Traditional Culture Encyclopedia - Traditional culture - Sentences describing ancient buildings
Sentences describing ancient buildings
2. The golden brick floor in the temple is paved, and a carved golden lacquer throne is set up in the north and south. There are warm pavilions at the east and west ends, two boards and two doors, and wooden relief wishful Yunlong mixed with gold pilu hat. In the building, the method of reducing columns was adopted, and six gold columns on the front eaves of the hall were reduced, making the space spacious.
3. The Jinding stone wall is painted with various bird patterns and colorful. The floor is covered with a carpet embroidered with soft brocade, and occasionally a few bright red flames are burning.
The pavilions of the Royal Garden are dotted with vibrant bamboos and strange stones. Those grotesque stones are stacked together, abrupt and rugged, with extraordinary momentum.
5. In the garden, exquisite pavilions, beautiful billiards hall and water gallery, big rockery, ancient stage, jade exquisite and other masterpieces of ancient gardens all make me linger. In particular, the carved dragon on the roof of the fence is even more touching, with scales flying and double whiskers flying as if to fly away.
6. Romantic and solemn temperament, tall foyer and magnificent doors, arched windows and stone corners are all elegant.
7. Going forward, the road separates up and down, and the middle lane slowly descends and extends to the opposite side, from south to north, like a rainbow, towering high in the sky. Below the long bridge, there are 12 pairs of cement piers on both sides, which, like giants, spread their powerful legs and guard the bridge. A trolley-bus with two braids is flying at its feet.
8. Classical and cheerful, steeple-shaped sloping roofs, wooden frames and columns decorated with plaster, natural building materials and vines clinging to them set each other off, which is classic but not fashionable.
9. The Hall of Supreme Harmony, also known as the Golden Jubilee Hall, is the most magnificent building in the Forbidden City, with a width of 1 1 and a depth of 5 rooms. Double eaves, yellow glazed tiles, stand on the base of three layers of white marble (height 35. 05 meters). Covering an area of 2,377 square meters, the main hall is the largest wooden palace building in China and even in the world.
10, there is a big case of Huali marble in the local area. There are all kinds of celebrity calligraphy stamps, dozens of precious inkstones, all kinds of pen containers, pens inserted in the pen sea, like trees. On the other side is a big Ru kiln flower bag, and a crystal ball is filled with a bag of white chrysanthemums. In the middle of the Western Wall hangs a large Xiangyang Misty and Rain Map, with a pair of couplets on the left and right, which are Yan's ink. Word cloud: Clouds are idle, and spring scenery is wild. There is a big tripod on the box. On the left rosewood shelf stood a large plate of grand view kiln with dozens of exquisite bergamot. There is a white jade chime hanging on the right side of the foreign lacquer shelf, and there is a small hammer next to it. There is a couch in the east, and a green double embroidered grass curtain is hung on the ladder bed. "
1 1. Turn east, cross the hall of something, and go south to the hall. There is a Yimen compound with five main rooms on it, and the wings on both sides are drilled with mountains, extending in all directions and magnificent.
12, cross the courtyard, set foot on nine stone steps, and you will arrive at the magnificent Hall of Great Heroes. It is said that this is an imitation of the Tang Dynasty building. The hall is more than ten meters high, and four cornices are hung with bronze bells. When the breeze blows, it will play "Ding Ding Dong Dong", which is great! Entering the Hall of the Great Hero, I saw a five-meter-high Tathagata sitting on the lotus platform with a smile, listening to his father's sermon, and this giant Buddha was all made of red gold. I leaned over to take a closer look. Buddha statues are bronze, including disciples, bodhisattvas, strong men, heavenly kings, arhats and so on. On both sides of the Buddha, everyone is kind-hearted and serene.
13. On the west side of the yard, several long bamboo poles are covered with Hua Teng. Dense green leaves lined with purple flowers, delicate and charming, look like a beautiful colorful satin from a distance.
