Please provide information about the protection of traditional culture in China and Japan.

This is about the loss of traditional culture, which involves Japan.

& lt on the loss of traditional culture in China. By Ye Nan kurama.

A few days ago, in the study, I picked up a book of four books, turned to the first page and read two sentences: "The way of university lies in virtue, in new people and in perfection." I found myself depressed, threw it into the bookcase, picked up a Japanese cartoon, and chewed it with relish until the end. I read an article on the Internet today, lamenting that contemporary teenagers in China (mainly in the 1980s and 1990s) know little or nothing about their traditional culture. Looking back on what I did the day before yesterday, I can't help feeling ashamed. I have always boasted that I love traditional culture, but I am slowly letting go of the pride of China people.

On National Day, the unit invited our new clerk to write an article about patriotism. I think, should we pile up an empty article with flowery words to lament how beautiful and magnificent the motherland is, or should we really pay attention to the national pride that we are slowly losing?

Gao Zhendong, dean of Taiwan Province CITIC Business School, said in a speech in mainland China, "What is patriotism? Where is patriotism? Everything is patriotic, and everything is patriotic! " Patriotism is small but concrete. We are in China, but sometimes we don't know what's in our country. Is it because "I don't know the true face of Lushan Mountain, but I am in this mountain" or do we care too much about other people's things? Patriotism is actually very simple. The most basic thing is to understand and love our traditional culture.

What is the traditional culture of China? China's traditional culture was gradually created and developed in the long historical process of thousands of years. After several times of construction-deconstruction-reconstruction, she is endless, endless and slowly precipitated. She is China people's hope for culture for thousands of years and China people's reflection on cultural thoughts. How many people can persist in the trickle when we face the proliferation of western culture in the electronic age with advanced information?

What is the traditional culture in our children after 8 1 90? I don't think it's 12 women's group wearing sexy high-fork cheongsam playing so-called traditional folk music noisily on the stage. Or do you think that Kong Yiji, who is full of "what" in Lu Xun's works, is an ancient scholar representing China?

To put it simply, the so-called traditional culture in China is "poetry, calligraphy, ceremony, changes, spring and autumn". I use the name Five Classics to summarize the traditional culture of China, because it just sums up five aspects of the traditional culture of China. "Poetry" refers to poems, songs and ancient music from the earliest poem "The Book of Songs" to all previous dynasties. "Book" refers to the monographs written by scholars of past dynasties that reflect their thoughts and viewpoints, including the outlook on life of ancient scholars and the humanistic spirit of ancient people. "Rite" refers to the traditional ethics, etiquette and law system and ideological education system in China. "Yi" not only refers to the Book of Changes, but also includes agriculture, medicine, astronomy, geography and mathematics. Chunqiu refers to a series of historical monographs, Historical Records and Zitongzhi Bamboo Slips from Shangshu to Chunqiu. China's traditional culture covers a wide range and his thoughts are profound. How can it be summarized and expressed by modern pseudo-folklore or a sour Kong Yiji?

Is it too late for children in the 1980s and 1990s to get in touch with the beauty of China's classical poetry from Jay Chou's Direct Answer or her Sauvignon Blanc? From Three Hundred Poems to Han Yuefu to the Complete Works of Tang Poetry and Song Poetry, Qu Yuan and Ban Gu's Songs of Chu and Han Fu were not included, and the bones of great writers are your brushes and Wei Jintian School were not mentioned. How can this vast poetic country be expressed by a direct answer? Now, do we just stay in the stage of "rambling grass across the plain" or "the spring breeze in February is like scissors" taught in primary school textbooks, or do we whisper to our lover that "they have been in love for a long time, sooner or later" in order to make her happy?

