Traditional Culture Encyclopedia - Traditional culture - China's ancient working people in the marriage of the woman will often give the man a pair of their own a needle and a line out of the insole, this production of insole technology is the Cross
China's ancient working people in the marriage of the woman will often give the man a pair of their own a needle and a line out of the insole, this production of insole technology is the Cross
| (1)①The people are the main body of cultural creation. China's ancient working people in the practice of life created the art of cross-stitch. ② Culture spreads in communication. After the creation of the art of cross-stitch, it spread to Europe, integrating the artistic styles of different countries. ③ Culture is both national and global. Cross-stitch art is loved by consumers at home and abroad. ④ Culture develops in the process of exchange and borrowing. The cross-stitch art of each country has developed its own style and is unique. (2)①Continuity is universal and requires us to insist on looking at things from the point of view of connection. The cloisonné craft painter will cloisonné craft and cross-stitch art organic combination of success reflects the point of view. ② connection has objectivity, people can change the state of things according to the inherent connection, to establish a new specific connection. The cloisonné craft painter draws on cross-stitch technology, the cloisonné complex traditional craft technology to simplify and innovate, reflecting the point of view. ③ Connections are diverse, all subject to time, place and conditions. The cloisonné craft painter developed the former high-end products into cultural products that ordinary citizens can appreciate and consume, thus winning business opportunities. (3)①To adhere to the cloisonné craft from the actual start. ② to be based on the practice of making cloisonné. ③ To give full play to the subjective initiative to explore the laws of cloisonné production process. ④ To adhere to the dialectical negative view, innovative cloisonné production process. |
| This question takes the process of the creation and spread of the art of cross-stitch and its inspiration of cloisonné craft as the background, and tests students' ability to obtain and interpret information, and mobilize the use of knowledge to analyze and solve problems from the cultural and philosophical perspectives. Question (1), the art of cross-stitch arises from the production and living practices of the people, emphasizing the role of the people in the creation of culture; the art of cross-stitch spreads from China to Europe via West Asia, and enters the folk from the upper class, indicating the spread of culture in exchange; cross-stitch arises in China and is accepted and loved by the majority of ordinary consumers both at home and abroad, indicating that culture is both national and global; cross-stitch is spreading overseas with the integration of different countries, and the cross-stitch is spreading in the world; cross-stitch is spreading in the world. Cross-stitch in the process of overseas dissemination of the fusion of different countries' artistic styles, reflecting the culture in the exchange, borrowing in the development. Question (2), the question specifies that the knowledge requirements for answering the question is the point of view of connection, according to which, according to the relevant information in the material, the knowledge involved in the universality of connection, objectivity, diversity and so on. Question (3), according to the material, the inheritance of cloisonné craft proposals from the perspective of philosophical methodology are mainly from the practical point of view, based on practice, play the subjective initiative, innovation and so on. Note that write two and meet the question can be. |
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