Which of the five golden flowers in Huangmei Opera is it?

1. The five golden flowers in Huangmei Opera are Malan, Wu Qiong, Wu Yaling, Yuan Mei and Yang Jun.

Second, five golden flowers:

Kalimeris indica

Orchids in memory

Maybe the name is nice and easy to remember. Malan is the earliest Huangmei Opera actor I know. When I didn't know Yan Fengying, I met Malan, and even she introduced me to Yan Fengying (I watched the TV series "Yan Fengying" since I was a child, and the aria of playing pig grass was familiar. ) Later, Broken Coffin did not understand Zhuangzi's profound knowledge, and the picture of Tian holding an axe in front of the coffin was still vivid. At a Spring Festival party, an opera chorus program, after a Sichuan opera by Deng Jie, began to ask, "Where is Malan?" At this time, she came out with a bunch of windmills (or flowers), surrounded by dancers, which was really gorgeous. Later, I saw in the newspaper that she was a woman. I learned about Yu through Malan, and gradually got to know his works and characters. The combination of Malan and Yu has continued the China people's complex of "gifted scholars and beautiful women" for thousands of years. For example, Lu You, Tang Wan and Qiu Malan seem to be attractive and meaningful love stories, but today, how many supporters can they get from the combination of talented people and beautiful women? Can a gifted scholar be worthy of a beautiful woman?

The essayist did not bring Malan another artistic leap. Is this the regret of opera fans or the sorrow of literature and drama? After marriage, Malan gradually disappeared. After dancing for 20 years, she could not keep a woman's determination to "never return". Between family and career, Malan chose the former by action. She is a woman with real temperament. Love can be vigorous, she can walk calmly, without taking away a cloud or leaving a trace of obstacles. The beautiful figure drifted away, and finally became a blue flower swaying in the wind on the hillside of childhood. All applause and flowers have become floating clouds, only "inner peace is forever."

Qiong Wu

A good horse can eat grass again.

I don't know how many people have the courage like Wu Qiong to enter the pop music scene when Huangmei's career is famous, and return to the Huangmei stage at the risk of "returning to the grass" when the music performance is mediocre. Time is gone, people are still the same, and the beautiful voice has never changed. What changes is a woman's mentality in the face of the career she loves. This reminds me of the film and television actors who went abroad in the 1980s. They finally came back, but their youth passed away with the audience. Wu Qiong is much luckier. The audience did not forget her, but welcomed her back with tolerant applause. If a person can really know himself, accept himself and find his place, how can he be dissatisfied and unhappy?

Wu Yaling

Women around successful men

Wu Yaling reminds me of my aunt next door, my classmate's mother, and the music teacher in primary school, but I didn't expect her real identity-Huangmei Opera actress. In terms of looks and singing skills, Wu Yaling is not the most advantageous of the five golden flowers. The first time she appeared in the movie, she was overwhelmed by Malan, and she became a wronged little maid, but it was unforgettable. The Wu version of Daiyu is too plump, but the glance when burying flowers is like "Who will be buried one day?" Perhaps Wu Yaling can't compare with Malan and Wu Qiong in artistic achievement, but from her, I see the happiness and truth of an ordinary woman. Dean Jiang is very handsome. Although he is getting fatter now, he is more elegant. The two of them together always remind me of a primary school classmate's parents, a very warm and harmonious family. Perhaps it was the dull career that gave her the opportunity to build an ordinary family. Giving birth to children, taking care of each other and teaching children are too common to mention. Unconsciously, she has completed the complete mission that women are born with, and has the happiness that women can have.

Yuan Mei

A traveler, not a returnee.

Yuan Mei is my personal favorite actress, not an actress in Huangmei Opera. Before I fell in love with Huangmei Opera, I regarded her as a pure film actress. My two favorite characters in A Dream of Red Mansions-Xiangyun and Xiren-were played by Huangmei Opera actors. It was many years before I suddenly discovered this. Is it coincidence or fate? I don't know if Yuan Mei ever wondered what the Huangmei Opera world would be like now and what position she would occupy in it if there was no Red Chamber at that time and if she hadn't left the opera stage. History will not change because of a person, but history is enough to change a person's destiny. Twenty years later, at the party in the Red Chamber, Sister Xiren sat quietly wiping her tears. Which dream twenty years ago not only gave birth to opportunities and hopes, but also meant giving up and regretting. If the five golden flowers can really reunite that day, what kind of attitude will Yuan Mei appear in this hot land where they grew up together? After all, she didn't sweat so much on the stage and on the screen. After all, she has been away for twenty years. It is in response to the sentence in the little red book about attacking people: "Being an actor is blessed, but my son has no chance." It is often not the initial love that accompanies a lifetime.

Yang Jun

Planting flowers inside the wall and planting them outside the wall.

It is difficult for a person to wear several hats and make his career colorful. The division of labor and cooperation between President Jiang and his wife has added a lot to their respective careers, and their artistic and political achievements have never been disappointing. Art and politics always remind me of Jiang Qing. In my conservative idea, actors should interpret their roles wholeheartedly, and art and politics can never be completely integrated. Maybe the age has increased and the stage has changed. Yang Jun's transformation should be regarded as relatively successful. Less artistic passion, more mature and rational in middle age. I'm not familiar with Yang Jun's works. I have only seen the clips of Meng Jiangnu and Chang 'e, and I have no special feelings. But she was highly praised by Pang Xiaohu, the helmsman of Huaxi. According to him, she is "unique in singing, soft and hard." Is that so? I still want to hear your opinions.