Can we still feel the elegance and lofty aspirations of the ancients from those decadent voices? Do you know that the "Ren Xia Qi" in Gu Long Jin Yong's novels refers to "Where is the Tao, although thousands of people have gone; When the righteous act is done, the daughter will not regret it; In the heart of love, secular etiquette is like dirt; Xing, drink 300 cups with you "and" the great man of chivalry "means" kill one person in ten steps, leave a thousand miles behind, and hide your merits and fame "? Probably only indulge in river's lake grievances, fighting and killing.

There is no romantic feeling of "a pot of wine in the flower room" and "cutting candles at the west window", and there is no heroic mind of "swearing to sweep the Huns regardless of their health" and "watching the sword drunk" Without the nourishment of these ancient rhymes, can our post-80s and post-90s only be displayed in multi-bag wide-leg pants with European and American hip-hop, Japanese anime and Korean style? Without Ren Xia's youthful frivolity and tender feelings, would our youth be complete?

How many people still know that "everyone is responsible for the rise and fall of the world" comes from Mencius' "taking the rise and fall of the world as his own responsibility"? The rise and fall of the world is not everyone's responsibility, but mine. How many young people will take the rise and fall of the country as their own responsibility, probably just pretending to be cool and saying, "I am me, I like it, I can." They just bury themselves in crayons and robots all day and refuse to grow up.

How many people still know what "benevolence, courtesy, wisdom, faithfulness, loyalty, filial piety and courage" mean? After reading Wu Zongxian's "I guess" and "Eight o'clock on Sunday", I will probably only say in confusion, Oh, the snacks on Zhongxiao Road in Taipei are very famous. How many people will think that "Xiang is nine years old and can warm the mat" is a sign of filial piety, probably thinking that he is so stupid. Why not use your body to warm the mat and buy an air conditioner? Who else would think that "being a pear at the age of seven" is a kind of humility and comity of China people? Children receive Darwinian education of "natural selection, survival of the fittest" since childhood, which is overwhelmed by heavy internal and external lessons. Who will say, I don't want the first place, I'll give it to you! I don't know what it means to be a "modest gentleman, gentle as jade", let alone expect children to be beautiful childe like Cao Zijian and Wang Moshu. Nowadays, the purpose of children learning piano, chess, calligraphy and painting is mostly to serve the exam, and there is no feeling of "singing Red Bean for you".

You can't see the flowers in the Lantern Festival, the incense symbols hung on the boats in the Dragon Boat Festival, the pot for exorcising ghosts, and the dogwood planted on the Chongyang Mountain. We began to believe in Christ and Santa Claus. I don't know who Ah Fu is, and I haven't put down Grandpa's paper kite for a long time. In our opinion, traditional festivals are just pale except for watching boring literary evenings and going to a few more days for holidays where everything is crowded. Tradition slips through our fingers and slowly drains away.

1900, Liang Qichao wrote that "the country is strong when young people are strong, and the country is strong when young people are rich". Today, Mr. Liang's youthful temperament of "hope, enterprising, innovation, abnormality, carpe diem, arrogance, and working for the world" is faintly visible in us, but we can't smell the breath of China. Pure hedonism and arrogance are so pale and frivolous without the support of cultural background. Where should we look for the lost traditional culture? Was it discovered in the traditional activities of neighboring Japan: "Hey, this thing was handed down from the Tang Dynasty in China! Cut ~ small Japan ~ "But why don't we reflect and appreciate the essence of the past only in others? Looking back suddenly, the country is no longer a country.

Always think about the future, but never forget the past. Enrich ourselves with thousands of years of cultural accumulation, and let us go further. Won't you be fascinated?

China's traditional culture will be lost.

Source: Xinhua News Agency

The arrival of Hollywood has left us with the biggest suspense: What will these classic themes that China people are familiar with be interpreted by Americans? Will they "joke" or "talk" about our historical and cultural memories?