14 is a huge old house at the foot of Cangyan. There is a bamboo forest behind the house, and the knotted bamboo roots hang down from the wall like whips. An abandoned well covered with duckweed below has become the best seclusion place for frogs. I am afraid of that kind of seclusion and feel an attraction, because butterflies' colorful wings are flying on the almost deserted grass road, and there are rare red and green dragonflies elsewhere. I myself grow quietly like those neglected plants.
15. Looking up, I saw a big plaque in Jinchi Kowloon. There are three big characters written on the plaque, namely "Rong Xitang", followed by a line of small characters: "One day, I will give a book to Jia Yuan" and "tens of thousands of treasures of the Han Dynasty by chén". In the case of red sandalwood carving, there is a three-foot-high bronze tripod with a big painting to be leaked to Mo Long. On one side is Yi's gold (wěi), and on the other side is glass (H m: I). There are sixteen nanmu chairs underground, and there is a couplet, which is an ebony couplet with the handwriting of Zanyin on it.
16. There are a lot of special furnishings inside and outside the Hall of Supreme Harmony. The bronze tripod, turtle and crane placed on the platform in front of the main hall are used to burn incense during the ceremony, which means that the mountains and rivers are impregnable. On the platform, sundials and beautiful figures symbolize imperial power. There is a drainage faucet under each railing of the three-story white marble abutment, which can form a spectacular scene of thousands of dragons spraying water during heavy rain to show imperial power. The pearls of Yudaoshi in Shuanglong Opera in front of the temple are auspicious pearls. Among the Ssangyong, one represents the Heaven Emperor and the other represents the Emperor. The emperor was entrusted by God's will and obeyed God's will to make the country prosperous and peaceful. The pattern of mountains and seas under the Shuanglong symbolizes the eternal existence of rivers and mountains. The golden dragon throne and screen in the temple are placed on a golden pedestal about 2 meters high, between the six golden pillars of Panlong, to highlight the emperor's exclusive position. There is a big ball hanging upside down at the Longkou in the middle of the algae well, which is called "Xuanyuan mirror", which is a thing to ward off evil spirits and also contains the meaning of hanging the mirror high.
17, tender cold locks dreams because of spring cold, and the aroma cage is the fragrance of wine. On the case, there was a precious mirror set in Wu Zetian's mirror room that day, and there stood a gold plate of a swallow, in which An Lushan threw a papaya that was too hurtful. There is a couch where Princess Shou Chang lies with His Royal Highness Zhang, and there are couplets made by Princess Tongchang.
18, Xihuamen faces west, corresponding to Donghuamen, and there is a dismounted stone tablet outside. Xihuamen and Donghuamen are basically the same in shape, with a rectangular plane, a red podium and a pedestal of white marble. There are three ticket doors in the middle of the rostrum, which are outside and inside the ticket hole, and the door nails are vertical and horizontal. There is a tower on the platform, with yellow glazed tile roof and double eaves, and white marble railings around the base. The gate tower is five rooms wide and three rooms deep, surrounded by corridors, and Liang Fang painted a golden spiral with ink lines and big dots. The gatehouse is used to place cotton armour and ingot nail armour for military parade. The inscription of "Xihuamen" under the eaves in the west was originally written in Manchu, Mongolian and Chinese, but later it was reduced to Manchu and Chinese. After the Revolution of 1911, only bronze Chinese characters remained.
19. The plane of Zhonghe Temple is square, with 3 rooms wide and 3 rooms deep, surrounded by cloisters and brick floors, with a construction area of 580m2. The roof has only one eaves and four corners. The roof is covered with yellow glazed tiles, with bronze tires in the middle and a gold-plated roof. The temple is open on all sides, with 12 gates on the front, four gates on the east, north and west. The stone steps in front of it are one level and three levels in the north and south, and there is a jade road with embossed dragons in the middle, which is lightly engraved with grass patterns. On both sides of the door are blue brick sill walls with shutters. Inside and outside the temple are decorated with golden dragons and printed paintings, and the ceiling is a dragon covered with pink gold. There is a landing screen throne in the temple. The shapes of doors and windows are taken from the "Ming Tang" described in "Li Ji of the Great Generation", which avoids the similarity of the three halls.
