The right way to open the 2020 costume drama

Have you ever been infuriated by the green tea in some dramas, seeing the hero and heroine being played by them but unable to do anything about it?

But in this drama, you won't have such worries. The heroine will personally tear the green tea for you.

This moving picture of the circle is from Tencent Video's recent hit series "Jinxiu Nange". In the process of sneaking into the general's house, facing the second sister's repeated framing, the heroine Li Ge responded wisely, on the one hand, presenting an image of a victim to her parents and brothers, on the other hand, but also threatened to warn the scheming bitch.

In this drama of the strong, green tea simply does not survive for ten seconds!

Jinxiu Nange

Jinxiu Nange came out of nowhere and injected a whole new energy into the summer season.

The female lead, Li Ge, is a valiant woman of the world, and she is in "hang on mode" all the way, dancing and stabbing, fighting and tearing up the green tea, and she is very dominant.

The male lead, Liu Yikang, the king of Pengcheng, is the hibernating king of the court, on the surface of the weak and alcoholic playboy incompetence, in fact, is a stoic hibernation waiting for an opportunity to move.

The two met, knew each other, loved each other, and stayed together in the chaotic world of the red dust, and played a song of the "beautiful southern song".

This drama has a strong male and female lead, and the masters have a lot of fun.

Precision work:

Detailed craftsmanship

Composition

"Jinxiu Nange" carefully choreographed the shooting scene, from the scene layout, props and costumes production to the actor's position, reflecting the visual aesthetics.

Whether it's a fixed lens or a moving lens, the main body of the shot is in the center of attention, and the distribution of the accompanying bodies is harmonious and hierarchical, making the picture composition very rigorous.

The rigorous composition makes the main body of the picture prominent, the visual focus is always in the center of the picture composition, and the companion is flexible and natural, diversified levels, and with the main body to complete the lens language expression, not only to enhance the atmosphere and supplement the information on the screen, fully embodies the traditional aesthetic habits of symmetrical beauty in China.

In the character narrative, it is also often used in the "mirror reflection", using the reflection of the bronze mirror to present the character orientation, creating a "virtual reality" of the picture of beauty.

In addition, in the relationship between the spatial orientation of the scene, the large angle of elevation and the ring shot, from far to center, presenting the spatial distribution of the characters in order to create a visual sense of aesthetics.

Classical

Jinxiu Nange pursues the historical texture in the details of the characters' costumes, makeup and props, from the actors' makeup to the meticulous pursuit of costume design and props, and the costumes and props present a distinctive style of the Wei and Jin dynasties.

From the costumes and makeup of the dancers in the workshop,

to the choreography of the dancers in the workshop.

And then to the scene layout of the music workshop

Everywhere reveals the rigor and sophistication.

Compared to other shoddy or overly extravagant costume dramas, the pursuit of details in the costumes in Jinxiu Nange is quite elaborate.

During the Northern and Southern Dynasties, black was the most respected color, and the higher the rank, the darker the color of the character's costume, for example, from the Imperial Consort to the King of Pengcheng and the King of Yuling, the color of their costumes ranged from dark blue to navy blue,

while the foreign relatives and the scholars, as represented by Lu Yuan, were only allowed to dress in dark green and cyan costumes.

The costumes changed to match the status of the characters.

The classic scenes and the environments presented by Chinese characters, Chinese costumes, utensils and other facilities in "Jinxiu Nange" have achieved a unique craftsmanship, maintaining a reverent heart in the process of film and television creation.

This reverence is not only reflected in the polishing of the movie and television text, but also in the presentation of story details. It uses scene arrangement, props production and picture conception, and even the character's unintentional action to reflect the inner emotion. It is with this reverence that "Jinxiu Nange" has gained its reputation.

Open up the heroine + scheming prince:

Open up the chaotic world of double strong CP

"Overbearing president fell in love with me" mode was once the mainstream pattern of CP, whether it is a city drama, The first time I saw this, I was in the middle of a long journey, and it was a long time ago that I was in the middle of a long journey, and it was a long time ago that I was in the middle of a long journey, and it was a long time ago that I was in the middle of a long journey, and it was a long time ago that I was in the middle of a long journey.

