Thesis on literature

The development and depth of the study of modern Chinese literature is closely related to the organization and excavation of modern literary literature. The following is the literature graduation thesis that I have organized for you for your reference.

Literature Thesis Essay Sample 1: The Impact of the Value of Subtexts in Modern Chinese Literature

Abstract: The subtexts next to the main text of a work are the related texts used to assist in understanding the content. This kind of text is both a mirror text of the main text and an integral part of the whole work. China's modern literature occupies an irreplaceable literary position, this paper analyzes the historical content contained in the subtext of modern literature, and then explores the important role and influence of the subtext in modern literature.

Keywords: modern literature; subtext; value; influence

First, the origin of modern literature subtext

In China's literary history, pure literature has always been highly regarded, and it is also the focus of literary research. However, from the content of the historical materials, the source of literary history is very wide, in addition to the pure text also involves the subtext of the literary works, for example, diary text, letters and annals or chronicles, etc. [1]. In addition, modern literature is different from classical literature, and the contents of the historical materials of the two are also different. Modern literature has more new elements than classical literature, including title page introduction, text cover, advertising text, etc. After the appearance of such elements, literary texts are gradually divided into primary and secondary texts, in which the primary text indicates the essential characteristics of the work, while the secondary text is used to indicate the auxiliary information, with historical characteristics. In this way, the secondary text can be used to explore a wide range of historical issues, and is rich in historical information.

Second, the historical material contained in the subtext of modern literature

1. Preface and postscript

Generally speaking, subtexts are interspersed with or surrounded by the main body of the text, and the purpose of such subtexts is to explain to the reader, to clarify the relevant information, and therefore the subtexts can be accessed with the help of the historical material in the subtexts. However, most of them do not have the ability to highlight information, and one needs to refer to the main text and related materials to analyze the content of the historical materials. The "preface and postscripts" in the secondary texts contain a great deal of historical information. Many works of modern literature contain preface and postscript, which usually describe the history of literature, works, writers and other aspects of the content, which can provide relevant historical content for future generations. For example, "<Scream>Preface" describes the turning events experienced by Lu Xun himself, and the preface of "Wifeless Tiredness" explains the relevant circumstances of the murder cases in Shanghai and Hangzhou at that time. In addition, the preface is the link between the work and the preface writer, for example, Zhou Zuoren for the works of the students he taught to write a preface; Lu Xun often to the left-wing writers to write a preface. From the preface can be seen in the conception of the work, the writer's thoughts and other content, with the help of the preface to express these contents, can be mapped out the background of the creation, the publication process, dissemination and other information.

2. Title page, title page, quotes

Modern literature, title page and quotes, this kind of text is shorter than the advertisement, which is short and concise, contains a variety of historical information. The title page and quotes are mostly from classic poems, Chinese and foreign masterpieces, etc. The writing method is close to the "canonical", which introduces the classic Chinese and foreign sentences into the modern text, which can not only visualize a fresh contextual language, but also reflect the content of Chinese and foreign historical materials. For example, "Cai Shi Yi" is a work written by Yu Dafu, in which he quoted the poem "Articles abhor fate, spirits and ghosts are happy to pass through" (《天末怀李白》Du Fu)[2], which is used to express the author's own feelings of anger towards Hu Shih. The title page of Going to the Publishing World borrows the story of Huizi's relationship with Zhuangzi in Zhuangzi&bull;Qiushui to allude to the relationship between Lu Xun and the author (Gao Changhong). This kind of text itself has the nature of historical material, prompting it to become the ancient and modern, Chinese and foreign historical material "fusion agent". More historical information can be found in the authors' own inscriptions. For example, the title page of Green Pages, a work by Su Xuelin, is inscribed with the words "For Jianzhong - A Memorial of Our Marriage," which suggests that Su Xuelin's marriage was a very sweet one at the beginning of her life. In addition, quotes and inscriptions appear only in one edition and are deleted from the rest of the editions, which is usually a marking to identify the edition, and the edition history of the work can be obtained by virtue of the edition marking.