In fact, whether it is desire or imagination, in the final analysis, Hollywood is a cultural factory. Their impulse to explore new themes is to satisfy their own pursuit and profit, to share the big cake in the world film market, not to engage in cultural protection plans. They are Hollywood, not UNESCO. They will look at and transform traditional national themes with western values and cultural standards, operate according to their skillful business logic and push them to the world. First of all, they won't "call a spade a spade". Secondly, they won't "joke"-this is the cultural imagination of China people, which doesn't conform to their cultural understanding-but they will "speak in the west" and turn an oriental, China, national and traditional cultural theme into a western, American, Hollywood and post-modern film text. Among them, the biggest possibility is the loss of traditional cultural elements and the change of story logic.

Take Mulan (see photo) which was operated before as an example. Mulan's cartoon is not a model and version that fully respects China's traditional folk custom of "joining the army for his father", but has been boldly exaggerated and adapted in line with westerners' acceptance psychology and habits. Mulan in the film has become a typical western woman with straightforward manners and emotional expression, without the reserve and caution of women in traditional feudal society in China. This kind of Mulan is a typical westernized Mulan, not the legendary Mulan. I put it in this bottle called Mulan with my own cultural imagination and deduction, and then shouted loudly and exported it to China to make a lot of money. What impact will this have on China people, especially China children's recognition and acceptance of this classic female image in China history? When Hollywood has successively completed a series of China's classic "Western Theories" such as Yang Jiajiang, The Journey to the West and Sun Tzu's Art of War, what will be the cultural landscape in China's children's minds?

Compared with Hollywood's aggressive cultural expansion, domestic film and television people are still addicted to the mode of making "joke" versions of court dramas and "gangster dramas", which are overwhelmed by box office and benefits, and their artistic imagination is pale and weak, and their enterprising spirit and creativity are greatly weakened. Faced with these cultural resources that have been integrated into the blood of our nation, we live a poor life in Jinshan. Compared with foreign artists' enthusiasm for the theme of China legend, it really makes our artists feel ashamed.

In addition, compared with similar foreign works of art, most domestic films and TV works of historical legends are mechanical and inflexible, and there are obvious deficiencies in ideological depth and creativity. For example, in Sun Tzu's Thirty-six Plans, the battle of wits between Sun Bin and Pang Juan did not have a strong flavor of Sun Tzu's Art of War, but it was interspersed with many romantic love stories, and the magnificent and complicated wisdom and courage strategies were drowned in emotional entanglements with a strong modern flavor, which was disappointing. The backwardness of creative thinking, the lack of imagination and the creative attitude towards historical themes should be important warnings and inspirations for domestic counterparts in Hollywood's rush to shoot China-themed film and television dramas.

Although Hollywood explores the historical theme of China, it is interested in the future market and cultural communication. Knowing the truth of Hollywood, we can grasp the present and win possibilities and hopes for ourselves.

The tide of globalization is surging, which is the realistic picture of the times. However, it will be an eternal topic for us how to make the splendid traditional culture of China, which has lasted for 5,000 years, bring forth new ideas and renew its vitality, how to continue the millennial context of traditional culture inheritance, how to enhance the cultural identity of the people of a big country with 56 nationalities, and how to let the Chinese nation show its unique national flag to the world.

The lack of China traditional culture among students.

In a questionnaire survey on traditional culture, 50% of college students think it is "very important" and 40% of students think it is "useful". In the "Cognition of China by Chinese in the World", 58.5% of the students chose "culture". It can be seen that many college students can understand the importance of traditional culture, but how much do they really understand traditional culture?

As for "Peking Opera or other local operas", one of the representatives of traditional culture, in fact, 5 1.2% people are "not interested", 39.7% people think they can go and see it, 21%people like it, and only 8% people like it.

For classical literature books, 75.4% of college students "read them occasionally", 16.4% students "stay away from them", 5.8% students "hate them" and only 0.4% students "can't put them down".

Although most students agree with traditional culture, they know little about it. My interest in traditional culture is very low, my understanding is superficial, and my knowledge of traditional culture is very weak.

At the same time, a questionnaire named "How much does China taste" was handed to primary school students, and the result was even more worrying.

