Traditional Culture Encyclopedia - Traditional culture - The tradition of "no more than three returns" in the comedy industry has been criticized by his peers for his lack of virtuosity, as Guo Degang has returned 25 times, right?

The tradition of "no more than three returns" in the comedy industry has been criticized by his peers for his lack of virtuosity, as Guo Degang has returned 25 times, right?

The tradition of "no more than three returns" has been followed in the past, not just in comedy but in many other performances as well. But most of the returns were grudging, with the hosts immediately circling the actors back when there was some applause from the audience. But these are actors who are somewhat famous in the mainstream world and kind of demanded applause for their return, and the hosts let them return to give them face, which is really quite force-free.

The reason for the return of but three is the old generation of comedians summarized the performance experience

The reason for this statement, one is not to feed the audience too full, the audience listening to comedy, you say how much he is not too much. Secondly, it is easy to drain your own inventory. A comedian, especially one who performs often, you have to show all your skills at once. What about your next performance? You'll have to repeat yourself.

The reason for this tradition is that it is an unwritten rule to protect the interests of the actors. The only way to do that is to be able to say that you've said too much and then be embarrassed. Guo Degang then just fire up, young and vigorous, the audience love and care , just think of giving more, let the audience enjoy. In fact, it is also a comic suppression of so many years, has not been the audience so cited, emotional excitement to say a few more, they are willing to say, the audience is willing to listen to, which is not a little bit of virtues?

Peers feel that Guo Degang once said too much, they can not come

They may not be able to sell tickets to go in the future, so that they are difficult to do in the future. If the audience is eager to listen, the actor has a belly full of words to say, in order to return to a sentence, but the three performances ended hastily, this is considered to be the words of the arts. This is the virtue of the arts do not abide by it.

To put things in perspective, Guo Degang is not to say that the return of the paragraph those who do not sell tickets to go or not sell tickets to go! Just because we all did a bad job, you did too good, let us all have no food, this is not abide by the virtue of the arts? You might as well have some face.

The tradition of comedy may be to defend the interests of the comedian

I'm an audience member, and I stand to buy someone who sells out on stage and tries to satisfy the audience as much as possible. But Guo Degang is different, that is really popular, and the return is really something, the more return the more fun. That's why he's been criticized by his peers, mainly for his jealousy.

In the past, comedians have been very rigid in their approach, and have been able to eat for the rest of their lives with 10 or so segments, which will always be the same, until you hear them vomit. In the past, radio stations used to play a cycle of segments from the 1950s to 2000, and some segments were already seriously out of touch with the modern era, but they were still broadcast back and forth, until you vomited.

Until the emergence of Guo Degang,phase only had a turnaround, only to have developed, only to make the comedy day by day. Some people say that Jiang Kun's comedy is more elegant than Guo Degang's, that's fine, you just hold Jiang Kun's comedy loop to listen to it, and there is no need to scold Guo Degang again.