What are the sentences that praise the paintings?

1, his Chinese paintings in order in the chaos, clumsy in the strange, his paintings under the "Jodi", "Spring Dawn", "Autumn", a flower and a bird are infused with his own unique thoughts and feelings, a painting are painted a mood, showing a kind of sentiment, triggering the viewer **** song. A flower and a bird are all infused with his own unique thoughts and feelings, a painting are painted a mood, showing a feeling, triggering the viewer's **** song.

2, the teacher uses a flowing brush, in the ink flow, in the traditional Chinese painting creatively and organically integrated into the visual elements of modern Western art, to show the world a traditional Chinese aesthetic mood.

3. In his paintings, the green and pure streams, the flowery mountain streams, the bamboo along the river and the wisteria on the ridge seem to be the gushing springs of his paintings, and the affectionate imprints of his childhood life will rise up from time to time.

4, painting more like carving, reflected in my eyes, the more I think it is a brilliant work, carving more like painting, the more I think it is a poor work; carving is the torch of painting, they are like the sun and the moon's light, there is a world of difference.

5, his painting of the galloping horse, brush and ink drenching and dashing, with the wind and thunder of the times galloped on the painting world, to the then Chinese painting world brought a fresh, powerful, strong breath.

6. This painting, "Spring is Thick under Yunyang Mountain", has another remarkable feature that Chen Lizhong has taken a new step in the exploration of modernity in Chinese landscape painting, making the creation of landscape painting more in line with the spirit of the times.

7, most of his paintings are also based on his hometown, the mountains, the water, the flowers, the grass as the original form, the paintings are unique flavor, such as his chrysanthemums, unlike many painters, his chrysanthemums in a wild flavor, to bring you into the streams of water, wild chrysanthemums blooming in the mountains.

8. Thick ink, outlining; light ink, baking; light color, rendering. Follow the stone steps that extend inexplicably from the clouds one by one, slowly upward.

9, the small bridge over the flowing water, after the rain showed a clear and bright spirit. Like a needle of fine rain sewing the earth's coat, but inadvertently ruffled the river crystal laughter. This is the painting on paper, but also the scene in my heart.

10, every kind of scene in the picture is moving, clouds are moving, the rising sun is moving, the mountains are moving, the city is moving, waterfalls are moving, birds and flowers are moving, but all of these "movement" are in the help of the elevated moving car "move! "

11, water on rice paper after drying, it left traces behind, constituting a completely "transparent" painting, a very different from the Western painting of the water of the blank painting.

12. His paintings are often neither Chinese nor Western, foreign nor local, ancient nor modern, without rules, not according to common sense, combining tradition and "wildness". However, it is such a kind of irregularity that makes his paintings have a unique sense of art.

13. The bamboo in his paintings has strong branches and trunks, and although the ink is light, the tendons and joints are strong. The bamboo leaves are swept horizontally and tilted according to the wind. When the wind and rain come, it is exaggerated to be parallel to the wind and rain, which strongly expresses the situation of the wind blowing wildly.

14, wisps of ink lingers in the depths of the soul, brilliant colors rendered on the surface of rice paper, a delicate seal into the eyes, the water in the cup of water refracted the subtle depiction of the figure, the work of art hanging high on the wall.

15, his painting style gradually became a new wind of extremely distinct personality and bright style in Chinese flower and bird painting.

I. Chinese painting (traditional Chinese painting form):

The term "Chinese painting" originated in the Han Dynasty, the Han Dynasty people believe that China is in the middle of heaven and earth, and so it is called China, and Chinese painting is called "Chinese painting", or "Chinese painting" for short. It mainly refers to scroll paintings painted on silk, rice paper, silk and framed. Chinese painting is a traditional form of painting in China, in which a brush is dipped in water, ink and color and painted on silk or paper. The tools and materials include brushes, ink, pigments, rice paper, silk, etc. The subject matter can be divided into figures, landscapes, flowers and birds, etc. The techniques can be divided into figurative and pictorial. In terms of content and artistic creation, Chinese painting embodies the ancient people's knowledge of nature, society and the political, philosophical, religious, moral, literary and artistic aspects associated with it.

