What should be done to revitalize local opera?

1, tamping the foundation, highlighting the characteristics. With multiple national, provincial and local policy support as a strong backing, as the inheritor of the local opera, should be courageous and seize the opportunity to develop. Especially in art education to strengthen the cultivation of opera professionals, planned and systematic cultivation of opera successors.

To pass down the art essence of each type of opera by famous artists, and highlight the characteristics of each type of opera, and the only characteristics, to be unique, to be everlasting.

2, abandon the inheritance, transformation and innovation. In the process of revitalizing local opera, it is impossible to avoid the discussion on the inheritance and development of traditional opera, as well as the debate on opera innovation. In the face of this problem, abandon the inheritance, transformation and innovation is the scientific attitude of development.

Living art, is the continuous re-creation of successive generations of artists, is the result of the evolution of the development of the times, the development of today's opera should be equally concerned about the contemporary development of traditional opera. However, we must be vigilant that the development is not arbitrary, we must keep our roots and the characteristics of the theater. Showing one's own aesthetic characteristics is an important yardstick for judging inheritance and development.

Expanded information:

p>1, the premise of inheritance learning is to have the appropriate resources and objects, if there is no object will be clarified, there is no adequate excavation of resources, just inheritance, but also insufficient and imperfect. To actively explore some of the traditional repertoire, do a good job of repertoire organization, will be close to the edge of the history of the valuable plays and excerpts in time to save, do a good job of excavation and organization of the work of retention.

2, like the Tianjin Beijing Opera "sound like" project, the traditional repertoire to save the preservation of a number of traditional repertoire has been lost or close to being lost, this kind of work can be said to be beneficial in the current generation in the autumn and the work of a thousand years.

We can also carry out the oral history of the old Peking Opera artists to summarize and save their life experience, understanding of Peking Opera and their lifelong experience as well as theoretical knowledge, which will be permanently remembered as a source of information, so that the future generations can learn more conveniently and extensively.