What are the characteristics of modern western sculpture art in the 20th century? the Mediterranean Sea

Western sculpture in the 20th century formed two teams: the traditional school and the avant-garde school. Some people continue to use traditional languages and maintain people-centered efforts.

A typical way to create heroes of the times. On the other hand, some people began to "rebel" against tradition. They abandoned the realistic copying of characters and replaced them with "style" and "structure" In essence, volume and structure come from the exaggerated deformation of characters, or from the regular understanding of natural objects, which is obtained through abstraction. The efforts of these people are consistent with the avant-garde movement of the whole art world in the 20th century. Many pioneers of the avant-garde art movement, such as Picasso, Matisse, Bojuni, etc., have tried their artistic ideas in the field of sculpture.

Traditional sculptors have shown their talents in many important historical themes. As a popular visual communication language, their works are deeply loved by the general public, especially in Russia, which experienced the baptism of the October Revolution and the war. With the financial support of the state and the participation of well-known sculptors organized by the government, traditional forms of monument sculptures have reached a new height in scale and quality, such as the Monument to the Battle of Volgograd, the Monument to the Battle of Sevastopol, the Salas Bierce Memorial Group, the Monument to the Victory of the Anti-Siege in Petrograd, and the Monument to the Conquest of the Universe.

Avant-garde sculptors' pursuit of extreme individuality is often unacceptable to the public accustomed to traditional sculpture language. As a transition, henry moore, Linbrook, Qiao Kangmei and others use an abstract exaggeration that transforms from human body to raise human visual habits from human body to rhythm and rhythm, so as to gain readers' understanding. Since then, pure abstract language (or geometric form) has appeared in the works of Acheben, Toussaint, Alp, Tatlin and others. They take advantage of the change of the virtual and real space form and the extension and self-compensation effect of human visual habits. Great changes have taken place in sculpture language. Some critics believe that this avant-garde sculpture view has long existed in China's ancient gardening theory. Taihu Stone actually plays the role of decorative sculpture in China gardens. The beauty of Taihu Stone is the aesthetic law of form, space, reality and texture. Like Taihu Stone, modern abstract sculpture has been widely used in modern living places and public spaces. The green corner of the business district of residential area, the front and back lawns of high-rise buildings, together with fountains, running water, flowers and trees and jungles, constitute the cultural elements in modern urban landscape.