Two, the origin of Chinese painting:

Generation, hieroglyphic characters, laying the foundation; text and painting in the first place, there is no difference, it is a meaning. Our country has long had the same source of painting and calligraphy, some people believe that Fu Xi painted trigrams, Cang Jie create words, is the first for painting and calligraphy. Text and drawings at the beginning of no difference.

Pottery is a product of the Neolithic era, pottery, black pottery, white pottery and colored pottery. On the colored pottery unearthed at the important Neolithic site of Xi'an Half-slope Village, there are paintings of fish chasing each other and deer jumping. A ceramic pot simulating the shape of a boat unearthed in Yongjing, Gansu Province, makes us feel as if we were on the shore, and the scene is vivid; there is also a dancing colored pot found in Sunjiazhai, Datong, Qinghai Province, on which there are three groups of five people hand in hand with a song, showing youthful vitality, which is the root of the study of the history of Chinese paintings. In the late Neolithic period, Xindian and Longshan cultural sites, found in China's earliest bronze, which is the artifacts, but also arts and crafts. Common bronze decorative patterns, there are Yantun pattern, Yunlei pattern, kui dragons, tigers, etc., but also used the human body as a decorative pattern. The double kui synthesized Ronggu pattern, the tail more upward scroll, extremely beautiful.

Decorative paintings on bronze objects, the theme can be divided into about two categories, one is to depict the ritual activities of the life of the aristocracy, such as banquets and music, shooting rituals, table sacrifices, etc.; such as Zhao Gu unearthed the "engraved bronze identification," focusing on the ritual activities of the life of the aristocracy; the other category is to depict the images of the land and sea attack, to the town of Shan Biao unearthed the "land and sea attack patterns of the identification of the town" as a representative. Other Baihuatan copper pots, the Forbidden City, "feast and music copper pots" have pictures showing war scenes. In these paintings, there are land and water battles, firm wall defense, ladder attack on the ground and other episodes. There are also depictions of water and land battles in the formation, showing the details of the charge to kill the attack. Some of the soldiers are holding swords and halberds, and some of the soldiers are holding gorges and spears, etc., which are vividly depicted. These artistic techniques, to the Han painting stone carving, brick carving with great inspiration and influence.

Three, the history of Chinese painting:

Long, as far back as more than 2000 years ago in the Warring States period appeared in the paintings on silk fabrics - painting on silk, which was preceded by primitive petroglyphs and colored pottery paintings. The most famous of the Spring and Autumn and Warring States period is the silk painting of the Imperial Dragon. It was painted on silk. These early paintings laid the foundation for later generations of Chinese paintings in which line was the main means of modeling. In the period of the two Han and Wei, Jin, and North and South Dynasties, the impact and fusion of the importation of foreign cultures and local cultures led to the formation of a situation where religious paintings were the mainstay of painting, while depictions of local historical figures and literary works accounted for a certain proportion of paintings, and landscape paintings and flower and bird paintings also sprouted at this time. During the Sui and Tang dynasties, social economy and culture were highly prosperous, and painting also showed a comprehensive prosperity. Landscape painting, flower and bird painting has developed and matured, religious painting reached its peak, and the tendency of secularization; figure painting to express the life of the aristocrats, and the emergence of characters with the characteristics of the times. The Five Dynasties and Song Dynasty further matured and became more prosperous, figure painting has been transferred to the depiction of secular life, religious painting gradually declined, landscape painting, flower and bird painting jumped to the mainstream of the painting world. The emergence of literati painting and its development in later times greatly enriched the creative concepts and methods of expression of Chinese painting. In the Yuan, Ming and Qing dynasties, ink landscape and birds and flowers were developed prominently, and literati painting and genre painting became the mainstream of Chinese painting. With the gradual stabilization of the social economy, the field of culture and art flourished as never before, and a lot of great painters who loved life and respected art emerged, and painters of all times created heirloom paintings that will live on in infamy for generations to come.

