of the riverside autumn. Poetry selected the wind, sky, ape, islet, sand, bird six kinds of meaning, and with the rapid, high, whistling sad, clear, white, fly back, from the feeling, visual, auditory, sound, color and other perspectives to describe the description, write extremely exquisite work, image and rhythm is very strong, but also for the whole poem rendered a bleak and sad atmosphere.

4, the chapter method twists and turns, opening and closing down.

Still take the poem "Ascending" as an example, the boundless fallen trees are under the Xiao Xiao, the endless Yangtze River is rolling. (tone, syllables of the tumbling and swaying) to write the autumn solemn and sluggish, open and vast scenery, a look down, there is a sparse air. "Boundless" is a big gesture of falling leaves, and "under the Xiao Xiao" is a fast speed of falling. At the same time in writing the scene, Shendi expressed his feelings, conveying the pathos that the light is easy to pass away, and the ambition is hard to be rewarded. Its realm is very magnificent, the touch of people is not limited to the sadness of the end of the year, at the same time, let a person think of life is limited, the universe is infinite and eternal.

Li Bai and Du Fu poetry style will be different reasons?

The two great poets composed their poems in different times,

Li's poems are mainly from the Sheng Tang period, when the peace and prosperity, singing and dancing, so Li Bai's poems are mostly broad and bold,

And Dufu's poems are mainly out of the Late Tang period, when the wars were frequent, the lives of people are suffering, and the land is deserted,

So Dufu's poems are generally very relationship

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