20. There are 9 wide corridors and 3 deep corridors in the north and south of Kunning Palace, with yellow glazed tiles and double eaves. The Ming Dynasty was the queen's bedroom. After the reconstruction of Shunzhi in Qing Dynasty for twelve years, it became the main place for shamanism to worship gods. Imitating Shengjing Qingning Palace, the original Ming room door was changed to the east room door, the original lattice door was changed to a double-panel door, and the lattice windows of other rooms were changed to straight lattice hanging windows. There is a warm pavilion on the east side of the room as a living bedroom, and there are four kangs on the west side of the door as a place to worship the gods. There is a cooker on the back eaves opposite the door for slaughtering and cooking meat. Because it is used by the royal family, the kitchen is equipped with a flower door and a clay-covered stove cover, which is beautifully decorated.
2 1. The Imperial Garden is located on the central axis of the Forbidden City, behind the Palace of Kunning. In the Ming dynasty, it was called "the back garden of the palace", and in the Qing dynasty it was called the imperial garden. It was built in the 18th year of Yongle in the Ming Dynasty (1420), and has been revised continuously since then, and still retains the basic pattern when it was first built. The whole park is 80m long from north to south and 140m wide from east to west, covering an area of 12000m2. The main building of the park, Qin 'an Hall, is a double-eaved roof. Located on the north-south axis of the Forbidden City, with it as the center, pavilions and pavilions spread to the front and sides. The park is dotted with pines, cypresses and bamboos, forming an evergreen garden landscape.
22. Huizhou Institute of Architecture has white walls and grey tiles, and the gatehouse is tall. There are exquisite carvings on the walls of the gatehouse, and the carvings on the roof are more exquisite and beautiful. The whole building has a water system extending in all directions, with trees and mountains echoing, which makes people feel like they are in a fairyland.
23. The West Sixth Palace refers to Palace of Gathered Elegance, Yikun Palace, Yongshou Palace, Qixiang Palace and Xianfu Palace. These six palaces are called the West Sixth Palace because they are neatly located on the west side of the meridian of the Forbidden City, and there are the East Sixth Palace on the east side of the meridian. The six eastern and western palaces (sometimes called the twelve eastern and western palaces) are also sandwiched between the three central palaces like two axes, thus corresponding to the so-called one court in ancient times. The West Sixth Palace in the Imperial Palace of the Forbidden City was the residence of the emperor's wives and concubines in the Ming and Qing Dynasties. After Yongzheng, the empresses in Qing Dynasty no longer used Kunning Palace as their bedroom, but chose an empty palace in the East Sixth Palace and the West Sixth Palace as their bedroom.
24. The veil hangs low, creating a hazy atmosphere. The surrounding stone walls are all covered with brocade, and even the ceiling of the room is separated by embroidered felt, which is both warm and warm. The furnishings are also for girls' boudoir. They are extremely luxurious, exquisitely carved jade-inlaid gums, embroidered quilts, and small sachets hanging on curtain hooks, with a faint fragrance.
25. As soon as I entered the Yuyuan Garden, I saw the "Sansui Hall". There are several cycads and some famous trees in front of the main hall, and the small green leaves around them are clear and shiny in the drizzle. Walking along the path of "Sansuitang" through "Yangshantang" and crossing the Shimen is really like "Getting Better" written on the plaque: the big rockery with a height of more than ten meters is majestic. The winding path of the lotus pond at the foot of the mountain, the sound of the small bridge running water "Ding Dong, Ding Dong" mixed with bursts of laughter, interwoven into a touching "Haruka"; The mountain peaks and turns, winding, evergreen trees and winter jasmine in the yellow and green background, particularly moving. Standing on the "Wangjiang Pavilion" at the top of the mountain, overlooking the Yuyuan Garden, you can have a panoramic view of the picturesque scenery of green mountains and green waters and pavilions. Your exquisite garden architecture is really attractive, and your permanent spring scenery is even more fascinating!
