Give me some introductions and comparisons between ancient Greek sculptures and China sculptures.

Greek sculpture occupies an extremely important position in the long river of Greek culture and history, and it has been used ever since.

For example, the appreciation of the discus thrower breaks through the limitation of time and space, embodies the stability and strength of sculpture, and pursues realistic and appropriate ideal beauty.

Pursuing aesthetic fashion with human body as beauty.

In ancient China, sculpture existed as an accessory of religion, mausoleum and architectural decoration. However, from many examples of Buddhist grottoes art and the thematic cultural ecological space environment created by the stone statues on both sides of the tomb, horses and the surrounding environment, we can clearly see the profound understanding and unique grasp of the relationship between sculpture and ecological space by ancient sculptors in China.

China sculpture also pays great attention to the charm of the object. We can compare China's sculpture to a three-dimensional figure painting. Its highest aesthetic pursuit is vividness, expressing the inner world of the characters and depicting their facial expressions. As far as Buddhist sculpture is concerned, although influenced by foreign religions, it still retains China's own characteristics, which are neither Greek nor Indian. In other words, China's Buddhist sculptures are neither full of philosophical speculation like ancient Greek sculptures, nor take pleasure in the body like Indian sculptures. Instead, it keeps the tradition of China sculpture and pursues something abstract and spiritual, that is, the pursuit of "verve". For example, flying in Dunhuang Mogao Grottoes, flying ribbons, and Ran Ran ascending to heaven, a kind of spiritual beauty, unlike Greece, is embodied in the body.