In the survey on festivals, except Children's Day, children like Christmas best, only 33% like Spring Festival, 14% like Mid-Autumn Festival and 12% like National Day.

In the choice of "favorite songs", 37% people chose English songs, the largest number, only 20% people chose mainland old songs, and only 28% people knew what the original name of the national anthem was. 38% people don't know what a motto is, and 3 1% people have no motto. Only 25% people know what Four Treasures of the Study is, and only 39% people can write with a brush.

The westernization of primary school students' cultural taste needs the attention of the whole society. China's profound traditional culture is well-known overseas, so everyone in China should love what they know. Teachers should educate primary school students to attach importance to traditional culture, guide students' interests and hobbies in traditional culture, and learn more about traditional cultural knowledge.

College students should consciously read more books on traditional culture and absorb the nutrition of excellent traditional culture. Let China's traditional culture no longer be missing in students' knowledge structure.

1. Tradition is an idea, morality, custom, art and system passed down from history, which is relative to modernity. However, many people mistakenly equate tradition with "past" or even "outdated" in time, and regard it as "static" or even "rigid" in form, which separates the logical connection between history, reality and future. They can't correctly grasp the traditional historical inheritance, and it is even more difficult to find the point of convergence between it and the spirit of the times. They emphasize the conflict between tradition and modernity and separate the organic unity of traditional connotation and contemporary style.

Tradition is the modernity of the past and modernity is the tradition of the future. Karl karl jaspers, a representative figure of German existentialism, pointed out: "In inheritance, people have a little practical ability, which is indestructible;" In tradition, you have something absolute that you can't lose. "Tradition is not a static and lifeless historical deposit, but a torrent full of life and flowing forever. The farther away from its source, the bigger it expands.

"You didn't see the traditional water coming from the sky and entering the ocean, never to return!" The river of tradition has a long history, stretching from ancient times to the present, swinging around in the cycle of nine songs, constantly enriching its form, enriching its content and expanding its field, so that the achievements made by people in each era are preserved in the sacred chain of tradition as an environmental protection and passed on to the next generation as a heritage.

Therefore, traditional performance keeps pace with the times, and people in every era must promote the integration of historical consciousness and contemporary spirit, and inherit, create and develop excellent traditions.

Tradition is a double-edged sword for modern people. On the one hand, it is the symbol of human civilization and the crystallization of human wisdom, so it is the source of nourishing modern people's spirit, the nourishment of cultivating modern personality and the support of the future.

On the other hand, as Engels said, "tradition is a huge resistance and historical inertia", which restricts and hinders the process of modernization everywhere, making people who are committed to creating a new life feel a heavy burden.

Therefore, in the traditional torrent, it is always inevitable that sediment will sink with pearls and jade, with dross and essence; It not only contains opportunities to promote modernization, but also breeds cancer that affects modernization. Therefore, tradition can neither be regarded as a sacred idol nor simply discarded as historical garbage.

Regrettably, in the face of the chaos of contemporary life, many people show a sense of value at a loss. It is difficult for them to distinguish between essence and dross, and it is even more difficult to distinguish between dross mixed in essence and essence wrapped in dross. They can't find "the flaw of white jade" or "the gold in the sand", and they really take it moderately, give it up moderately and measure it moderately.

3. The survival and development of a nation is the center of cultural development and evolution. The development of culture serves the survival and development of the nation. Every great country has its own cultural tradition. A nation shows its tradition, self-esteem and dignity through its own language, writing, art, fashion, customs, religious beliefs, love for its compatriots, attachment to its homeland, and disgust and hatred for reading national feelings.

We should not deny and lose the nationality of tradition on the pretext of reviving tradition and inheriting western social and cultural achievements. To renew the tradition, we must emphasize the subjectivity of the nation. It is impossible for any individual to avoid the interests and destiny of the nation and talk about the renewal of self-concept.

Only by giving full play to the independence (affirming one's own independent existence), consciousness (having clear self-awareness) and initiative (as the driving force for actively transforming the environment) of national traditions can social culture flourish and have solid cohesion.

