Traditional Culture Encyclopedia - Traditional culture - Electronic tabloid templates and materials about the Spring Festival. A4。 Urgent thanks.
Electronic tabloid templates and materials about the Spring Festival. A4。 Urgent thanks.
Source of Spring Festival: Spring Festival is the most distinctive traditional festival in China. It marks the end of the Lunar New Year.
A new year has begun. People will bid farewell to the cold and monotonous winter and usher in a vibrant spring.
The Spring Festival was originally called "New Year's Day", and Du Taiqing of Sui Dynasty said in "Five Candles Collection": "The first month is the end of the month, and one day is Yuan Day, which is also a cloudy month." The original meaning of "yuan" is "head" and later extended to "start" Because this day is the first day of the year, the first day of spring and the first day of the first month, it is called "Sanyuan". Because this day is still the old dynasty, the moon dynasty and the Japanese dynasty, it is also called the "three dynasties"; Because it is the first Shuori, it is also called "Yuanshuo". Song and Wu explained in Meng Lianglu: "The first day of the first month is called New Year's Day". In Shuo Wen Jie Zi, the word "Dan" is interpreted as "from the sun, from the ground." It means that the sun has just risen from the horizon, which means morning. Because it means the first morning of a year and the first morning of the first month respectively, it is called "New Year's Day" and "Zheng Dan".
In addition to the above titles, the Spring Festival is also called "Opening Year", "Opening Year", "Fragrant Year" and "Chinese New Year", among which "New Year's Day" is the most common and the longest.
Because the calendars of different dynasties are different, the seasons of New Year's Day are also different. The ancient calendar in China is a combination of yin and yang, so the position of the sun and the moon should be considered at the same time. Therefore, when determining New Year's Day, we must first determine that it is in a certain season, and then choose the new moon close to this season as New Year's Day. Because one year old is not equal to 12 lunar calendar, the difference is about 1 1 day, so it is necessary to set a leap month every three years to adjust the season. Astronomers in ancient China once came up with a simple way to judge the relationship between the month sequence and the season, that is, to determine the month sequence according to the direction of the barrel handle in the evening, which is called December architecture. From north to east, the ground is divided into 12 directions. In the evening, the barrel handle refers to the month of the month, and its sub-month, ugly month and silver moon are equivalent to November, December and January respectively.
China is an ancient multi-ethnic country. According to their own cultural traditions and customs, different nationalities in different historical periods have determined their own New Year's Day, that is, to change "Zhengshuo" to the first day of the first month. Emperor Zhuan Xu and Xia Dynasty took the first month of Meng Chun as the yuan, that is, they used Yin Jian's summer calendar and took the first day of the first lunar month as New Year's Day. The Shang Dynasty used the ugly lunar calendar, with the first day of the twelfth lunar month as New Year's Day. The Zhou dynasty used the weekly calendar, which was completed, and the first day of November in the lunar calendar was New Year's Day. The Qin dynasty used the Qin calendar to build the sea, with the first day of the lunar calendar as New Year's Day; In the early Western Han Dynasty, the Qin calendar was still in use. In the first year of Liang Wudi Taichu (104), it was changed to the calendar created by Sima Qian and Luo, and the summer calendar was re-used, with the first day of the first lunar month as New Year's Day. In the future, except for Wang Mang, the lunar calendar was once used to build ugliness, and after Emperor Wu of the Tang Dynasty and Su Zong, the Zhou calendar was used to build children. All previous dynasties used the summer calendar until the end of the Qing Dynasty.
The word "Spring Festival" has different meanings in different historical periods. In the Han Dynasty, people called the first beginning of spring among the 24 solar terms "Spring Festival". In the Northern and Southern Dynasties, people called the whole spring "Spring Festival".
After the victory of the Revolution of 1911, in order to "adapt to the farming season" and "facilitate statistics", the Nanjing Provisional Government stipulated that people should use the summer calendar, and institutions, factories, mines, schools and organizations should adopt the Gregorian calendar, with Gregorian calendar 1 month 1 day as New Year's Day. However, most people refer to the Gregorian calendar 1 month 1 day as "Gregorian year" and still refer to the first day of the first lunar month as "New Year's Day".
1 September 27th, 949, the first plenary session of China People's Political Consultative Conference adopted the Gregorian calendar era, and the Gregorian calendar 1 month1day was designated as New Year's Day. Because the first day of the first lunar month is usually around beginning of spring, the first day of the first lunar month is designated as the Spring Festival.
Spring Festival generally refers to New Year's Eve and the first day of the first month. However, among the people, the traditional Spring Festival refers to the sacrificial ceremony from the eighth day of the twelfth lunar month or the 23rd to the 15th day of the first lunar month in La Worship, culminating in New Year's Eve and the first day of the first lunar month.
