The Teaching of Vocal Methods in Peking Opera

The teaching methods of Beijing opera vocalization are as follows:

The correct vocalization method of Beijing opera singing should be to stick to the upper palate and sing the best sound in one's mouth according to the singer's own physiological conditions, which is the correct vocalization method.

1. Aeroacoustic synchronization.

Before vocalization, close the vocal cords while inhaling. When the breath is inhaled, you don't immediately exhale and vocalize, but stop for a moment to keep the breath under the closed glottis. How long does it take to stop? It depends on the requirements of the plate, rhythm and speed of the singing and the artistic treatment of the singer according to the emotional needs. At this time, the breath under the glottis should feel full, just like running water when the faucet is turned on; As soon as the gas stove is turned on, there is enough airflow, and it will burn at one point.

2. The cavity is unobstructed.

You can experience the early stage of yawning and sneezing. First, you will open your mouth and take a deep breath before yawning or sneezing. It is this state of wide mouth and deep inhalation, which is very similar to the vocal state of Beijing opera singing.

Keeping the "inspiratory state" can stabilize the larynx, naturally raise the palate, open the nasopharynx, and open the chest, pharynx cavity, head cavity and other cavities, especially the chest, abdomen and ribs, that is, keeping the "choking singing" state mentioned above, so that the singer is in an excited and positive state. The chest is spacious and there is no sense of oppression.