3. Notes

A few of the notes in the text are marked by the writers themselves, but most are added by later generations in accordance with the content of the text, so the notes can be regarded as a later, exogenous subtext, which need to be put into the main text in order to obtain a reasonable explanation. From the point of view of the use, the annotations can be further explanation of the details of the text, through the view of the annotations, the reader can better grasp the deeper meaning of the work and the underlying meaning. The content of the annotations reveals the knowledge of the writer and the work, so that the reader can study the work more systematically. It can be said that the annotations are broader than the scope of the preface and postscript. Text annotations have text notes, sub-title notes two kinds of notes, which, sub-title notes include version changes, published sources, background, title changes, etc.; text notes contain a wider amount of information, more.

4. images

The images in the work are illustrations, cover paintings, related photos and so on. Illustrations, cover paintings can convey the relevant content of the text, which as intuitive content has a strong visual, functional, used to illustrate the historical value of literature. For example, Illustrated History of Chinese Literature, Modern Chinese Literature Atlas, and so on. Some modern periodicals also have graphic works. For example, the bimonthly Gobi was organized by Ye Lingfeng, in which a series of cartoons entitled "Mr. Lu Xun" depicted the "cultural grudge" between Ye Lingfeng and Lu Xun. In addition, the cover paintings and images that accompanied the text when it was first published were also rich in historical information. For example, the owl with its wings folded over its chest and its eyes open and closed on the title page of The Grave is a projection of Lu Xun's current situation and a true reflection of his own, and the cover picture of The Field of Life and Death was drawn by Xiao Hong, showing the real situation of the three eastern provinces in the midst of the ongoing fall.

The role and influence of subtexts in the study of modern literature

1. Subtexts provide historical materials for the exploration of modern literature

The subtexts of literary works can show people many types of historical materials for research, which are: 1) Historical relics such as the former belongings of the literati, their former residences, and manuscripts, etc., which can be used as the publication of the original relics. These historical materials are mainly ② historical texts, roughly, almanacs, annals, square records, writings, genealogy, etc.; ③ literary pure text, including novels, prose, poetry, drama, etc.; ④ part of the text between the two disciplines of literature, history, the text is also known as the "sub-text" or "associate literature This kind of text is also called "subtext" or "paraliterature", which mainly includes biographies, letters, personal diaries, travelogues, books, memoirs and so on. In addition, there are various forms of subtexts, and some texts that are similar to publicity and communication can also be categorized into them, such as the preface of a work, the words of the publication, the words of the publication, the advertisement plan, etc. [3]. Looking deeper, there are also some often overlooked "fragmentary texts", including pen names, quotations, title page phrases, inscriptions, image text, notes, etc. In fact, these easily overlooked texts can be summarized as "fragmentary texts". In fact, these subtexts, which are easily ignored by people, contain a lot of historical materials, and research scholars should pay attention to the information research of these contents. At the same time, the text of the work and the fragments of the text of the inextricable links, one of the content of the discussion, should be closely linked to the content of the other text, so that a comprehensive view of the literary work, the use of the value of the subtext can be fully realized.

2. The subtext is a part of the historiography of modern literature

The form and content of the subtexts in modern literature are rich in historiographical resources, and the study of the subtexts is similar to the study of history, in which the subtexts can be analyzed to find out the original appearance of modern literature. For example, the preface to the collection of "Earth Spring" and the advertisements for the publication of the Liangyou series. In addition to the historical value, the subtext is also an important information for people to understand the main text. By understanding the subtext, readers can discover more contextual language and related information. When a work describes a specific background, it is often necessary for the subtext to portray it in depth, introducing the author's growth and experience to the reader, so that people can recognize the content of the text in all its aspects. In the big picture, the subtitle runs through the entire development of modern literature, and it participates in the evolution of literary history and theories, ideological movements, association movements, and the dynamic history of literary categories. In addition, a history of modern literary advertisements and preambles can be prepared.

IV. Concluding Remarks

Since the formation of subtexts and related texts in modern literature, literary works have been y refined. The study of subtexts should focus on the excavation of historical information, and the value of subtexts should be explored with a rigorous attitude, so that the humanistic value of subtexts can be appreciated by interpreting them from the textual annotations, the content, and the connotation of the historical materials. When interpreting the text, the researcher should uphold the principle of "starting from the details, based on the edge", and strive to "restore" the original history of the work, and examine the value elements of the text with an innovative vision, develop the information research resources, and consider the research significance of the historical materials of the text using dialectical thinking. The research significance of textual historical materials is considered with dialectical thinking. Subtext in modern literature occupies a position that can not be ignored, when people study the literary text, they should look at the problem from a connected, global perspective, not to isolate the main and subtext, but to integrate the subtext of a lot of information, a comprehensive discussion of many works of modern literature, in order to highlight the special charm of literature.

