What are the traditional crafts of royal gold?

The traditional crafts of royal gold are:

1, hug the tire

Hold the tire, use a special hammer, and knock with your hands, so that the gold ware is formed. Must be highly coordinated with the heart, hands and eyes, meticulous, standardized in shape, regular in shape and even in thickness.

2. "Hammer"

Hammer play, also known as punching method and metal carving method, is to hammer out the detailed shapes and patterns of metal by hand, making it rich in texture and simple, exquisite and delicate in texture.

Step 3 carve

Chisel, also known as chisel, uses special chisel tools to chisel out various patterns such as swinging, hanging, twisting and laying on the surface of gold wares by hand, supplemented by knocking, hitting, beating and splitting, which is exquisite.

4. Silk

The filaments are made of gold, silver and copper, drawn into filaments, and made into various shapes and decorations by traditional techniques such as kneading, filling, saving, welding, stacking, laying, weaving and knitting. It is gorgeous and unusual, and it is one of the eight wonders of China's intangible cultural heritage.

5. Mosaic

Mosaic originated in Shang Dynasty, and was completed by pure manual techniques such as "filing, hugging, boring, beating, collapsing and squeezing", which added icing on the cake to the royal family in previous dynasties and added color to handicrafts.

6. Repair money

When repairing gold, use special tools to grind and polish the surface of gold ware by hand, so that the gold ware is bright, smooth and uniform.

Royal traditional handicrafts:

Jingxiu 1

Beijing embroidery, also known as palace embroidery, palace embroidery or hand embroidery, is one of the eight wonders of Yanjing. Beijing embroidery, which flourished in the Ming and Qing Dynasties, was mainly used for court decoration and costumes. Because of its strict aesthetic standard of court art, exquisite workmanship and exquisite materials, it is essentially different from folk embroidery.

The history of Beijing embroidery can be traced back to the Tang Dynasty and reached its peak in the Liao Dynasty. According to historical records, Liao set up an embroidery courtyard in Yanjing at that time, and the "palace embroidery" made by Liao was mainly used for emperors and marquis to sacrifice to the court. Beijing embroidery takes silk cotton and high-grade cotton satin as raw materials, and various patterns are carefully embroidered by embroidery artists.

2. Beijing is patchwork

Beijing patchwork, also known as patch, is a famous product in Beijing. Generally inherited the traditional embroidery techniques such as "overlapping silk" and "sticking silk". As early as the Southern and Northern Dynasties, there were silk, silk and other folk handicrafts to fill the flowers.

The patchwork is made of cotton, hemp, chemical fiber, glass fiber and raw silk. , with different colors of phoenix tail yarn, cut into petals and leaves of various shapes, carefully pasted, and then stitched and embroidered with different stitches. A patchwork product usually has to go through 30 primary and secondary processes before it can be finally completed.

Beijing's patchwork colors vary in depth, and the flowers made are harmonious, natural and layered, and full of three-dimensional sense. Sticking to the bottom of the cloth, it protrudes slightly like a relief, giving people a rich sense of art.

3. Manchu embroidery

Complementary embroidery is a branch of embroidery, also known as splicing, but complementary embroidery is not made of brightly colored silk, but of simple woven fabrics.

Manchu folk embroidery is not only for decorating and beautifying life, but also reflects the moral concept, ideal pursuit and aesthetic custom of Manchu people, so it has the characteristics of decoration, artistry, practicality and practicality.