Ming Dynasty painting schools of thought, each leading the trend. The early Ming monarchs through a series of political and economic reforms, for the unity of the country, social stability and the restoration and development of productive forces to provide a guarantee, to the Ming Jiajing, Wanli years, the economy and culture tends to flourish, the level of productive forces has reached the peak of feudal society. The traditional scientific and technological achievements were gradually summarized and contained factors towards modernity; the intellectual and cultural fields were brilliant and prosperous and produced new changes.

Ming Dynasty painting along the Yuan Dynasty has been presented changes continue to evolve and develop, literati painting and custom painting painted into a torrent, and the formation of many schools; landscape, bird and flower subjects popular, the decline of figure painting; ink and wash techniques continue to innovate, further enriching the ability to express the ink and brush; the purpose of the creation of a more emphasis on the expression of the subjective interest, the pursuit of pen and ink rhyme. In the early Ming Dynasty, there were literati paintings that inherited the Yuan Dynasty's ink and wash painting method; court "courtyard style" paintings; and "Zhejiang School" paintings founded by Dai Jin and Wu Wei. Representative painters include: Liu Jun, Ni Duan, Shang Xi, Xie Huan, Li Zai, Bian Jingzhao, Lu Ji, Lin Liang, Dai Jin, Wu Wei, Zhang Lu. In the middle of the Ming Dynasty painting, Suzhou, the rise of the "Wu family of four", Shen Zhou, Wen Zhengming formed a powerful "Wu school of painting", to promote the tradition of literati painting, Tang Yin, Qiu Ying, both to take the "courtyard style", Tang Yin and Qiu Ying took the strengths of both "courtyard style" and literati painting to form a new outlook. Representative painters include: Zhou Chen, Shen Zhou, Wen Zhengming, Tang Yin, Qiu Ying, and Wen Jia. In the late Ming Dynasty, landscape painting became the mainstream, and literati bird and flower painting also developed rapidly, and the painting world honored the Wu School as the first. Representative painters include: Zhang Hong, Xu Wei, Chen Chun, Basketball Ying, Xiang Shengmu, Wu Bin, Ding Yunpeng, Chen Hongshou, Cui Zizhong, Zeng Jing.

Since the Tang and Song dynasties, painters for the innovation of Chinese painting has continued to the present day, based on the inheritance of innovative style. In the Ming Dynasty, the starry "Wu School" not only represented the highest level of painting in the Ming Dynasty, but also opened up a new river for the future generations in the exploration of the ancient and innovative. At the later stage of the Wu School, Suzhou painters represented by Zhang Hong took a different approach to literati landscape painting, creating paintings rich in the flavor of life. On the basis of inheriting the style and characteristics of the Wu School, they innovated and went sketching in the mountains, mastering the natural creation, creating paintings rich in the flavor of life, and embodying a transcendent spiritual realm in their paintings. The picture is fresh and elegant, and the mood is ethereal and clear.

Four, classification:

Chinese paintings are mainly divided into figures, birds and flowers, landscapes and these categories. On the surface, Chinese painting is divided into these categories by subject matter, but in fact, it is the expression of a concept and thought with art. The so-called "painting is divided into three subjects", that is, summarizes the universe and three aspects of life: figure painting is the expression of human society, human relations; landscape painting is the expression of the relationship between man and nature, man and nature into one; birds and flowers is the expression of nature's various life, and people live in harmony. The reason why Chinese painting is divided into figures, birds and flowers, landscape these categories, in fact, is sublimated by the art of philosophical thinking, the three together constitute the universe as a whole, complement each other, is the true meaning of art for art.

Five: additional praise for the painting of the sentence:

1, Xu Beihong take the Western classical realistic painting, advocating the use of "realism" to transform Chinese painting, emphasizing the "subtle, address a wide range of", "exquisite", "direct teacher of the law of creation", especially his "drawing is the basis of all the plastic arts," the theory of the history of painting had an epoch-making effect, announced that from the Ku Kaizhi to Ren Bo Nian more than a thousand years to hook red. He announced the general end of the form of red and color filling from Gu Kaizhi to Ren Bonian for more than a thousand years and the birth of a generation of new forms of Chinese painting. His idea of realism and the introduction of "socialist realism" from the Soviet Union and become one of the largest mainstream painting school in this century.