The Spring Festival is a traditional festival, and the Han nationality and most ethnic minorities in China hold various activities to celebrate it. The main contents of these activities are offering sacrifices to gods and buddhas, paying homage to ancestors, saying goodbye to the old year and welcoming the new year, and praying for a bumper harvest. The activities are rich and colorful, with strong national characteristics.
Origin of Spring Festival couplets: Spring Festival couplets originated in Fu Tao. "Fu Tao" is a rectangular red wooden board hanging on both sides of the door in the Zhou Dynasty. According to the Book of Rites, the peach symbol is six inches long and three inches wide, and the words "Shen Tu", "Lei Yu" and "Ershen" are written on the mahogany board. "On the first day of the first month, a peach symbol was made for this family, which was called immortal wood. All ghosts were afraid of it." Therefore, the Qing Dynasty's "Yanjing Shi Sui Ji" said: "Spring Festival couplets, that is, Fu Tao."
In the Five Dynasties, in the court of West Shu, someone wrote couplets on peach symbols. According to the Book History of Shu Family in Song Dynasty, Meng Chang, a master of the later Shu Dynasty, ordered Zhang Xun, a bachelor, to write a poem on the mahogany board, saying, "It's not a matter, so he wrote a poem on this topic under the pretence:' New Year, Changchun on the First Day'". This is China's first Spring Festival couplets. Until the Song Dynasty, Spring Festival couplets were still called "Fu Tao". In Wang Anshi's poems, there is a saying that "every family has the narrowest day, and new peaches always change for old ones". In the Song Dynasty, the peach symbol was changed from red board to paper, which was called "Spring Sticker".
In the Ming Dynasty, Fu Tao changed its name to "Spring Festival couplets". In the Ming Dynasty, Chen wrote in Miscellaneous Paintings of Mao Yunlou: "The establishment of Spring Festival couplets began" before New Year's Eve, the imperial capital Jinling suddenly issued a decree to add a pair of Spring Festival couplets at the entrance of the official school, and the emperor would appear when he walked. Zhu Yuanzhang not only went out of town incognito to see the laughter in person, but also wrote Spring Festival couplets himself. He passed a house and saw that the Spring Festival couplets had not been posted on the door. He went to ask, knowing that it was a castrated pig, and had not asked anyone to write it for him. Zhu Yuanzhang specially wrote Spring Festival couplets for the castrated pig man, which read "Split the road of life and death with both hands and cut off the root of right and wrong with one knife". Relevance and humor. After Ming Taizu's advocacy, Spring Festival couplets have since become a custom, which has been passed down to this day.
One of the legends of the Spring Festival: staying up late for the New Year.
Keeping the old year is the custom of staying up late to welcome the new year on the last night of the old year. Also known as New Year's Eve, the common name is "Enduring the Year". Exploring the origin of this custom, there is an interesting story among the people:
In ancient times, there was a fierce monster scattered in the mountains. People call them nian. Its appearance is ferocious, its nature is ferocious, and it specializes in eating birds, animals and insects. It changes its taste every day, from kowtowing insects to living people, which makes people talk about "Nian". Later, people gradually mastered the activity law of "Nian", that is, every 365 days, people go to places where people live in concentrated communities to taste fresh food. The haunting time is after dark, and when the rooster crows at dawn, they return to the mountains.
After determining the date of the ravages of 2008, people regarded this terrible night as a gateway, and came up with a set of methods to close the New Year's Day: every family prepared dinner in advance, turned off the fire, cleaned the stove, then tied all the cowpeas, sealed the front and back doors of the house, and hid in the house to eat the "New Year's Eve" because this dinner was uncertain. In addition to inviting the whole family to have dinner together to show harmonious reunion, we should also worship our ancestors before eating and pray for their blessing to spend the night safely. After dinner, no one dared to sleep, so they sat together and chatted with courage. Gradually formed the habit of not sleeping on New Year's Eve.
The trend of observing the age rose in the Southern and Northern Dynasties, and many scholars in the Liang Dynasty had poems about observing the age. "One night for two years, five hours for two years." People light candles or oil lamps and keep vigil all night, which symbolizes driving away all evil diseases and looking forward to good luck in the new year. This custom has been handed down from generation to generation.
