Among the four images of wind, flowers, snow and moon, what is the symbolic significance of the image of wind? thank you

1. Entrust the homesickness to the wind and express the homesickness.

For example, in the Qing Dynasty, Nalan Xingde Sauvignon Blanc said, "The wind is more frequent, the snow is more frequent, and it is impossible to break the homesickness dream. There is no such sound in the garden." This winter's wind and snow broke the hearts of homesick people. In the Yuan Dynasty, Liu bid farewell to the river. "The good wind makes the guests worry, and the waning moon wakes up in the curtain." When the night wind strikes, lonely guests wake up and never dream of going home again. What a sad feeling. But as far as the "good wind" is concerned, it is in sharp contrast with the mood. In Liu Che's autumn wind poem in Han Dynasty, "Autumn wind starts in Bai Yunfei, and the vegetation falls to the south". In the preface to autumn wind by Liu Yuxi in the Tang Dynasty, "Autumn wind enters the courtyard tree, and the lonely guest hears it first". It's all about autumn wind blowing, wind blowing, flowers falling and geese flying south. In this case, there will be no other emotions, only homesickness. The autumn wind all over the sky brings ubiquitous depression and leads to lovesickness.

Second, use the wind to render the sad atmosphere and set off the sad feelings.

"The wind is raining, and Chen Tuan can't sleep"; "The curtain rolls west wind, and people are thinner than yellow flowers"; "Autumn wind blows the Weihe River and leaves are full of Chang 'an"; I have known her for a long time, but we have been apart for a long time. The east wind rises and a hundred flowers blossom. "Spring breeze is not worried about being blown away by the wind, but spring will cause long-term hatred" and so on. These numerous poems contain the literati's sentimental life experience and the pain of displacement. Changfeng blows out bleak loneliness, which is infinitely bleak to read. It's really "full of worries." "

Third, show heroism with the wind.

"Yunfei winds up and the weaver girl returns to the sea" is a heroic wind; "The sky is grey, the wild is boundless, the wind blows grass and the cattle and sheep are low", which is the boundless wind beyond the Great Wall; "The wind is rustling in Shui Han, and the strong man is gone forever." This is another tragic wind. In these artistic conceptions, sadness and sadness have completely disappeared. The wind is no longer a gentle and sad image, but an invisible hand plucks the heroic and broad-minded strings in the world, which makes people feel passionate. This kind of wind is momentum and strength, and it is the carrier of the Chinese nation's high-spirited spirit.

Fourth, show vitality with the wind.

"Wildfire never completely devoured them, and they grew tall again in the spring breeze"; "Waiting for the east wind will always be spring"; "Thousands of trees bloom in the east wind night"; "The wind blows the willow flower shop full of fragrance", and when the wind sweeps away the haze, it brings people vitality and is the driving force to stretch their body and mind, so the spring breeze at this time is "busier than passers-by" and spreads the vitality of spring. "Wind" has become a symbol of vigorous vitality. At this time, only when the wind blows the hearts of literati at the earliest, let them listen to the joy of the world and express the beauty of spring lyrically on paper.

In the traditional culture of China, the image of wind often becomes the carrier of human thoughts and emotions. Because of the author's different moods, different ancient poems often express different meanings, which reflects the richness of their meanings. Different connotations form different aesthetic artistic conception, which sets off different feelings of poets and poets. The inner thoughts, feelings and styles reflect each other, which promotes the literary taste, ideological connotation and artistic attainments of poetry, by going up one flight of stairs.