2, I like to paint Chinese paintings, I love to paint the bamboo's thin leaves, sparse section, love her to stand up to the sky and land, the spirit of holding fast; I also love to paint the pond in the lotus leaves, it out of the silt and mud without dyeing, Maundy Lianyi and the spirit of the demon also y felt me; I also love to paint the wings of the eagle soaring, to learn from it in the face of the rugged and the bumps and bruises shown by the tenacity and unyielding, courageous spirit of going forward! ...... The creation of Chinese painting has unlimited space for imagination, and the connotation of Chinese painting is a kind of cultivation. This makes me y in love with Chinese paintings, especially Chinese painting. Chinese painting itself not only brings people unlimited pleasure physically and mentally, the key is through the meaning of Chinese painting, feel it brings us the shock of the soul ...... Chinese painters have to go through a long period of time, decades of practice, to achieve the realm of pure fire, in order to put their own spiritual perception and the natural scenery into one, which is the God and the materialization.

3, Chinese painting through the vicissitudes of thousands of years of development to today, the charm of the art is still shining, so that people feel that often paintings are always new, often new, the fundamental reason is that there is a wonderful Chinese flavor. So, what is the Chinese painting unspeakable Chinese flavor? In short, it is 'earth'. Chinese painting is in China this piece of ancient and magical land grows up in the art of wonder, contains the Chinese people's beliefs, wisdom, philosophical thinking, life sense, aesthetic habits, and so on.

4, thick ink, outlining; light ink, baking; light color, rendering. Follow a level of stone steps that extend inexplicably from the clouds, slowly upward. Surrounded by lush unknown small trees, snaking body, to the place where there is light leaped. The mountain stream where the foliage is covered, hidden through the ancient and rustic house feet, and curls of cooking smoke, leisurely from the gap between the leaves, scattered, scattered ...... far away, is the diaphanous long brow like mountains, the cloud engulfed its feet, but it is happy to allow itself to disappear in the dream like smoke and clouds. The small bridge on the stream, after the rain showed a bright spirit. Such as the needle of the rain mending the earth's coat, but inadvertently ruffled the river surface crystal laughter. The person in the lone boat, just quietly looking, looking at the aqua green satin-like river, or that far away mountains? This is the painting on paper, but also the scene in my heart.

5, Chinese painting, the layout of the scene, a wide field of vision, not confined to the focal point of perspective; according to the form of expression of murals, hanging scrolls, scrolls, scrolls, albums, fans and other forms of paintings, supplemented by the traditional framing process of decorating. According to its use of materials and methods of expression, can be subdivided into ink painting, heavy color, light red, brushwork, writing, white drawing, etc.; Chinese paintings are more varied in the form of painting, horizontally unfolded scrolls, ponchos, vertically unfolded banners, in the hall, the size of the surplus feet of the albums, the Doufang, painted on the top of the fan folding fan, fan, and so on. I am Chinese, I love painting Chinese painting, I am also proud of Chinese painting.

6, savor the painter's giant painting, a prominent feeling is its "vivid". Charm vivid is the picture shows the "rhythm of life" or "rhythmic life" visual image, is a painting of the organic connection between the elements of the form to form a "one air through The visual image of "rhythm of life" or "rhythmic life" is the organic connection between the elements of a painting, which creates the feeling of "one breath of air" and "all in one". Please see, every kind of scene in the picture are moving, the clouds are moving, the rising sun is moving, the mountains are moving, the city is moving, waterfalls are moving, birds and flowers are moving, but all of these "movements" are in the help of the elevated moving car on the "movement".

