What are the painting styles?

Question 1: What are the artistic styles? Such as aestheticism. What else is there? Western art painting styles include classicism, neoclassicism, romanticism, realism, impressionism, post-impressionism, Geng cubism, abstraction, Dadaism, modernism and futurism.

Question 2: What kinds of paintings are there? Specifically, what about style? 1, category: painting is the most important art form in plastic arts. It refers to an art form that uses artistic language such as lines, colors and shapes to create a static visual image in a two-dimensional space (that is, a plane) and express the author's aesthetic feelings through artistic means such as modeling, color and composition. There are many kinds of paintings, which can be divided into different categories from different angles. Geographically, painting can be divided into oriental painting and western painting; From the perspective of tool materials, painting can be divided into ink painting, oil painting, mural painting, printmaking, watercolor painting, gouache painting and so on. From the subject matter, painting can be divided into figure painting, landscape painting, still life painting, animal painting and so on. From the form of works, painting can be divided into murals, New Year pictures, cartoons, cartoons, posters, illustrations and so on. Different types of painting forms, due to their different historical traditions, have their own unique forms of expression and aesthetic characteristics. Chinese painting, also known as ink painting, has its own system and unique features in the world painting world, and is the mainstream of the oriental painting system. As far as tool materials are concerned, Chinese painting is painted on Xuan paper and silk with brush and ink. It pays attention to pen and ink, focusing on modeling with pen and ink. In the way of expression, Chinese painting adopts scattered perspective method. In the composition of the picture, Chinese painting pays attention to poetry, calligraphy, painting and printing, forming a unique beauty of form and content. Oil painting is the representative of western painting and the most influential painting in the world.

2. Style: I don't know what period you want to know and the painter's painting style, because every painter has his own unique style in each period. Generally speaking, there are many kinds of Chinese paintings and western oil paintings in China from ancient times to the present. Do you want to know about arcs?

Question 3: What kinds of paintings are there? It can be divided into Chinese painting, oil painting, printmaking, watercolor painting, gouache painting, sketch, sketch and so on. Some of these paintings can be divided into many styles because of the different materials, tools or expressions used. For example, Chinese painting can be divided into mural painting and scroll painting. In terms of performance characteristics, it can be divided into. Meticulous painting, freehand brushwork and concurrent writing; Prints can be divided into: woodcut, copperplate, lithograph, silk-leaking print, offset printing, etc. Among them, woodcuts can be divided into black and white woodcuts and color woodcuts. Due to the different production techniques of woodcuts, there are watermark woodcuts and mimeographed woodcuts.

Question 4: What are the common kinds of paintings: oil painting, Chinese painting, gouache painting, watercolor painting, sketch, print, comic book, illustration, cartoon and New Year pictures.

There are also decorative paintings, lacquer paintings, mosaic paintings, murals and so on.

Question 5: What kinds of paintings are there? According to different tools, materials and techniques, painting can be divided into Chinese painting, oil painting, printmaking, watercolor painting and gouache painting. Chinese painting is divided into meticulous and freehand brushwork according to the meticulous and extensive techniques. Prints can be divided into woodcuts, copperplate prints, paper prints, lithographs, screen prints, etc. Prints are also classified according to plate-making methods and color printing techniques, such as etched prints, mimeographed woodcuts, watermark woodcuts, black-and-white prints and color prints.

The above kinds of paintings can be divided into figure painting, landscape painting and still life painting according to the different objects depicted. Figure painting can be divided into portrait painting, historical painting, religious painting, genre painting, military painting and figure painting according to the different content of depicting subject matter.

Depending on the materials, tools and technologies used:

It can be divided into silk painting, ink painting, mural painting, oil painting, watercolor painting, printmaking, wax painting, acrylic painting, pencil painting, pen drawing, mosaic painting, sketch, etc.

According to the content of the theme:

It can be divided into figure painting, landscape painting, landscape painting, flower-and-bird painting, animal painting, still life painting, historical painting and so on.

Depending on the form and function of the screen:

It can be divided into single picture, cartoon, theme picture, poster, decorative picture, New Year picture, cartoon and so on.

Question 6: What genre styles of painting, that is, expression and personality, reflect artistic characteristics and personality in creation; Genre refers to academic and literary schools. The design style belongs to the category of artistic modeling and spiritual function of indoor environment. It is often closely combined with the style and genre of architecture and furniture; Sometimes it is closely combined with the styles and schools of painting, plastic arts and even literature and music in the corresponding period; Sometimes it is based on the styles and genres of painting, plastic arts and even literature and music in the corresponding period. For example, the word "postmodernism" in architecture and design and its meaning first appeared in Spanish literary works, while "de stijl" is a school of plastic arts in the Netherlands with distinctive features. It can be seen that architectural art not only has the characteristics of close connection with materials and engineering technology, but also has similarities with literature, music, painting and sculpture. The cause and influence of style: the formation of design style is different trend of thought and regional characteristics of the times, and it gradually develops into a representative interior design form through creative conception and performance. Typical styles are usually closely related to local cultural factors and natural conditions, and the characteristics of conception and modeling are also needed in creation. External and internal factors that form style. Although style is expressed in form, it has profound connotations such as art, culture and social development. In this profound sense, style does not stay or is equivalent to form. It should be emphasized that once a style or genre is formed, it can have a positive or negative impact on culture, art and many social factors, not just as a form of expression and visual experience. Russian architectural theorist m? Ginzberg once said that the word "style" is full of ambiguity. We often call the characteristics that distinguish the smallest differences in art style, and sometimes we call the characteristics of an entire era or centuries style. "