References:

[1]Wang Yunju,Liu Jincai. New Expansion of Modern Literature Research&mdash;&mdash; Review of Jin Hongyu's Textual Periphery&mdash;&mdash; Study of Chinese Modern Literature Subtexts[J]. Journal of Hainan Normal University (Social Science Edition),2015,6(28):72-74.

[2]Zhang Hongqian. Narrative Transmutation and Rhetorical Strategy Issues in the History of Twentieth-Century Chinese Contemporary Literature&mdash;&mdash; Based on the Examination of the Catalog of Subtexts[J]. Contemporary Rhetoric,2015,11(2):76-82.

[3]Zhang Yuanke. On the Direction, Difficulty and Limit of Rewriting Chinese New Literature Texts[J]. Dongyue Discussion Series,2014,35(9):131-139.

Literature Graduation Thesis Sample 2: Modernity Connotation of Modern Chinese Literature

Abstract: In the environment of the general situation of modernity of modern literature, many literary scholars have participated in the gradual improvement of the connotation of modernity of modern literature in their own unique ways. They have elaborated the connotation of modernity in modern literature from different perspectives, hoping to enhance the spiritual realm of the nation through the remodeling of civilization, and then gradually enrich the connotation of modernity in modern literature.

Keywords: modern literature; modernity connotation; national spirit; human nature liberation

Modern Chinese literature has a certain superiority, which has a far-reaching influence on China's literary career, and fully reflects the contradictions and conflicts of modern politics, economy, culture and other aspects. The spiritual core of modernity in Chinese literature is enlightenment, a reexamination of the feudal system and traditional thought, which calls for the liberation of human nature and advocates the promotion of individuality, and at the same time dominates the main development trend of modern Chinese literature. Mr. Zhou Shuren, a famous literary scholar in China, has been engaged in the exploration of national thought and national nature all his life, and his article "Blessing" fully reflects the enlightenment trend of modern literature. The article narrates the whole story with "I", who hurriedly rushed home from abroad on the night of New Year's Eve, as a "modernized" "outsider" with a brand-new spiritual world and language system. As a "modernized" "outsider" with a brand new spiritual world and language system, "I", facing a feudal and old-fashioned Lu Town, can't be integrated into the ideas and education I received, and I even feel immensely saddened and sorrowful about the corrupt ideas and concepts of Lu Town, which has long been followed by the feudal rituals and ideas of Lu Town. I am also rejected by Master Lu, who has long followed the feudal rites and thoughts, and "curses his new party" when he meets him. We can see from Mr. Lu's body an image of an old man who is immersed in traditional culture and cannot extricate himself from it, and they are full of hostility to new things.

From the industrious and pedantic Mrs. Xianglin, "I" see an image of a woman who is persecuted by traditional rituals and feudal patriarchy, and Mrs. Xianglin thinks that "I" am a "knowledgeable" person. "I was surprised, astonished and puzzled why a person who can't have enough to eat and drink is not concerned about her own problems, but about her own death. Why is a person who can't have enough to eat not concerned about his own problems, but about what will happen to him after his death? This shows the depth of the persecution by the feudalistic system. What "I" see are sadness, disappointment, and all kinds of sighs when a kind and simple person is called "fallacious" even after his death. From the perspective of modern civilization, both Lu Si Lao and Wei Wu Zi have good intentions, but their long-standing feudalistic nature is revealed.

Spiritual culture is the cure for disease. Shen believed that Western culture corrupts people's virtues, causes people's spirit and personality to be sick and weak, and makes the nation lack of vigor and vitality, and that traditional national virtues and qualities exist only in human nature, which is untainted by modern civilization, and where only "human nature" and "hope" are enshrined. "Husband" is such a song of humanity. It is a very common custom in western Hunan for young husbands to let their wives sell themselves to support their families, but it is intolerable to modern civilization. By telling the story of the young man's visit to his wife in the city, it shows the process of his numbness and ignorance, and then his awakening. When the husband goes to the city, he is not only entertained by the pimp, but also when he meets his wife's john, Shui Bao, there is no antagonism or embarrassment in the eyes of modern people, and the two of them get along relatively calmly, and in the end, the husband takes his wife back to the countryside. If rigidly attributed to class conflict, it would be better to treat it as a transformation of human nature appeal on the old custom. In his wife and others to trade secretly repressed gasping, he felt ashamed, remorse, because of the water protection command and the heart is no longer calm, after a series of psychological struggle and struggle, and finally determined to take his wife to return to the countryside, which is the final awakening of human nature. On that ship they have no freedom, no dignity, he can not even have a moment of warmth with his wife, is such a simple dream of broken let him wake up, on the ship is not only the physical insults and violations of people, while selling their own personality and dignity, trampled on is the basic rights, which is the main reason for the young couple finally summoned up the courage to resist the fate and customs.