7, Chinese painting has a long history, is an important part of Chinese culture. It is ink brush, line as a skeleton, realistic and ideological combination, emphasizing the painting of the mood and charm, both simple and profound and far-reaching, the formation of a unique style of Chinese painting. The line is the essence of Chinese painting. It is the skeleton that expresses the structure of objects, and is the most basic, concise and generalized artistic language in Chinese painting, with unique artistic charm. The unique artistic charm of Chinese painting is specifically manifested in the following: Chinese painting attaches importance to the use of blank space, with the effect of "the real and the imaginary"; Chinese painting attaches importance to the relationship between art and nature, emphasizing the "writing God in form", and paying attention to the mood, charm; Chinese painting and calligraphy have a very deep origin, that is, "painting and calligraphy have the same origin", "calligraphy and painting have the same method; Chinese painting has a similarity with the poem, and thus promotes the "poem in the painting"; Chinese paintings are also often used in the seal, which is an embellishment, but also adds flavor to the painting. Is the embellishment, but also to increase the flavor and beauty.

8 、Chinese painting, as the name suggests, is a Chinese painting, but also the pride of China, but also the pride of the Chinese people. Of course, I am also proud of Chinese painting, contemporary Chinese painting in the world of art in its own system. According to its subject matter and object of expression can be roughly divided into figure painting, landscape painting, bird and flower painting, boundary painting, flowers, fruits and melons, plumes, beasts, insects and fish, etc.; according to the method of expression, there are brushwork, writing, crochet, color, ink and other forms of techniques, and color can be divided into gold and blue, large and small green and green, boneless, splash of color, light color, light purple, and other kinds of. The main use of line and ink color changes, to hook, chapped, dotted, dyed, thick, light, dry, wet, yin, yang, to, back, virtual, real, sparse, dense and white and other means of expression, to depict the object and management position.

9, Mr. Zhang uses a flowing brush, in the ink flow, in the traditional Chinese painting creatively and organically integrated into the visual elements of Western modern art, to show the world a traditional Chinese aesthetic mood; his big brush to splash the color, so that his watercolor paintings are full of Chinese ink and ink rhyme. The artist once again proves to the world his own concept with his own unique gesture - to paint watercolor with the brush and ink techniques of Chinese painting, and to enrich the brush and ink of Chinese painting with the texture techniques of watercolor painting. This is a kind of belief, is a kind of innovation, also represents the watercolor and ink of the water and milk blending, the two dependence, but also Zhang Wanqi body shows a unique "wild", the formation of their own "Zhang's wild school".

10, Chinese painting is our ancestors created and invented, inherited for thousands of years, from painting materials, brush, ink, paper, inkstone, to painting theory, techniques, aesthetics, etc., has formed a complete, grand, systematic, subtle, and even ahead of the art system. Chinese painting can only innovate in its own art system to seek a more perfect, more suitable for the painter's personality of the language of ink and brush.

11, Chinese painting is to "gas" as the characteristics of their own existence, "gas" constitutes the basis of Chinese painting, and there is a natural and inevitable connection between water and gas, there are multiple channels of mutual transformation. The transformation of water into qi is not only a natural physical imagination, but also implies the unique variation of Chinese painting art; it is an artistic creation, but also represents the unity of heaven and man. Water, both as an object and as a composition, is directly connected to the chi of Chinese painting, giving Chinese painting a final pattern of chi. When the water dries up on the rice paper, the traces it leaves behind constitute a completely "transparent" painting, a kind of blank painting with water that is very different from Western painting.

12, the upper half of the picture seems to be in a dynamic situation, but all "moving" is not smooth, so the painter especially in the lower part of the picture in the lower part of the clever arrangement of a large piece of calm water, so that appreciators in the hands of the same time, but also can enjoy the tranquility of the water. The purpose of the painter's composition, lies in the painted objects of various "potential" linked to form a unified "potential", which is Chen Lizhong landscape painting "take the potential" of the clever place.

13, the Chinese flavor of Chinese painting is the most important expression of the ink and brush lines, play the brush, water, ink, rice paper, and other tools, flexible and changeable special performance and the painter's personal sensibility and calligraphy art skills, so that the lines of Chinese painting with a thousand variations of ink and ink interest, the formation of a wonderful rhythmic full of the art of the line of the United States. Not like the Western missionary Lang Shining like painting Chinese paintings, although the image of the painting is exquisite, is the lack of Chinese flavor of the beauty of the line.

