Traditional Culture Encyclopedia - Traditional culture - What kind of person is Mrs. Sun in the original Romance of the Three Kingdoms?
What kind of person is Mrs. Sun in the original Romance of the Three Kingdoms?
Sun Shangxiang's marriage pursuit of "not marrying a hero in the world" has strong characteristics of the times. Princess Wu Dong extracted the essence of the characters' thoughts from the original oath, which best reflected Sun Shangxiang's spiritual material and personality characteristics and laid the keynote for the characters: intelligent and bold, bold and straightforward, politically empowered, and strongly pursuing ideals. Sun Shangxiang's great sense of justice extends from worshipping heroes who helped the world in peacetime to the survival of his motherland. Sun Shangxiang's plunge into the river can be called "fierce": righteousness, sadness, heroism and restraint. This is why Sun Shangxiang is the unique spiritual character of Sun Shangxiang and the ultimate tragic pursuit of Sun Shangxiang.
Because the description in the original book left a lot of space, especially how to face Liu Bei's attack on Wu, which was not touched in the original book, which increased the difficulty of creation, but also provided space for creation. Princess Wu Dong. According to the character's spiritual temperament and personality tone, the "possible things" are constructed, and the emotional torture of "homesickness and tears in the Wujiang River are cold, and the emperor's soul is hard to look forward to" after the oyster was cheated back to Wu. What is written below is that in the face of national disaster and family feud, as a woman of Wu, she correctly handled the relationship between individuals, family countries and people and broke into the camp to persuade her husband to stop fighting. I wrote a positive review when I threw myself into the river. Princess Soochow paved the way of "love" along the track of Sun Shangxiang's ideal pursuit of life; The piety of "following my husband for a hundred years" in the bridal chamber, the heroic pride in the palace, bidding farewell to my mother's kindness, breaking into the camp to remonstrate my husband's marriage and love, the national conditions of my family, and the ultimate sadness of "sacrificing my husband, dreams and bereavement"
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