What development direction should China contemporary oil painting choose under the background of globalization?

First of all, we should understand that China oil painting is not the traditional culture of China.

Because the history of oil painting comes from the west. . . There were many styles a long time ago. . . Various forms. . .

Therefore, Xu Beihong does not represent the orthodoxy of China's oil paintings, and Wu Guanzhong is not a villain. . .

Xu Beihong represents realistic and figurative China oil painting, and Wu Guanzhong represents freehand and abstract China oil painting. . .

Only by combining realistic figuration with freehand brushwork abstraction can China's oil paintings develop. . . Just like Chinese painting, meticulous brushwork and freehand brushwork coexist. . .

Realism is like taking pictures, even if you don't draw truthfully, it will restrict the development of your thoughts. . .

So even the Mona Lisa by the world master Leonardo da Vinci is a combination of realism and freehand brushwork. . .

The combination of realism and freehand brushwork is only a way of expression, and the ideological content of painting is the main content we must understand. . .

"Painting objects" and "painting naked women" seem to be masterpieces of the older generation of masters. . .

It seems that Painting Bloody and Painting the Sickness of Modern People are masterpieces of the younger generation of masters. . .

Most of what the older generation masters let us see is "the real thing on the shelf". . .

What the younger generation of masters let us see is mostly "a portrayal of real life". . .

At this rate, we can take pictures everywhere with our cameras. . .

Progress comes from innovation, and China's oil paintings are no exception. . .

The so-called innovation is to create what people need, not to repeat what people see.

Or something people don't want to see anymore. . .

First, contemporary oil painting shows the trend of multi-genre and multi-means, but the trend of art commercialization is becoming more and more obvious, and commerce has played too much intervention and guidance role in art.

Secondly, the present situation of contemporary oil painting in China is basically disordered. There are good and bad. On the positive side, it means that the artistic style is diverse, the artist's ideas are broadened, and the expression techniques are also increased, which greatly exerts the artist's creative talent. The bad side is this disorderly state. Business, politics, and academics have a growing influence on art, especially the former. Therefore, the trend of oil painting is still a worrying problem. Now, with the aging of a group of artists who have mastered traditional oil painting techniques, a new generation of descendants, who are maverick and desert-like, can use the word "worried" to describe the future of oil painting as a traditional artistic language.