What are the characteristics of Chinese painting style?

Everyone's life path, experience and education, temperament and personality are very different, the survival environment or teacher succession is not the same, these are the roots of different artistic style. For example: by the survival of the environment, the emperor zhao ji, works of rich and elegant; and the death of the Ming royal descendants Zhu Da, full of grief and sadness, painting style is wildly strange and cold. Another five generations of two painters, "yellow chyuan rich, xu xi wild escape". Huang Chyuan is the Royal Academy of painters, painting is forbidden in the rare birds, flowers and rocks and so on; Xu Xi is a gentleman in Jiangnan, high aspirations, uninhibited, and more paintings of rivers and lakes Ting flowers and wild bamboo, water birds and fish. So the two works show "rich and noble" and "wild" difference. In the natural and human environment, the north and south have relative differences, and has been reflected in all aspects of the humanities. For example, in the character of the South on the fine North cool, language on the South on the complexity of the North on the simple, literature on the South on the Sao North wind, residence on the South on the open North real, diet on the South on the sweet and salty North and South on the ...... contrasting terroir, so that the overall composition of the Chinese cultural form of the pattern such as the "yin and yang" contrary to each other, mutually reverse The overall composition of Chinese culture is like "yin and yang", which is opposite and opposite, interactive and wonderful. These differences in nature, humanity, and geography are also fully reflected in the development of Chinese painting. In terms of geography, the artistic styles of many painters were clearly influenced by their regions and were characterized by regional features, especially those of the North and the South. Such as the Five Dynasties to the Northern Song Dynasty, the "Northern School" to Jing Hao, Guan Tong, Li Cheng, Fan Kuan on behalf of the painting style, robust, majestic, majestic, powerful brushwork, more panoramic painting, more chapped face; "Southern School" to Dong Yuan, Ju Ran on behalf of the meteorological clear and moist, ethereal scene, brushwork spirit, flavorful and elegant, and the "Southern School" to Dong Yuan, Ju Ran on behalf of the meteorological clear and moist, the scene, the scene, the scene, the scene, the scene, the scene, the scene, the scene, the scene, the scene, the scene, the scene. The penmanship spirit, long flavor, bland and naive, high interest, good at writing plain and simple scenery, good use of line chapped. Due to regional or teacher succession and other reasons, in addition to the differences in personal style, but also has many **** sex. Such as the "Lingnan School of Painting" although many painters, also has its own face, but they have the importance of life, the importance of sketching, absorption of Western nutrition, etc. **** sex, thus giving rise to the style of the school. In addition to personal style, school style, in a historical period, there is a general artistic characteristics, which is the style of the times, also known as the atmosphere of the times. Period style is the dominant style that is unified in diversity. Since the artist lives in a certain era, the economy, politics, social customs and artistic trends of the era are bound to have an impact on the artist and are bound to be reflected in the works. For example, the Qin and Han art is simple and simple, deep and majestic; Tang Dynasty art is luxurious and magnificent, majestic and exuberant, especially the Sheng Tang paintings, the image is full, magnificent composition, colorful, strong lines, showing the peace and prosperity, the country rich and strong enterprising spirit; Qing Dynasty landscapes are shown in the chi Yun Cangrun, simple and light and elegant. The style of the times is with the changes of the times and forward development. The national style is the artistic characteristics of the nation bred in the long-term development of the nation, by the social structure of the nation, the economic life, the natural environment, customs, artistic traditions, especially *** with the psychological state, aesthetic point of view and artistic characteristics and other factors to determine. Chinese paintings are different from Western paintings from content to form, from brush and ink to technique, and from material to decoration, which are gradually formed with different philosophical thoughts, ethics, people's temperament, and aesthetic concepts of the West. It can be said that Chinese painting is the painting that embodies the national style. Compare and analyze the modern Chinese painting, no matter how many styles, but the technique is always inseparable from the point chapped, line chapped and face chapped as well as hooked, chapped, rubbed, dotted, dyed combination of traditional methods, and the final result is a different feeling, or style. According to the creative thinking and artistic tendency, there are three forms of Chinese painting style. One is represented by Wu Changshuo, Qi Baishi, Huang Binhong, Zhang Daqian, Pan Tianshou, Fu Baoshi, etc., which adheres to the tradition and seeks to develop on the basis of the tradition, and at the same time absorbs the western painting as well. This is a successful path of late success, long water with a source, and a big tree with roots. One kind is represented by Gao Jianfu, Gao Qifeng, Xu Beihong, Lin Fengmian, Jiang Zhaoho, etc., seeking development in the fusion of Chinese and Western paintings, scientifically absorbing the good things of Western paintings on the basis of tradition and making up for the shortcomings of Chinese paintings, especially the absorption of the compositional nature of the picture and the visual impact. Because of the needs of Chinese social reality and cultural atmosphere, this kind of advocating sketching to interpret the traditional painting. Ancient and distinctive national characteristics and fine traditions of Chinese painting art development to modern times, from the content to the form and a variety of means of expression, can be described as a variety of colorful. Needless to say, there are thousands of styles. "Style" in Chinese painting refers to the "artistic style" of the work. The works of different artists have different characteristics, different faces, such as Huang Binhong's thick and moist, Li Keran's pale and male, Fu Baoshi's dashing, Pan Tianshou's old and spicy and so on. -A painter at different stages and have different aesthetic pursuit. The same subject matter, by different painters to express, the style will be different. For example, in the Tang Dynasty, Han Gan's horse has a robust and full-bodied style; in the Song Dynasty, Li Gonglin's horse has a handsome and uncommon appearance; and in the modern era, Xu Beihong's horse shows a robust and unrestrained style. These all confirm what Shi Tao said, "painting in me" can be "self-contained" reasoning.