Legend of the Spring Festival 2: On Calendar Making in Ten Thousand Years
According to legend, there was a young man named Wan Nian in ancient times. Seeing that the festivals at that time were chaotic, he had an accurate plan. But he couldn't find a way to calculate the time. One day, he was tired of chopping wood on the mountain and sat in the shade. The movement of the shadow inspired him. He designed a sundial to measure the time of the day. Later, inspired by the dripping spring water on the cliff, he began to make a five-layer clepsydra to calculate the time. Over time, he found that every 360 days, the four seasons would cycle once, and the length of the weather would be repeated.
At that time, the monarch was called Zu Ti, who was often troubled by the unpredictable weather. Ten thousand years later, he took the sundial and the clepsydra to see the emperor and explained to Zu Ti the truth about the movement of the sun and the moon. Zu Ti was very happy after hearing this and felt reasonable. So I left for ten thousand years and built the Sun and Moon Pavilion in front of the Temple of Heaven, as well as the sundial platform and the Leaky Pot Pavilion. I hope I can accurately measure the laws of the sun and the moon, calculate the exact time in the morning and evening, and create a calendar to benefit people all over the world.
On one occasion, Zu Ti went to learn about the progress of the perpetual calendar. When he boarded the altar of the sun and the moon, he saw a poem engraved on the stone wall next to the Temple of Heaven:
Sunrise and sunset 360, start again.
Vegetation is divided into four seasons, and there are twelve circles in a year.
Knowing that the perpetual calendar was created, I personally boarded the Sun Moon Pavilion to visit the perpetual calendar. Wan Nian pointed to the astronomical phenomena and said to Zu Ti, "It's been twelve months now, the old year has passed and the new year has begun again. Please make a festival for you. " Zu Ti said, "Spring is the first year of a year, so let's call it Spring Festival". It is said that this is the origin of the Spring Festival.
After years of long-term observation and careful calculation, he worked out an accurate solar calendar. When he showed his successor the solar calendar, he was covered with silver whiskers. The monarch was deeply moved. In order to commemorate the achievements of 10 thousand years, he named the solar calendar "perpetual calendar" and named it the birthday star of the sun, moon and moon. In the future, people will hang up the Shou Xingtu during the Chinese New Year, which is said to commemorate the venerable ten thousand years.
The Third Legend of Spring Festival: Sticking Spring Festival couplets and Door Gods
It is said that the custom of pasting Spring Festival couplets began in the post-Shu period about 1000 years ago, which is proved by history. In addition, according to the Jade Candle Collection and the Chronicle of Yanjing, the original form of Spring Festival couplets is what people call "Fu Tao".
In the ancient mythology of China, it is said that there is a ghost world, in which there is a mountain, a big peach tree covering three thousand miles, and a golden rooster at the top of the tree. Whenever the golden rooster crows in the morning, the ghost who travels at night will rush back to the ghost domain. The Gate of Ghost Domain is located in the northeast of Peach Tree District. There are two gods standing by the door, named Shen Tu and Lei Yu. If the ghost does something unnatural at night, Shen Tu and Lei Yu will immediately find it, catch it, tie it up with a rope made of Miscanthus and give it to the tiger. So all the ghosts in the world are afraid of Shen Tu and Lei Yu. So people carved them into peach trees and put them at their doorsteps to ward off evil spirits and prevent harm. Later, people simply carved the names of Shen Tu and Lei Yu on the mahogany board, thinking that this could also eliminate disasters. This kind of red board was later called "Fu Tao".
In the Song Dynasty, people began to write couplets on mahogany boards, one for killing evil spirits, the other for expressing good wishes, and the third for decorating the portal for beauty. They also write couplets on red paper symbolizing happiness and good luck, and stick them on both sides of doors and windows during the Spring Festival to express people's good wishes for good luck in the coming year.
In order to pray for the longevity of the family, people in some places still keep the habit of sticking up doors. It is said that there are two door gods posted on the gate, and all monsters will be afraid. In the folk, the door god is a symbol of justice and strength. The ancients thought that people with strange looks often had magical temperament and extraordinary skills. They are honest and kind, and it is their nature and responsibility to catch ghosts and demons. Zhong Kui, a ghost hunter who is highly regarded by people, is such a strange look. Therefore, the folk door gods are always glaring and ferocious, holding all kinds of traditional weapons in their hands, ready to fight against ghosts who dare to come to the door. Because the doors of China's house are usually two opposite doors, the door gods are always paired.
After the Tang Dynasty, besides peace, people also regarded Qin and Weichi Gong, two military commanders in the Tang Dynasty, as gatekeepers. According to legend, Emperor Taizong was ill, heard ghosts screaming outside, and stayed up all night. So he asked the two generals to stand by with weapons in their hands, and there was no ghost harassment the next night. Later, Emperor Taizong had the images of these two generals painted and pasted on the door, and this custom began to spread widely among the people.
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