The Implication of Mongolian Dance Costume Dance

Cross-dressing dance is a kind of Mongolian dance, which takes the unique life customs in western Inner Mongolia as the creative element, embodies the grand and gorgeous holiday atmosphere of Mongolian people and the noble self-confidence of Mongolian women, and adds some national costumes to it.

Cross-dressing dance is adapted from Buryat's love. The Love of Buryat is a dance from Hulunbeier, Inner Mongolia, adapted by a famous director in Hohhot.

The most striking feature of Mongolian dance is its lively rhythm and quick steps. The simplicity, enthusiasm, courage, boldness and heroism of Mongolians are permeated between waving, whipping and jumping, which shows their cheerful and open-minded character and heroic temperament and has strong national characteristics.

Extended data

Mongolian dance culture is closely related to their hunting and nomadic life. Mongolian totems are mostly raptors and beasts, worshiping white. Witches of ancient shamanism danced in white robes and held white silk towels. Until 1950s, the ancient dance form of "Diane" (also known as Chagan Eliye) was still popular among Mongolians, and its dance feature of stepping on the ground for festivals still maintained the characteristics of tap dance widely popular in ancient Mongolia.

The Secret History of Mongolia, written on 1240, records the passionate scene of stepping on the dance during the celebration: "Dancing around the furry tree and stepping out straight ... knee-deep dust." In the poems of the Yuan Dynasty, there are also some poems, such as "If we get together, we will get together, but if we get together, we will get together" and "Go to the singing camp at night", all of which describe this kind of dance.

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