26. hall of mental cultivation is an independent courtyard, about 63 meters long from north to south and 80 meters wide from east to west, covering an area of 5,000 square meters. Hall of mental cultivation is an I-shaped temple with three forehalls, with a total width of 36m and three depths 12m. Yellow glazed tiles are located on the top of the mountain, and the shed indirectly embraces the mansion between Ming and He. This temple was rebuilt during the Yongzheng period of the Qing Dynasty. For more than 200 years from Yongzheng to the end of Qing Dynasty, emperors of all dynasties lived here and carried out daily activities. The main hall is equipped with a throne and a royal plan. There is a bookshelf behind the memorial, which contains the writings of emperors on the experience and lessons of "governing the country", especially for the new emperor to read.
27. If you see the veranda in the main room (wǔ), it is small and chic, unlike the majestic one just now; There are trees and stones everywhere in the yard. I went into the main room for a while, and there were many concubines and maids in it. They were all wearing beautiful clothes.
28. Baohe Hall is 9 rooms wide and 5 rooms deep, with a building area of 1240. 00㎡, height 29. 50 meters. The roof is a double-eaved hilltop, covered with yellow glazed tiles, and 9 small animals are placed on the upper and lower eaves. The upper eaves are single-upturned, seven-step buckets, and the lower eaves are five-step buckets. The inside and outside eaves are painted with golden dragons and seals, and the ceiling is painted with a golden dragon. The six ceiling Cai Liang paintings are very unique, which are in harmony with the decoration and furnishings that emphasize Dan red, and appear luxurious and rich.
29. Hamur's four-story building is dark gray, and the balcony is built on the shoulders of mythical figures. You have to ring the doorbell before you can enter the door. The stairs are made of marble, but they are worn out. There is a spittoon on each floor. From the stairs, you can see the square yard outside, a small box covered with snow and a small garden. The branches of the trees in the garden are hung with a layer of sparkling frost, reflecting the rainbow-like jade light.
30. Gothic buildings painted with thick milky white sharply broke through the clouds. Brick by brick, stone by stone, ancient Hong Zhong, pious divine joy, white dove piercing the sky, roaming.
3 1, Jiaotai Hall is square in plane, 3 rooms wide and 3 rooms deep, with single eaves and four corners, pyramid-shaped roof, gold-plated copper roof, yellow glazed tile, double-sided five-step bucket, and dragon and phoenix seals on the beam. There are four sides, three intersecting six diamonds, four doors on the dragon and phoenix skirt, sill windows on the south side and walls on the other three sides. At the top of the hall is a pearl-holding algae well with gold bricks on the ground. There is a throne in the middle of the hall, on which is a plaque inscribed by Emperor Kangxi. Behind the throne is a board screen with the inscription of Jiaotai Hall inscribed by Emperor Qianlong. A copper pot is set in the east to drip water, which will not be used after years of dry growth. There is a bell on the west side of Jiaotai Hall, which was built in the third year of Jiaqing.
32. The early morning sunshine drips like a drizzle on this dreamy house, sprinkled on every corner dusty by years, and the air is filled with the fresh breath of plants. Following this smell, the European-style buildings with mossy outer walls are particularly beautiful, with fingers gently stroking cool rocks. Outside the window are graceful copper fences, branches with slightly curled heads like sunflower leaves, and the rigid buildings are integrated with the forest next to them. Although the paint of the gate has been corroded for a long time, it has a vicissitudes of life. The golden doorknob gleamed faintly in the sunlight, as if it could shoot into people's hearts. Even if the cold morning dew sticks to your body, it will evaporate because of the light. The creaking sound of the door being pushed open, though harsh, can calm people's minds, even if the bricks on the roof fall a little.