Whether it is ShuiBao, LaoQi, or any one of the husbands, they live so naturally and without pretense. Despite the existence of all kinds of stereotypes and customs against humanitarianism in this society, human nature will guide them to get rid of them from the trickery of destiny and bad habits, and will allow people to finally get on the right track. It is for this reason that Shen decided that such a cultural approach, far away from modern civilization and in line with human nature, was the cure for the Chinese nation, so that people would not be victimized by the unfortunate consequences of modern civilization. Whether it is Lu Xun or Shen Congwen, the culture they have received greatly influences their cultural orientation. It is precisely because of Lu Xun's experience of studying in Japan during his childhood that Lu Xun identifies himself with the value system of the West, and believes that as long as it is Western, it is civilized and rational, and worthy of China's imitation. The ancient Chinese feudal culture, on the other hand, is decadent and rotten and needs to be abandoned. We can't deny that there are bad elements in feudal thinking and systems, but we can't completely deny that there are still a lot of them that we should carry forward and pass on.

"The origin of modernity in China is the movement of the national state for salvation and survival, and the desire of the Chinese people for social modernization is greater than the search for existence itself in the modernization situation, and there is a lack of questioning and criticism of modernity itself." Therefore, Zhou Shuren, by shouting in the iron house, intended to awaken the sleeping Chinese people, hoping to realize the modernization and development of human beings, so as to save our country from falling to the point of degradation. However, Shen Congwen went against the grain and gave up the vision that the majority of readers hoped for at that time. Instead, he touched the undercurrent of history with a transcendental vision and used his keen insight to rationally decompose civilization. Therefore, Shen Congwen reflected on and questioned modern civilization in the form of constructing a "small Greek temple" dedicated to "humanity", and he diligently sought to diagnose "national problems" and correct "reality". The literary ideal of diagnosing "national problems" and correcting "reality". It is precisely for this reason that we can understand Shen's attitude towards the essence of human nature from his self-reflexive character towards modernity. Through the above analysis, it is easier to grasp the quality, characteristics, and role of modernity in the context of world history.

The concept of modernity grew out of Western culture, which at first belonged to the West, but later became part of the world. Among various cultures, Western culture developed the idea of the here and now, and developed this idea into a universal belief over a long cultural journey. There is a formal logical relationship between the ____ culture and the succeeding humanist culture in the form of a pro-thesis &mdash;&mdash;&mdash;&mdash;antithesis. In Christ ____, it is the notion of "the other place and the other time" that forms the hermeneutic basis of the activity of universal understanding. From the Renaissance onwards, the humanitarian world is exactly the antithesis of the previous history, the West is all good, only to remove the dregs, take the essence, the construction of modern socialist civilization with Chinese characteristics, is the fundamental way of cultural development in China, to make China's culture long-lasting.

References:

[1]Zhang Li, Li Ji. A Test of the Modernity Characteristics of Several Major Characters of The Story of the Western Chamber [J]. Northern Literature (the second half of the month), 2010,(02):41.

[2]Jia Jingjing. The origin of Mao Dun's "for life" concept of literature and art[J]. Journal of Huaibei Vocational and Technical College, 2011,(04):16-18.

[3]Liu Yonggang. Research on the Literature of Yunmai School[C]//Compilation of Liaoning Philosophy and Social Science Award-winning Achievements 2007-2008.2010.

Literature Graduation Thesis Related Articles:

1. Literature Graduation Thesis Samples

2. Chinese Language and Literature Graduation Thesis Samples

3. Chinese Language and Literature Undergraduate Graduation Thesis Samples

4. thesis on Chinese Language and Literature

5. selected sample essays on Classical Literature