The main features of architectural plane layout in traditional buildings in China are briefly described.

China has a vast territory and abundant resources since ancient times, and its architectural art has a long history. Different regions and nationalities have different architectural artistic styles, but their traditional buildings have the same characteristics in group layout, space, structure, building materials, decorative arts and so on, which are different from those in the west and are world-renowned. There are many types of ancient buildings in China, including palaces, temples, pagodas, houses and garden buildings.

Tradition is the rational and emotional recognition and understanding of a nation or region, which belongs to the cultural category. Tradition refers to cultural tradition, which determines the basic form of traditional architecture as a whole, and traditional architecture also reflects the form of traditional culture from a certain angle, and the two are inseparable. Therefore, tradition is characterized by its national color and local color. China traditional architecture is the most brilliant and intuitive carrier and expression of China's long-standing traditional culture and national characteristics.

I. Atmosphere

Reflected on the gate, big window, big entrance and big eaves, it gives people a feeling of stretching. The semi-enclosed space formed under the roof of the big house can not only keep out the sun and rain, but also has a wide field of vision and leads directly to nature. This kind of atmosphere fully embodies the idea of "harmony between man and nature" in China traditional architecture.

Second, get angry.

The cornices reflected in the four corners are inclined, or ready to fly, or ready to float, so that the heavy feeling of buildings (including towers and buildings) looks relaxed and the solidification looks very dynamic. If "atmosphere" comes from reason, then "anger" comes from emotion. The stronger the feelings, the stronger the artistry. The artistry of traditional architectural modeling in China is unmatched by any other nation. The artistry of western traditional architecture lies not in the building itself, but in the sculpture or painting attached to it-decorative art, which can not bring vitality to the building itself.

Third, richness.

Reflected in the use of glass materials. It has a long life, bright colors, dazzling in the sun and gorgeous in various environments. Its high cost symbolizes wealth and status.

It can be seen that the atmosphere, vitality and richness not only have their specific colors, but also have their rich connotations. The combination of these three forms the architectural tradition of China.

Fourth, mountains and rivers are feng shui.

The above three characteristics only refer to the building itself and its environment. If we tolerate the environment, China's architectural tradition has a fourth feature-emphasizing mountains and rivers. Mr. Feng Shui, a professional in China, is not only superstitious, but also an expert in site selection.

There are mountains, which are easy to use, with wide vision and smooth drainage; There are forests, easy access, more firewood, birds singing and fruit fragrance; When there is wind, it is convenient to move, the air is fresh, and it can cool off the heat. Where there is water, it is easy to get benefits, fish and shrimp play, geese and ducks flock. Therefore, if the mountain faces the water, there are fertile fields on the side, the sun is abundant, and the boat is convenient, it is certainly recognized as the best place for human survival.

Traditional architecture in China attaches importance to both natural and artificial mountain feng shui, which makes people and nature harmonious, and the courtyard is connected with the outside world, creating a situation of "heaven and earth are integrated", which makes people relaxed and happy.

The fourth characteristic of traditional architecture in China embodies the idea of "harmony between man and nature", which coincides with the desire of modern people to "return to nature". It can be seen that the traditional idea of attaching importance to mountains and rivers and geomantic omen will be inherited and developed in modern architectural design, thus creating a beautiful architectural environment and realizing the return of nature. [ 1]