This narrative style once satisfied the audience's consumption tendency, but it is also getting boring.

Unlike the traditional pattern of "the boss and the little white flower", this drama has created a new type of CP without a sense of dependence, evenly matched, **** with a strong sense of power, "the king of the two rows" has the momentum!

The audience's perception of the female first "Li Qin" is still stuck in the stage of the Qian Qian weak girl, and to the "Jinxiu Nange", the heroine will jump out of the previous persona, showing the maturity and stability of "the one who seeks great things".

When the target enters the game, all the people in the music room panic, but the heroine, Li Ge, is able to stay calm and organize her makeup.

The target enters the music room, and does not move to offer him a song "Send the Army on its way".

At the beginning of the story, LIXI Ge attracts the attention of two powerful ministers, King Liu Yikang of Pengcheng and Protector Lu Yuan, with her stunning dance, and uses "Sending the Army on a Journey" as a bait to lure Lu Yuan to the hook.

In the negotiation with Lu Yuan, Li Ge used beauty and dance to lure, but one word poked Lu Yuan's heart knot, and reached a cooperation **** knowledge.

In the assassination operation, facing the tight security of the Pengcheng royal residence, she was still able to carefully plan and create assassination opportunities. The heroine in the assassination scene shows the valiant posture of flying over the wall, charging the formation and fighting.

The calmness and composure of LIXI Ge's upbringing are inextricably linked to her ability to remain fearless in the face of danger. As a professional killer in the city, LIXI Ge puts the "family hatred" as the driving force for her growth, and she can not only interpret the world of neon dresses with her graceful figure, but also dressed in night clothes to fight and kill.

"Killing sycophants, cleaning up the dynasty" is the code of conduct for the Vermilion Bird Alliance, an organization of assassins, and it is also the value of the heroine, Lixue, at the beginning of the story.

Actor Qin Hao, who deserves to be called the "Uncrowned Actor of Cannes," plays Liu Yikang, the king of Pengcheng, who is ostensibly obsessed with the moon and the moon, but in fact is paralyzing his political enemies and hiding behind a dark cloud of secrecy.

On the one hand, he confuses his political rival Lu Yuan with his feeble gestures in the music room, but on the other hand, he secretly plots to weaken Lu Yuan's military power.

The king of Pengcheng is a member of the royal family, a supervisor of the state, and a descendant of Emperor Wen of Song, but because he was born in the family of the emperor, he has been subjected to the suspicion of his elder brother, and has been subjected to the constraints of the foreign relatives in the court, and has limited real power, and he can only hold back and work step by step when he sees that the court is being controlled by the treacherous sycophants.

In the face of the reality of open fire and conspiracy, he had to rise up again and again to defend his political position and participate in the bloody storm of the court. In order to win the trust of the emperor and paralyze the enemy, the hero had to take medicine to kill himself and show his weakness to the enemy.

In the midst of the chaos, in the courtroom, it is impossible to avoid the secret struggle, and it is inevitable to avoid the stranglehold of love, and the plot is tightly linked and fascinating.

In the screenwriter's magic stroke, the heroine accidentally became the object of the hero's marriage, but note that, at this moment, the heroine is compelled by the villain, and still regarded the hero Pengcheng Wang as the enemy of his father and the sycophant of the court. Unconsciously the destinies of the two are inextricably intertwined.

Yeo Ge and Liu Yikang went from being "incompatible" and "wanting to get rid of each other"

to "hand in hand" and "sympathize with each other". In the face of the betrayal of his former comrade, Yeo Ge re-selects his position to serve King Pengcheng's ideals of governance.

The portrayal of characters in Jinxiu Nange is rich and multi-faceted, creating a three-dimensional characterization. It is a blend of bloodthirsty chivalry and the ideal of justice for the world. It not only touches on the love between men and women, but also combines affection and family and national feelings, with romantic undertones, novel ideas, and a far-reaching pattern.

This drama is not only about the struggle in the imperial court, but also about the super-strong heroine and the high-powered sugar sprinkled between the two strong CPs, which is worth savoring because of the elaborate design of the costumes, make-up, props, and screen scenes.