The Standard Format of Seven-character Rhyme

The standard format of seven-character verse is as follows:

1. The rhyme formula is:

Plain, plain, plain.

Flat and light, flat and light.

2. When you start and end, you can't enter rhyme:

Flat and light, flat and light.

Plain, plain, plain.

3. Even income rhyme:

Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping.

Plain, plain, plain.

4. Balance income rhyme:

Flat and light, flat and light.

Flat and light, flat and light.

For example:

Liu Tang Yu Xi's "The First Meeting in Yangzhou Will Enjoy Lotte";

Bashan Chu water is desolate (flat and flat) and abandoned for 23 years (flat and flat).

Nostalgia singing Wen Difu (Pingping) is like a rotten person in the country (Pingping).

On the side of the sinking ship, Qian Fan crossed (flat and flat), and in front of the sick tree, Wan Muchun crossed (flat and flat).

Today, I listened to your song (mediocre), relying on the spirit of a large glass of wine (mediocre).

On Seven-character Rhyme and Its Difference from Seven-character quatrains

Introduction to Seven-character Rhyme:

Seven-character metrical poetry is a genre of China's traditional poetry, referred to as seven-character eight-sentence poetry for short, which conforms to the norms of metrical poetry. Metric poetry belongs to the category of modern poetry, hence its name.

Shen Yue's new-style poems originated from Qi Yongming in the Southern Dynasties, paying attention to rhythm and duality. They were further developed and stereotyped by Shen Quanqi and Song in the early Tang Dynasty and matured by Du Fu in the prosperous Tang Dynasty.

Seven-character verse is strict, which requires the unity of words in the poem. It consists of eight sentences, and each sentence has seven words. Every two sentences are a couplet, and * * * is a quadruple, which is divided into first couplet, parallel couplet, neck couplet and tail couplet. The two couplets in the middle demand antithesis. Representative works include the Yellow Crane Tower in Cui Hao, Du Fu's Ascending, and Li Shangyin's Stabilizing Tower.

The difference between a seven-character poem and a seven-character quatrain lies in:

1, the number of sentences is different: quatrains stipulate four sentences per poem, while ordinary metrical poems stipulate eight sentences per poem. If there are only six sentences, it is called a short sentence or a three-rhyme poem.

2. Different origins: Seven-character quatrains originated from Yuefu songs in the Southern Dynasties or Yuefu folk songs in the Northern Dynasties, or folk songs that can be traced back to the Western Jin Dynasty, and matured in the Tang Dynasty. Seven-character metrical poems originated from Shen Yue and other new poems that paid attention to rhythm and duality in the Yongming period of the Southern Dynasties.

3. Different metrical patterns: Seven-character quatrains are modern poems with strict metrical requirements. Seven-character verse is strict and requires the unity of words in the poem. It consists of eight sentences, each sentence has seven words, every two sentences are a couplet, and * * * is a quadruple.