Style classification method: regional ancient Egypt and ancient Greece

Neoclassicism in the Renaissance

Religious Gothic Byzantium

Impressionist Fauvism Post-impressionist Cubism

Basically, different factions express the same thing in different ways with different materials, which leads to different purposes.

internal conflict

Question 7: What is the style of Wu Guanzhong's paintings? Wu Guanzhong's paintings are full of various features that can best reflect the artistic characteristics of China in this century, that is, the intersection and hybridization of eastern and western arts. China has a long history and rich nutrition, which can provide sufficient nutrients for artists, but at the same time it will become a heavy burden, making his works hard to change. How to maintain tradition and integrate Chinese and Western cultures is a big problem faced by China painters in the 20th century. Wu Guanzhong is one of the leading figures in this field. This article has become a classic paper of Wu Guanzhong's painting and is worth reading.

When writing articles about contemporary Chinese painting, I often feel that its pattern tree has rarely changed in the past ten years; Lack of familiar development process in the west. History has caused this situation, but it cannot be allowed to continue. In the turbulent social background, there are still a number of amazing artists and works of art, and Wu Guanzhong's paintings are one of them.

He was born in 19 19. Although mature in the early years, it was not famous until the 1970s and 1980s. His sudden arrival brought us a brand-new phenomenon. He appeared in exhibitions and publications of a group of outstanding new painters, and his works are far more than novel and excellent; Be more confident and show authority. A whole new look. We immediately realized that this is one of the painters we should focus on in order to find the answers to various questions that have been pressing on our minds for a long time: where is Chinese painting going? Can its development and achievements be in line with the world trend? What is the relationship between the prospect of its China nature and the maintenance of tradition? The cost of modernization and so on.

Anyone who is familiar with the history of China's fine arts and social hardships in the 20th century will find that Wu Guanzhong's works are not difficult to understand. His paintings are full of various features that best reflect the artistic characteristics of China in this century, that is, the intersection and hybridization of eastern and western arts. Facing the world, China's culture has a long tradition and rich nutrition, which on the one hand is enough to support her artists, and on the other hand, it has become a heavy burden for herself. There is a transition period: struggle; Breathing meditation; Rise again. China painters in the 20th century must face the task of maintaining tradition, learning from the West and integrating Chinese and Western cultures. Wu Guanzhong is one of the leaders of this group. Suffering from hardships, he represents the hard exploration of China's modern painting, and his works are the crystallization of this hard exploration.

For many years, Wu Guanzhong wandered at the crossroads of western culture and eastern tradition. In his early years, he studied under masters such as Lin Fengmian and Pan Tianshou, and his cultural accomplishment and artistic training were all Chinese. Then his three-year study abroad in Paris brought him into a completely unfamiliar western aesthetic world. Equally unforgettable. When we systematically observe Wu's works, we can see that the two kinds of art were initially antagonistic, and then gradually compromised and merged with each other. His accomplishment is based on his deep understanding of the last dimension of China's aesthetics and his mastery of western realistic techniques. At first, the two men were incompatible with each other. How easy it is to choose between fish and bear's paw! He wants both.

If we make a comprehensive and serious study of China painters who studied in Europe, we can see the influence of Paris Wu Guanzhong more clearly. Among them, Wu Guanzhong is unique. He is obviously different from the painters who studied abroad after Yu Xuecheng, such as his classmate Zhao Wuji. Although they subjectively want to keep their [China] background, they have actually been deeply integrated into the western tradition, and he is also different from those painters who choose to return to China after studying abroad. After returning home, these painters returned to the traditional category of Chinese painting-perhaps this explains why they returned to China. In Xu Beihong and Wu Zuoren, the most famous people in this group, what we see is the alternation of Chinese and foreign styles, not the integration: their oil paintings are realistic, and their ink paintings are from China. The combination of the two is limited. At the same time, we can see that the dependence on the European model of academic school limits their ability, and also limits the ability of Chinese painting to cope with the changes and achievements of western painting in the twentieth century.

Wu Guanzhong has made great progress in combining two painting media, two traditions and two styles. In Wu's oil paintings, he found the technique of imitating Chinese painting with a pen, and made fine lines on a large piece of "splashing color"; Pay attention to verve and so on, which are typical ink and wash traditions in China. The pleasure of fishing is a successful example. On the contrary, in his recent Chinese paintings, Wu exerted the energy of using pen and "splashing ink" to create a flat plate similar to post-impressionism, which has a general but not abstract effect. Will Wu's oil painting Water Town Week be held in 1985? P ",we can see that the difference between painting media has been reduced to an insignificant level.

There is also a class of painters, such as Chinese painting masters living abroad ... >; & gt

Question 8: What are the styles of animation? Your question can be more specific. What aspects can you talk about painting style?

There are many styles of painting, but it still depends on what you classify them according to.

From the types of painting, image expression, line expression, color and so on, there are many kinds:

Such as classicism, romanticism, realism, impressionism, post-impressionism, animal orientation, cubism, expressionism and surrealism. ...

Such as abstraction, impressionism, fauvism and realism. ...

For example, simple, exquisite, colorful and depressing. ...

There are many classifications.

Question 9: What is the painting style of the Central Academy of Fine Arts? Realistic, painting style is very hazy,

Yang Mei asked that the painting be very similar to the real thing.

I feel that their painting students have to rub every stroke with their hands, and the effect is very hazy and real.