As a result, we went deep into the bottom of the traditional fertile soil and got many shining golden sands like gold panning, casting a golden pagoda shining with the glory of the times.

4. Transcendence is a denial and dissatisfaction with tradition, and what it pursues and realizes is a new realm towards the future. "If the old road is not recovered, there will be migration; There is nothing to maintain the status quo and there must be changes. " It is precisely because of transcendence in inheritance and inheritance in transcendence that an irresistible long river of human history has formed, which will neither break nor dry up.

But it's hard to surpass. American sociologist Inges pointed out: "Many developing countries committed to modernization have gradually realized that their hearts and spirits are still firmly locked in traditional consciousness, which constitutes a serious obstacle to economic and social development." . Similarly, the bone marrow and blood of contemporary people are stubbornly immersed in the heavy historical tradition. Although they wear fashionable modern clothes, they have not really become a modern person.

Transcendence is not detachment. Transcendence is based on the earth, standing tall, inheriting and highlighting in tradition, and seeking development in inheritance; Transcendence means that your feet float like floating clouds, that you give up the traditional construction of illusory mirage, and that you slide into destruction in nothingness. Transcendence is an objective law; Transcendence is the flower of fantasy.

5. Creation is a great power, a charming call, a driving force for progress and an inexhaustible support point for the spirit. A complete person is a person who creates and creates traditions for the sake of traditions. People always stand in a double historical consciousness. On the one hand, he is the product of past culture; On the other hand, he is also the creator of future culture. He always accepts the influence and carving of traditional culture in a specific social environment, and at the same time actively chooses, absorbs and stirs up confusion, injects new spirit of the times, endows it with new characteristics, significance and functions, and enables it to develop and grow.

In Gadamer's words: "Tradition is not a ready-made thing that we inherit, but is produced by ourselves, because we understand and participate in the progress of tradition, and thus we further define tradition ourselves."

On the basis of inheriting the traditional culture of our ancestors, in the more complicated social practice, we will constantly enrich its content, enrich its connotation, add its elements with new achievements, and even reorganize the traditional functional structure, making it a new tradition that suits our times and reflects the historical trend, gathering treasures handed down from generation to generation with modern concepts, transforming it into a huge realistic cohesion and internal driving force, and making the profound historical heritage exude a strong flavor of the times.

6. Marx pointed out: "Man creates his own history, but he does not create it at will, nor under the conditions of his own choice, but under the conditions that he directly encounters, is established and inherits from the past." Without traditional inheritance, individuals will not have creative wisdom, society will lose the foundation of progress, and human beings will stay in the wilderness of eating and drinking blood forever. Therefore, the famous cultural anthropologist Landman believes that "only in the atmosphere of cultural package can people breathe". Therefore, "an individual must learn from cultural traditions and climb the cultural peak of the era in which he was born". Without inheriting the excellent ideas, wisdom, quality and style of traditional culture, it is impossible to develop healthily.

The scientific spirit of seeking difference is the "blaster" of old ideas, the "fuel gas" of new ideas and the "designer" of new traditions. But we must be innovative on the basis of inheriting the essence of tradition, rather than blindly coveting novelty.

Because not all novel things have vitality, shallow and boring things often have novel faces. However, some people are even keen on "doing the opposite", affirming all traditions that have been denied in the past and denying all traditions that have been affirmed in the past. It's reversed today and will be overturned tomorrow. As a result, they failed to realize modernization and suffered from modern diseases.

7. We must adhere to the unity of nationality and world. It is rooted not only in the strong national soil, but also in the grand world background; It is not only rich in distinctive national characteristics and characteristics of the times, but also has the spirit of magnanimity and moral tolerance.

In other words, we should first base ourselves on the 5,000-year-old Chinese tradition, innovate the traditional culture with a clear sense of responsibility for the times and deep and sincere national feelings and qualities, and "make the past serve the present" in order to create a more reasonable cultural model. Only in this way can we have an insight into the reality and foresee the future, otherwise, we can only lose our spiritual home without roots and evidence.

