Traditional post-editing of film and television

Traditional film editing is the real editing. After the photographic master is developed, it is necessary to make a set of working proofs for editing. The editor selects the required lenses and films from a large number of samples, cuts the films with scissors, and then sticks them together with tape or glue, and then watches the editing effect on the editing table. This process of cutting and pasting should be repeated until the final effect of party constitution is achieved. Although this process looks primitive, this stitching is indeed nonlinear. The editor doesn't have to work in sequence from beginning to end, because he can cut samples from the middle, insert shots, or cut some pictures at any time without affecting the whole film. But this method is powerless for the production of many skills. Editors cannot make overlapping pictures between two shots, nor can they adjust the colors of the pictures. All these techniques can only be done in the process of development and printing. At the same time, the manual operation efficiency of clipping is also very low.