What Japanese costume are these girls wearing? Search for Japanese kimono online can't find it.

It is well known that the Japanese kimono, probably like the Chinese cheongsam, is the national traditional dress of Japan. In China, not every woman likes cheongsam, nor is it usually seen. In Japan, on the other hand, the kimono is every woman's favorite, and is often seen strutting around in a kimono. So why is it so? It turns out that this beautiful kimono inside, hiding an amazing secret. That said, Japanese women are not naturally beautiful, they not only can not be compared with the women of Europe and the United States, and even more can not be comparable with the Chinese women. This is the first to blame for their body is not very good, they are neither European nor American women tall, but also not as well-proportioned as Chinese women, if it is to participate in the world-class beauty contest, I'm afraid that even the qualifications of the finalists are not. This may be the Japanese women in the world's various types of beauty contests are difficult to stand out of the important reasons! In fact, more inconceivable is that the body of a thin Japanese woman's legs are inappropriate highly developed, especially the calves, its thick and powerful, and thin body out of proportion. In this regard, Japanese men have a figurative name for it: "Dagan legs", that is, "radish legs" means. The famous cartoonist Feng Zikai studied in Japan, a glimpse of the physical flaws of the women of the East: "Japanese women lack the qualifications to be a model, because the island's people are abnormally small in stature. Usually wearing robes, stepping on the half-foot high wooden clogs, do not look unpleasant. Waiting to take off the clothes, look at the appearance is really ugly, only to see a fat section of the body, short limbs". Although the words are mean, but can not erase the women's kimono, Japanese women dress up the work. Pornography as an art of aesthetic interest, but also clearly penetrated the production of women's kimono. A gorgeous, flowing kimono, a hide and a reveal, not only to cover up some of the Japanese woman's inherent shortcomings, but also highlights the unique charm of the Japanese women. The so-called "hide" is a loose, fat kimono that wraps around the body. The style and color of women's kimonos varies greatly, and these silent elements are the mark of age and marital status. For example, unmarried girls wore "tight-sleeved kimonos"; married women wore "wide-sleeved kimonos"; hair styles were also matched, for example, the "Shimada" hairstyle of the manta was worn with a red collar and shirt, which was the dress code for unmarried women. Hair styles are also matched, for example, if you wear a "Shimada" hairstyle with a bowl cut, you should wear a red collar and shirt, which is the dress for unmarried women, while those who wear a round bun and a plain shirt are married housewives. All kimonos are worn without buttons, only with a knotted obi. The wrapped up body, hidden in the thin fabric of various colors, hidden, adding a bit of hazy beauty. The half-heartedness of "hiding" is, in fact, the ambiguous expression of "revealing". I can't help but say that the "hiding" of women's kimonos leaves plenty of room for imagination and taste. The so-called "dew" is the selective and restrained exposure of the attractive parts of the female, that is to say, from the decoration to deliberately highlight these parts. Like the ancient Chinese men who were morbidly obsessed with the "three-inch golden lotus," Japanese people are generally enamored with the neck and back of women. Women's kimono in these two places special care, carefully tailored, must be exposed to the right degree, both intoxicating, but not flow in the greenhouse vulgarity. From a practical point of view, the kimono must pay attention to ventilation, kimono cuffs, lapels, train, can be arbitrary open and close, free to open and close. Different openings and closings of the female kimono have different meanings and, at the same time, show the different identities of the wearer. For example, when an entertainer wears a kimono, the lapel is always open, and only the "V" cross of the lapel is tied. This way of wearing the kimono not only gives a subtle beauty of the kimono that "seems to be taken off but not yet taken off," but also shows the identity of the woman who is practicing the profession. For women who do not belong to that type of profession, it is necessary to wear the kimono with the bodice closed. It is said that even when the lapels are closed, there are different rules: if a woman is married, the lapels do not have to be closed all the way, but can be left open at the neck. If you are unmarried, you have to close all the plackets to avoid revealing the light of spring. Japanese women have grown into such a body, should be blamed on the "tatami" this special way of living, generations of kneeling and cross-legged sitting, so that the Japanese women's legs have suffered a lot of distortion and oppression, and become unseemly, as in the past, we Chinese women wrapped small feet. However, the Japanese are good at making the best of unfavorable conditions and turning the bad into the good, so in order to cover up the defects, a beautiful garment called "kimono" was invented and became the national costume of Japan. And when they use this loose and slender, elegant and colorful clothing, the inconspicuous body with the "thigh root" together with the package, the miracle happened: a charming and delicate, elegant beauty, out in front of the world. Said to be wrapped, not all closed, kimono attire, although strict and cumbersome, but in the Japanese woman's most charming, the most sexy chest and neck of this part of the net open, so that the world's men heart swaying. It is because there are few beautiful women in Japan, so whoever marries a beautiful woman will be hated by others. Although it looks like Japanese women's necks and backs, elegant to nowhere, but once the kimono and highlighting the moderation, it immediately "a different flavor. The poet Xu Zhimo has a famous short poem "Shayan Nara", the Japanese woman to say goodbye to the gesture of delight: "the most is that a lowered head of tenderness, like a water lotus flower does not win the cool wind of shyness." In fact, it is not to borrow people's neck to say things? Women wearing kimono, even the neck has a poetic, is really "not a word, all the wind flow" ah!