At the same time, we should combine this profound sense of national history with an open world vision, so that China can go to the world and the world can go to China to complement each other, and absorb foreign traditional nutrients to nourish itself to the maximum extent.

Learn from the excellent cultural traditions of all ethnic groups and all scientific civilizations in modern society to the maximum extent, and "make foreign things serve China", that is, learn from the strengths of foreign cultures and consolidate the foundation of national culture. Absorb in inheritance, choose in opening up, improve in criticism, constantly abandon conservatism, closure and backwardness, hold high the banner of national tradition, and bloom clusters of brilliant sparks that connect ancient and modern times and blend Chinese and western.

8. In the gradual change of history, people consciously or unconsciously think, live and act according to traditional habits, and do not feel that tradition is oppressive.

However, in the social transition period of historical upheaval, people strongly feel the heavy load of tradition and are eager to get rid of the invisible entanglement. Therefore, the sporadic and unstable feelings of individuals are intensified, and it is easy to be driven by the indescribable subconscious and emotional impulse, leading to the proliferation of destructive thinking. This is the outstanding mentality of our transitional era.

Therefore, getting rid of emotional thoughts and behaviors has scientific rational spirit and constructive consciousness, which is also very important for the development and innovation of traditional culture.

9. Every great nation has its precious national culture, and each national culture clearly shows its national spirit. This unique national culture and basic national spirit is undoubtedly an important part of a nation's life and the cornerstone of a nation's vigorous growth in the world.

Because it is unique, it exists; Because it is unique, it is irreplaceable. National culture and national spirit are the cultural wisdom and wonderful spirit accumulated by a nation in its long-term development, and they are a bunch of flowers that carry tradition, reflect modernity and show the future of human civilization. It is not only passed down from generation to generation by this nation, but also appreciated by other nations.

Appreciation is sincere praise, not humble praise; Appreciation is a rational and profound examination, not a superficial sightseeing; Appreciation is a kind of critical reference full of scientific spirit and national integrity, rather than the worship of god. Therefore, the appreciation of foreign culture, or "flower appreciation", embodies a nation's broad-minded and generous mind, which is an open and calm choice for a self-reliant nation and a necessity for a nation to keep its vitality forever.

However, absorbing foreign national cultures is a process of dialectical sublation and conscious internalization, and it is a process in which the brilliant sparks of other national cultures complement each other and blend together with their own splendid cultures. Therefore, we can't learn foreign national culture by "arranging flowers", nor can we break a branch alive and put it in a vase to pay tribute to it on the flower stand of culture. If so, it will wither not only the essence of foreign culture, but also the spirit of our nation.

Only when foreign cultural achievements are combined with the inherent deep foundation can brilliant flowers bloom again. Let's treat foreign cultures like "planting flowers". Only when the branches of foreign culture are deeply planted in the deep cultural soil of our nation can the flowers of the national cultural home bloom unexpectedly.

10 Although all new things are not fresh, when we are keen on curiosity indiscriminately, it is called "excessive"; When we are not interested in new things and do not study and analyze them, we are called "left behind"; When we are not used to new things, it is called "imbalance"; And when we cynically and even hinder the vitality of new things, it is called "stubbornness".

Aggressiveness can be corrected, backwardness can catch up, imbalance can be balanced, and stubbornness is a resistance that must be eliminated.

1 1. Although the new may not have vitality, the pursuit of new things will always be the eternal driving force for human progress.

12, tradition is the fashion of the past, and fashion is the tradition of the future.

Traditional inheritance, fashion and fashion.

Tradition is updated into fashion in circulation, and fashion is precipitated into tradition in fashion.

13, the value of the pioneers lies not only in not copying others, but also in not copying themselves.

Second, the dissemination of existing cultural achievements and cultural innovation and reconstruction are unified.