14, spring, Chinese spring. Painters, especially bird and flower painters also with everything together "recovery". Returning from this lecture, he injected new elements into his creation. He organically combined Western art with Chinese painting traditions in an exquisite blend; he was no longer bound to depict only folded flowers, but consciously borrowed from the vastness of abstract forms, so that his expression of Chinese flower and bird paintings enhanced the momentum and expanded the extension of the imagery. Since then, Zhang Wanqi's traditional Chinese bird and flower paintings have been clearly characterized by abstraction.

15, thousands of years, the Chinese people have created a glorious ancient culture, Chinese painting is a brilliant pearl in our traditional culture and art. Chinese painting, also known as Chinese painting, has a history of more than 5,000 years. It depicts objects with the modeling of lines and changes in ink colors, and the main painting tools are brushes, ink and paint, and rice paper, which are called the "Four Treasures of the House of Letters". The content of Chinese painting is wide, there are figures, landscapes, birds and flowers ...... A complete Chinese painting, there are three parts: the picture, the inscription, the seal. And then through the framing, the works dressed up into hand scrolls, ponchos, banners, in the hall, albums, doufang, such as showy and solemn, attractive favorite treasures. Historically, the highest level of Chinese painting is the "realm of realization" The so-called realm of realization is the subjective initiative of the painter, including two aspects, one is the absorption and digestion of traditional culture, and the other is the absorption and digestion of real life. Painter only in the two outside the master of the creation, in the heart of the source, that is to say, the mood is the author of the subjective intention and the real life of the dialectical unity of the results of the realm, is the soul of the painting. At the same time is the painter's artistic cultivation, life accumulation, moral character, the sum of painting skills.

16, a sheet of paper, painted full of blanks, is a Western oil painting. A piece of paper, a few strokes in white on top of the Xuan, is Chinese painting. Van Gogh heavy ink and color became a stunning heirloom works, Qi Baishi ink painting is also a legend in the painting world. Western passion, Chinese elegance. A five-color, reflecting not only landscape, grass and trees? Among them, there are even more square and round ways of dealing with the world. The highest state of Chinese painting lies in the white ink. The highest state of Chinese words, in the words of the voice to stay three points.

17 、He is now past his prime, the early conditions of learning to paint is very difficult, at first painting Chinese painting, and later transformed into a watercolor painting, so Mr. Zhang's works into a school of its own, Chinese painting in the colorful and infectious Western painting, watercolor paintings contain the charm and mood of Chinese paintings, and then Mr. Zhang on the abstract ink paintings and research, the recent ink and watercolor abstract is his own style is more proud of him, he said he did not understand abstract art, so that he has no knowledge of abstract art, so that he has a good understanding of the Chinese art of abstract art. He said he didn't understand abstract art before, and what changed his mind about contemporary art was seeing the works of Mr. Zao Wou-ki from Taiwan, which excited him a lot, and he said that abstract paintings are very expressive and can move people.

18 , traveling clouds in the sky, flowing water on the ground. In order to find a wider range of creative themes, the painter has traveled to almost all the famous mountains and rivers in China. He has sought sorghum in the Songhua River, the Lancang River close to the buffalo; also in Inner Mongolia prairie chasing horses, Zhoushan Islands on the reef to meet the sunrise. In his pen, the green and pure streams and beaches, the flowery mountain streams, riverside bamboos, wisteria on the ridge, seem to be his pen gushing fountains, and will rise up the intimate marks of childhood life.

19, as Shi Tao poem: "I write this paper, the heart into the spring river, the river flowers with me, the river with me up." Only to achieve this God and materialization, the realm of things I forget, and this realm is not like literature, you can describe the plot or subtle details moving people, but all depends on the painter in the extremely limited picture depicts the spiritual temperament of the scenery, while injecting the painter's emotions, the painting will become a wordless poem, even if it is a painting of a blade of grass or a piece of wood, but also let a person get tired of looking at it, intriguing, the Chinese flavor of the Chinese paintings on the wonderful! The Chinese flavor of Chinese painting will be wonderful! Otherwise, the painting is only like the surface phenomenon, who can be moved by it?