33. There is a scarlet cross (halberd) hanging on the kang by the window. On the front, there is a red money python backrest, an azurite money python pillow and a A Qiu fragrant money python mattress. A pair of plum blossom foreign paint is set on both sides. On the left, there are several Wang Ding spoon incense boxes; On the right are several Ruyao beauty belts (gū) with flowers and bowls of phlegm boxes. There are four chairs on the west side of the ground, all of which are silver-red chairs. There are four pairs of pedals under the chairs. On both sides of the chair, there are a pair of high chairs, cups of tea, bowls and bottles of flowers ready.
34. The layout of the imperial garden is symmetrical but not rigid, stretching but not scattered. With Qin 'an Hall as the center, nearly 20 buildings of various types are arranged on both sides in a balanced way. Whether it is built against the wall or the pavilion is independent, it is exquisite, unique and dense. Among them, Fu Bi Pavilion and Cheng Rui Pavilion, Wanchun Pavilion and Qianqiu Pavilion are the most distinctive. Two pairs of pavilions are symmetrically arranged in the east and west, and the Floating Garden and Cheng Rui are square pavilions that extend southward across the pool. Wanchun Pavilion and Qianqiu Pavilion are polygonal pavilions, which form a cross-shaped plane under the upper circle and are surrounded by buildings, reflecting the traditional concept of "the sky is round and the place is round". The two pavilions are exquisite and beautiful, adding a lot of color to the imperial garden.
35. Antique activity building, bright and spacious dormitory, small and exquisite canteen, etc. It forms a unique architectural complex, and together with the quiet magnolia forest, ginkgo forest and camphor tree forest, the rippling new Liuhe River and the old Liuhe River, it forms a charming beauty.
36. hall of mental cultivation is an I-shaped temple. There are three anterooms, with an overall width of 36m and three depths 12m. The yellow glazed tile rests on the top of the mountain, and the shed and the government are indirectly involved between the Ming and the West. Each front cornice column has two square columns, which look like 9 rooms. The name of Yangxintang comes from Mencius' theory of "nourishing the heart and nourishing the nature to serve the sky", which means cultivating the self. In order to improve the lighting, hall of mental cultivation became the first palace with glass in the Forbidden City. The emperor's throne was located in the middle of the Ming Dynasty, with a plaque of "Zhongzheng Renhe" hanging on it. There is a throne in the "Dongnuange" in the east of the Ming Dynasty. To the west, it was once the place where Empress Dowager Cixi and Ci 'an listened to politics. The West Warm Pavilion on the west side of the Ming Dynasty is divided into several rooms, including a small room for the emperor to read the memorial and have a private talk with ministers, a reading room in Qianlong, a Sanxitang, and a small Buddhist temple and Meiwu, which are specially designed for the emperor to worship Buddha and rest.
37. Pavilions and pavilions, ponds and waterside pavilions, reflecting pines and cypresses; Rockery rocks, flower beds and bonsai, vines and bamboo are dotted among them.
38. Xiuyu is beginning to become a reality, and it is perfect to treat Phoenix. The poles are green and dripping, both green and cool. Build by laying bricks or stones to prevent treading water, and wear curtains to hinder ding Xiang. Don't shake the broken shadow, the beautiful dream has just begun to grow.
39. There are two stone platforms on both sides of the platform in front of Gan Qing Palace. There is a gold-plated bronze pavilion on each stone platform, which is called the Golden Hall of Jiangshan State, also known as the Golden Pavilion in spoken language. The Golden Temple is deep and wide, with four partition fans and double eaves on both sides. On the top eaves of the circular pyramid-shaped roof, there is an elegant treasure top, which symbolizes that the country of Jiangshan is in the hands of the emperor. Tiger Cave has three culverts, about two meters high and one meter wide, which are located at the junction of the southern edge of Gan Qing Palace, Imperial Road and Terrace. It's called the tiger's den.