American anthropologist Ruth Benedict said: "The main axis of personal life history is to adapt to the traditional patterns and norms left over from society." The cultural creation of the ancestors to transform the environment still exists in the form of symbols or materialization, while the younger generation grasps the cultural achievements created by their predecessors and makes new cultural creations under the new historical conditions. The cultural achievements created by human beings are accumulated through layers of accumulation. This vertical cultural transmission and accumulation has formed a national or regional cultural tradition, and maintained a long-term impact on the existing culture. In addition, there are horizontal cultural exchanges. Through contact and communication, different cultural systems can penetrate, absorb and merge with each other, causing cultural changes and reconstruction. To make culture develop normally and healthily, not only vertical cultural transmission and accumulation, but also horizontal cultural exchange and integration are needed. Disseminating existing cultural achievements and reconstructing cultural innovation are the objective requirements for the normal and healthy development of culture.

Disseminating existing cultural achievements is the requirement of cultural dissemination and accumulation. Some of them have been accumulated for a long time and become the essence of traditional culture, such as cultural classics compiled and published in previous dynasties; There are also new cultural creations of contemporary people, including new theories, new knowledge, new technology and new literary and artistic works. Some major cultural creations will cause cultural changes, that is, major changes in cultural content and structure. The reasons for cultural changes are not only the great cultural creation of our nation, but also the influence of foreign cultures. It is also a basic task of editing activities to absorb the excellent parts of foreign culture and enrich and develop national culture.

In this way, there will be conflicts between traditional culture and modern culture, and between national culture and foreign culture in cultural exchanges. To realize the overall innovation of culture, we must give full play to the planning, organization and selection optimization functions of editing activities, and carry out cultural integration and reconstruction. In the process of integration and reconstruction, the outstanding parts of traditional culture have been preserved and gained new interpretation and significance, which embodies the characteristics of traditional culture in modern culture. The essence of foreign culture has also been absorbed by national culture and has become a new feature of national culture. This cultural system is both traditional and modern, both national and worldwide. All kinds of distinctive national cultures constitute the diversity of world culture.

Some critics have suggested that creativity is the law of editing activities. There is some truth in this statement, but the law of creativity is applicable to many human activities, so it is necessary to reveal the creative characteristics of editing activities. The creativity of editing activities not only refers to the creation of specific cultural products (specifically, re-creation), but also refers to the overall construction of culture through cultural integration and reconstruction. The products of editing activities are not only concrete cultural products, but also a publishing cultural system composed of various cultural products, and the ideals, beliefs, social customs, moral norms and values reflected in them.

The dissemination of existing cultural achievements and the reconstruction of cultural innovation are unified, which embodies the relationship between editing activities and culture. Cultural inheritance, accumulation, innovation and reconstruction are the requirements of cultural development. Without the inheritance and accumulation of culture, culture has no foundation and soul; Without the innovation and reconstruction of culture, culture has no vitality and life. The development of culture is closely related to the development of social economy, politics and science and technology, and is promoted and restricted by economic, political and science and technology factors. Therefore, this editing law not only reflects the relationship between editing activities and culture, but also reflects the relationship between editing activities and economy, politics and science and technology. Editorial activities should meet the requirements of both cultural development and economic, political and scientific development, and promote the all-round development and civilized progress of society.

Third, the law of ensuring the quality of cultural products and grasping the best communication opportunity is unified.

In editing activities, product quality and the best communication opportunity are both unified and opposite. This unity of opposites restricts the effect of cultural communication. The synchronization law of quality and social benefit proposed by Xu is about the consistency of quality and communication effect. Yi Shi's best operating rule, besides quality, also adds the factors of timeliness and editing cycle, and thinks that the best communication effect can be achieved only by completing the high-quality final product in the shortest editing cycle and spreading it to the society without losing time. Based on their point of view, this paper regards the quality, communication opportunity and communication effect of cultural products as the basic goals of editing activities, and analyzes their unity of opposites.