20, his painting of the galloping horse, ink and brush dashing, with the thunder of the times galloped on the painting world, to the Chinese painting world at the time brought a fresh, powerful, strong breath. Now Xu's hometown - Yixing City, Jiangsu Province, the newly built "Yixing Xu Beihong Memorial Hall", displaying Mr. Xu Beihong in various different historical periods of painting and calligraphy (including the youth period of practice, after the works of fame, letter to za, etc.). His paintings of horses, whether galloping horses, standing horses, walking horses, drinking horses, group horses, are given full of vitality.

21, this "Yunyang Mountain Spring", there is another significant feature, Chen Lizhong in the modernity of Chinese landscape painting on the exploration of a new step, so that the creation of landscape painting more in line with the spirit of the times. Unlike many of Chen Lizhong's previous landscape paintings, this painting highlights the role of man in changing the world, with emerging cities, skyscrapers, elevated bridges and speeding trains.

22, his paintings are often not Chinese and not Western, not foreign and not local, not ancient and not modern, no rules, not according to common sense, the traditional and "wild" mixed together. However, it is this kind of irregularity that makes his paintings have a unique sense of art. Especially because he is familiar with the countryside and rooted in the countryside, his paintings have a deep love with his hometown and the mountain villages. Most of his paintings are based on his hometown, the mountains, the water, the flowers, the grass as the original form, the painting has a unique flavor, such as his chrysanthemums, and many painters are different, his chrysanthemums in a wild flavor, to bring you into the streams, wild chrysanthemums in full bloom in the mountains.

23, his Chinese paintings are in order in the chaos, clumsy to see the strange, he painted the "Jodi", "Spring Dawn", "Autumn", a flower and a bird are infused with his own unique thoughts and feelings, a painting of the His "Looking at Autumn" won the Gold Medal of China Fan Painting and Calligraphy Art Exhibition, "Reflecting Red" won the Gold Medal of State of Ink and Wash - Modern Calligraphy and Artists' Works Invitational Exhibition, and "Chinese Calligraphy and Artists' Works Invitational Exhibition" won the Gold Medal of Chinese Calligraphy and Artists' Works Invitational Exhibition for three consecutive years in the nineties in Singapore. In the 1990s, he won the gold medal in the "Chinese Calligraphy and Artists' Works Invitation Exhibition" in Singapore for three consecutive years.

24 、Especially in the bamboo in Xiaoxiang Wind and Rain, the branches and trunks are strong and sturdy, and the ink is light but the tendons and joints are strong. And the bamboo leaves are swept horizontally with a bald brush, tilted according to the wind. Wind and rain, exaggerated a few parallel trend, a powerful performance of the wind blowing the situation, at this time the two birds flew, the bamboo next to the stubborn stone broad brush writing, and bamboo as one, more prominent bamboo poles stand against the wind unyielding, and give strong support, showing the strong antagonism of the two forces, praised the bamboo and the wind and the tenacity of the spirit of the bitter struggle.

25 , wisps of ink lingering in the depths of the soul, brilliant colors rendered on the surface of rice paper, a delicate seal into the eyes, the water in the cup of water refracted subtle depictions of the figure ...... works of art of Chinese painting, high up on the wall, which is my favorite hobby. Turn over the long scroll of China's history, the famous Chinese painters like stars, outstanding works of beauty like a rainbow. I know of the Tang Dynasty Wu Daozi's "Heavenly King sends his son to the picture"; the Northern Song Dynasty Zhang Zeduan's "Riverside at Qingming Festival", and modern Zhang Daqian's "landscape"; Qi Baishi's "shrimp"; Qi Baishi's "Shrimp"; the "Shrimp"; the "Shrimp"; the "Shrimp"; and the "Shrimp". "shrimp"; Xu Beihong's "horse"; our hometown of zhuji fengqiao's famous painter Chen Hongshou's "figure painting", Wang coronation "plum blossom picture "is also famous.

26 , Chinese flower and bird painting on the unique innovation and unprecedented creation, so Zhang Wanqi has been a great success. His paintings frequently hit the national art exhibitions, but also repeatedly for the collection of art museums at all levels, his painting style has gradually become a Chinese flower and bird painting in an extremely distinct personality, style is extremely bright new wind. In fact, over the years, Mr. Zhang Wanqi's innovation and development in Chinese flower and bird painting has played a practical role in enlightening and leading.