40. There is a handwriting gallery on both sides, and there is a hall inside. There is a large screen with red sandalwood shelf and marble in the local area. After turning the screen, there are three small halls, and behind the hall is the main courtyard. There are five houses in the front, all of which are carved beams and painted buildings. On both sides, it crosses the mountain veranda and hangs birds such as parrots and thrushes. On the terrace, there are some girls dressed in red and green.
4 1, the back hall of hall of mental cultivation is the emperor's bedroom. There are five rooms * * *, two rooms are bedrooms, and each room has a bed. The emperor can live in Zhu Houdian at will, with five rooms on each side. East five rooms are the place where the queen lives, and west five rooms are the place where the imperial concubine lives. During Zhu Tongzhi's reign, Ci 'an lived in Shishuntang in the east and Cixi lived in the west. There are more than ten enclosed rooms on both sides of the bedroom. The room is short and simple, and it is a temporary place for concubines and others to live when accompanying them.
42. There is a curtain hanging on the wall, on which a hunting map is embroidered with various colors of gold and silver silk thread. Embroiderers were the most exquisite at that time. The bed is covered with the same gorgeous silk sheets, surrounded by short purple curtains. The chair also has colorful covers, one of which is very tall and has a carved ivory footstool in front. There are at least four silver lampstands, lit with tall candles, which illuminate the whole room brightly.
43. The kitchen is a painted room. There are some smoked hams on the rafters, potted flowers on the windowsill, guns on nails, rare mugs, porcelain and wax utensils, and several portraits of Queen Victoria. There are many bowls and spoons on a long and narrow thick wooden table, and a string of onions is hung high above the table; Two sheepdogs and three cats are lying on the ground.
44. Gan Qing Palace is the main hall of the imperial palace and one of the last three palaces. 9 rooms wide, 5 rooms deep, 20 meters high, double eaves, palace roof. There is a throne in the temple with warm pavilions at both ends. Gan Qing Palace was built in the 18th year of Yongle in Ming Dynasty (1420). After several times of burning, it was rebuilt in the Ming and Qing Dynasties. The existing building was built in the third year of Jiaqing in Qing Dynasty (1798). Gan Qing Palace is a yellow glazed tile double-eaved couch roof, which is located on a single-layer white marble platform. The corridor is 9 rooms wide and 5 rooms deep, with a building area of 1400㎡. From the desktop to the main ridge, it is more than 20 meters high, and there are 9 ridged beasts at the eaves. Under the eaves, the upper layer is monoclinic, double-warped and seventh-order, and the lower layer is monoclinic, single-warped and fifth-order. The studio in the hall is connected with the east and west, and the front eaves of the studio are lowered with gold pillars. The beam frame structure adopts the form of shrinking columns to expand the indoor space. There is a screen between the two gold pillars on the back eaves, a throne in front of the screen, a warm pavilion at the east and west ends, a fairy building at the back eaves, and halls at both ends, which can communicate with the Thai Hall and the Kunning Palace. This temple is paved with gold bricks. On the spacious platform in front of the temple, there are bronze turtles, bronze cranes, sundials and beams on the left and right. There are four gold-plated incense burners in front of the temple, which are connected to Gan Qing Gate by Gaoyou Road.
45. The tiles on the roof are as dense as fish scales, and the Tianhe breach will not leak in at all.
46. In the imperial garden, the cypresses are towering, and the trees grow very luxuriantly. All kinds of strange stones and flowers dot the garden.
There is a purple bookcase in the northeast corner of the wall. The warm sunshine was scattered on a set guqin through the scarlet carved wooden window. The pink gauze curtain brought in some petals from the window with the wind and brushed the strings gently. The incense burner rose from the chimney, wrapped in gauze curtain, and filled the whole boudoir.
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