27 For thousands of years, literati painters have been immersed in the strict barriers of secular politics, borrowing plums, orchids, bamboos, chrysanthemums, and landscapes to resist the depression of the mind brought about by the darkness of the officialdom and the oppression of foreigners with the high level of artistic taste and the meaning of life, and to plump up the wings of Chinese culture with the value and dignity of an individual with the empathy of freedom, wildness, and sparseness. Therefore, the literati paintings have always been the art carrier for the cloth-clothed talents, hermits, upright civil officials and intellectual aristocrats to express their feelings and express their aspirations.

28, xu beihong in painting, advocating "all the subtle, to the vast"; he is on the Chinese painting, advocating "the good of the ancient method to keep, the dying to follow, not good enough to change, not enough to increase, the Western painting can be picked up by the fusion of the". His paintings can integrate ancient and modern Chinese and foreign techniques into one furnace and have its own unique style. He not only specializes in Chinese painting, but also has high attainments and achievements in drawing and oil painting. Characters focus on realism, conveying the spirit; painted flowers and birds, landscapes, beasts, concise and bright, full of life, especially in painting horses famous in China and abroad.

29, the picture reveals a certain power will bring your thoughts to an unexpected level of consciousness. Here, it can also be seen that he converted to humanity, y sad for the fate of mankind, in the spirit of incessant questioning, burned to consume their own conscience, passion, spiritual wisdom and life, and some even penetrate a kind of tearing pain, rushing with compassion for the suffering of the human race and the love of the torrent.

30, the famous oil painting "after me", "Tian Heng five hundred soldiers", the national painting "Jufangao", "Yugongyishan", "meeting in Tokyo", etc., the most important. Painting horse for the world, the brush force is robust, magnificent, cloth to avoid coloring, all have new ideas.

31, painted the era of "spring clouds floating in the air, the autumn water line the ground", write out the life of "dry cracks in the autumn wind, moist with spring rain". For the art of life, for the art of life, leaving their own "Spring and Autumn ink and brush", with fine and classic, with energy and spirit, and then write a new "ink and brush Spring and Autumn".

32 、Spring and Autumn, is time, is years, is history, is life, is sowing, is harvest. Pen and ink, is not only the art of calligraphy and painting itself, but also writing life, recording history, depicting the times, show the heart. Whether you use ink brush or color brush, whether it is a light ink divided into five colors, or heavy oil colorful.

33, Xu Beihong (1895-1953), is China's modern outstanding painter and art educator. His love of art, love of the motherland, his life to the people left thousands of excellent works, and training and creating a large number of human resources, worthy of the Chinese art history of the generation of masters.

34, and the history of the human spirit and flesh of the shocking works of art, are not full of human nature and blood lyrical awareness of the visual unfolding. His concern has always been the ultimate question of mankind. He embraces the whole world, organizes it according to his own will, reveals it, and provides people with some kind of philosophical enlightenment.

35 、Chinese painting takes "qi" as the characteristic of its existence, and "qi" constitutes the foundation of Chinese painting, and there is a natural and inevitable connection between water and qi, and there are multiple channels of mutual transformation. The transformation of water into qi is not only a natural physical imagination, but also implies the unique variation of Chinese painting art; it is an artistic creation, but also represents the unity of heaven and man. Water, both as an object and as a composition, is directly connected to the chi of Chinese painting, giving Chinese painting a final pattern of chi. After the water dries up on the rice paper, the traces it leaves behind constitute a completely "transparent" painting, a kind of blank painting with water that is very different from Western painting.

36, Nenjiang County, the first collection of calligraphy and painting, in the "ignite the passion, pass the dream" of the Beijing Olympic torch relay process, for people to hold a piece of spring splendor. Although this splendor inevitably came later, although this northern spring color is inevitable in the autumn of the dead leaves, however, after all, in the calligraphy and painting colleagues **** with the efforts, she is still the current black river this cold black earth and the cities and counties in the first blossomed out of the first book of art flowers.