Appreciation of Simple Ancient Poems in Junior High School [Five Poems]

# Ability Training # Introduction China has a long history and culture, and China's ancient poetry is a must in culture. All kinds of poems are not only the poet's life experience, but also the profound meaning given by short words. The following are five simple ancient poems of junior high school, which I don't want to share. Welcome to read the reference!

1. Appreciation of Simple Ancient Poetry in Junior Middle School

Wang yue

Du Fu [Tang Dynasty]

What a magnificent scenery Mount Tai is! Out of Qilu, green peaks can still be seen.

The magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north.

Layers of white clouds, cleaning the gully on the chest; The flat bird flew into the eye socket. (Zeng Tong: Floor)

Try to climb to the top of the mountain: it dwarfs all the peaks under our feet.

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By depicting the majestic scene of Mount Tai, this poem enthusiastically praises the majestic momentum and magical and beautiful scenery of Mount Tai, reveals the love for the mountains and rivers of the motherland, and expresses the poet's ambition and spirit of not being afraid of difficulties, daring to climb to the top and overlooking everything, as well as his great ambition of being independent and helping the people. One or two sentences about Mount Tai are endless; Write three or four sentences about the grandeur of Mount Tai; Write five or six sentences carefully, and when you look from afar, you will see the peaks and clouds, as if birds are returning to the valley. Imagine what you will see when you climb the mountain in the future, and express your ambition at the same time.

The first sentence is "the grandeur of Mount Tai! ? When I first saw Mount Tai, I was so happy that I didn't know how to describe it. My admiration and admiration are very vivid. Dai is another name for Mount Tai. Being the first of the five mountains, he was honored as Daizong. "How's the husband" means "What is it?" The word "fu" is usually used as a modal particle at the beginning of a sentence in ancient Chinese. It is a new creation and uniqueness to integrate it into the poems here. Although the word "husband" has no substantive meaning, it is indispensable. The so-called "vivid portrayal is being blocked." It can be described as ingenious.

Next, "verdant, spanning Qi and Lu." Instead of simply describing the height of Mount Tai from the perspective of altitude, you can write your own experience in a unique way ── outside the ancient Qilu countries, you can still see Mount Tai from a distance and set off the height of Mount Tai with distance. The south of Mount Tai is land, and the north of Mount Tai is Qi, so the geographical features described in this sentence cannot be misappropriated when writing about other mountains. In the Ming Dynasty, Mo Ruzhong's "Wang Yuelou in Dengdong County" specially put forward this poem, thinking that no one can succeed.

"The creator has endowed all the mysterious nature here with elegance. What else? The day immediately enters dawn and dusk. " It's a close-up of Mount Tai. A word "bell" brings everything in the world to life, and the whole nature is so affectionate that it endows Mount Tai with magic and beauty. The sun in front of the mountain is "Yang" and the sun behind the mountain is "Yin" (the water in the south of the mountain is "Yang" and the water in the north of the mountain is "Yin"). Because of the height of the mountain, the dusk of the day is cut on both sides of the mountain, so it is called "cutting dusk" This is a normal natural phenomenon, but the poet created flowers with clever pens and wrote a dominant force of the tall Mount Tai with a word "cut", which is nothing else. Mount Tai, with its height, blocks the sunshine in the south and north of the mountain, forming different landscapes and highlighting the image of Mount Tai blocking the sun. Here, the poet used a pen to make the still Mount Tai suddenly full of vigorous power, and the creative style of "words are not amazing and endless" is also revealed here.

"Ceng Yun, birds are flying back and forth in front of my nervous eyes." Two sentences were written. Seeing the endless clouds in the mountains, my heart is also rippling. The word "Jueshu" is particularly vivid, which vividly embodies the poet's fascination with this magical and ethereal landscape. In order to see enough, he looked around with his eyes wide open, so he felt as if his eyes were going to break. This scene makes the charming scenery of Mount Tai more vivid. "Returning bird" refers to the bird that has returned to the nest in the forest, indicating that it is dusk and the author has not left. It contains the poet's love and praise for the mountains and rivers of the motherland.

In the last sentence, "once you climb to the top of the mountain, you will see that all the other mountains look short under the sky." The poet is not satisfied with seeing Yue, but climbs to the top of the mountain to capture the magnificent scenery. This couplet is a masterpiece, which once again highlights the grandeur of Mount Tai, writes a majestic posture and momentum that is superior to everything, and also shows the poet's mind. "Hui" is a spoken language in the Tang Dynasty, which means "must". If "will" is interpreted as "should", it is not accurate and melodramatic. The contrast between the small mountain and the high mountain of Mount Tai shows the poet's ambition and spirit of not being afraid of difficulties, daring to reach the top and overlooking everything. This is the key for Du Fu to become a great poet, and it is also indispensable for all those who make a difference. This is the reason why these two poems have been read by people. It is precisely because the towering greatness of Mount Tai is not only natural, but also humanistic, so the desire to climb it in the end has dual significance.

The whole poem is dominated by the word "Wang" in the title of the poem, and every sentence is written about Wang Yue, but there is no word "Wang" in the whole poem, which can give people an immersive feeling. It can be seen that the poet's layout and artistic conception are exquisite. Although this poem has far-reaching sustenance, it is only a visit to famous mountains, and there is no trace of deliberate comparison. If you are ambitious, your body will be strong, and it will be difficult to achieve anything in the future.

2. Appreciation of simple junior middle school ancient poems

Spring outing in Qiantang Lake

Bai Juyi [Tang Dynasty]

From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.

Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.

Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.

I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.

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This is a famous poem describing the beauty of the West Lake. This poem captures the characteristics of the local environment and seasons, and depicts the West Lake, which has just put on a spring coat, as full of business and just right.

The first poem sticks to the theme and always writes about the lake. The previous sentence points out the location of Qiantang Lake and the surrounding "uneven towers". The use of two place names shows that the poet is walking and watching. On the front of the latter sentence, the lake is as bright as water: at the beginning of spring, the water surface is flush with the embankment, and the white clouds in the air are connected with the rippling waves on the lake, which is a typical water state of Jiangnan Spring Lake.

Couplets from static to dynamic, from panoramic freehand brushwork to detailed meticulous painting. First, write down what you can see when you look up. Yingying is singing and swallows are dancing, showing the vitality of spring. Both the oriole and the swallow are messengers of spring, and the warbler's voice is euphemistic, spreading the good news of spring returning to the earth; Swallows are hardworking, inspiring people to start working in spring. They all write the vitality of early spring. The word "several places" summarizes Ying Ge's call to the other and the poet's modality of seeking sound from left to right. The doubt about the word "whose family" shows the poet's delicate psychological activities and makes readers have rich associations.

Writing with a neckband overlooks the flowers and plants you see. Because it's early spring, and it's not the season for flowers to bloom, what we see is not colorful flowers, but a cluster of flowers in the east and a cluster in the west, which is described by the word "chaos". Spring grass does not grow luxuriantly, only it is not as long as horseshoe, so it is described by a word "shallow". The "gradual desire" and "talent" in this association are also the feelings and judgments of the poet's observation and appreciation, which makes the objective natural scenery become the scenery in the eyes with the poet's subjective feelings and infect readers.

These two couplets describe the scenery of the West Lake in detail, and express Yingying Yan's new arrival with "early", "new", "struggle" and "pecking". Using "chaos", "shallowness", "gradual desire" and "talent" to describe the thriving trend of flowers and plants accurately and vividly reveals the early spring weather that the poet felt while walking, giving people a fresh feeling. Xie Lingyun, a former poet, said, "Spring grass grows in the pool and willow turns into songbirds in the garden", which is wonderful in ancient and modern times and greatly appreciated because he wrote the joy of seeing the seasons change. The above two couplets of Qiantang Spring Tour are quite similar in artistic conception, but the white poems are more widely spread. William wrote about the poet's favorite sandbar in the east of the lake. Qiantang Lake, which runs through Bai Causeway, is located in the east of the lake and can win the whole lake. I saw that under the shade of Populus cathayana, the flat and slender white sand embankment was lying in the blue waves, and the people riding on the embankment were knitting and enjoying the beauty of spring. In the meantime, the poet enjoyed the lakes and mountains and was relaxed and happy. "Lack of action" means that the natural scenery is beautiful and the poet is still alive.

This poem is like a short and pithy travel note, from Gushan and Jiading to Hudong and Bai Causeway. Along the way, in the beautiful scenery of lakes and mountains, green mountains and green waters, the poet feasted his eyes, sang and danced, and was intoxicated by the birds and flowers. Finally, he reluctantly left along the white sand embankment under the shade of willows. My ears are still echoing the hymns of spring played by all things, and beautiful poems full of the interest of natural integration flow in my heart involuntarily.

Predecessors said that "Lotte's poems are full of emotions, which enter people's liver and spleen, follow things, and are everywhere" (Su Hua), and that "Lotte's poems are extremely profound and lovely, and they often take what is in front of them as their own words, while others have not done it" (China). The language of this poem is simple, fresh and natural, and carefully selected shots are written into the poem by line drawing. Vivid image, that is, the scene is emotional, and the author's joy when he visited the lake in the early spring with abundant business is worthy of the above comments.

3. Appreciation of simple junior middle school ancient poems

Batavia on Yanmenguan Line

Li He [Tang Dynasty]

Enemy soldiers rolled in like dark clouds in an attempt to tear down the city wall; Our army was ready, and the sun shone on the armor, glittering with gold. (working towards the sun: working towards the moon)

In autumn, the loud bugle sounded; The soldier's blood became dark in the night. (Before filling: filling)

The red flag rolled half, and the reinforcements rushed to Xiao; The night frost is heavy and the drums are gloomy.

I want to report to you on the golden platform, and I want to take Yulong to your death.

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During the mid-Tang Dynasty, wars between and against vassals came one after another and never ended. All kinds of rumors in the war come from the battlefield full of flames, including news of failure and news of victory; There are cowardly losers and heroes who fight for their country. Li He, a poet who cares about the fate of the country, naturally cares about wars everywhere. He left Beijing, left his hometown with beautiful scenery, and went to Xinzhou and Yanmen, where he wrote this poem, which has been told for ages.

The first two sentences of this poem are intended to exaggerate the atmosphere and outline the tension of war for readers. The first sentence uses "dark clouds" to describe the fierce enemy, then uses the verb "pressure" to describe this situation, and then uses the word "destroy" to make up for this fierce enemy, which directly depicts the dangerous situation. The second sentence says that our military capability is clean, our military strength is dignified, and we have the spirit of staying calm in times of crisis. The pictures of these two sentences are vivid and touching: under the rolling black clouds, fierce enemy troops come to my lonely city, which is likely to destroy the city; However, our soldiers are fearless and dressed in armor; In the sunshine, glittering and magnificent, is preparing to attack. At the beginning of the poem, the contrast shows the critical situation and the heroism of our soldiers.

Three or four sentences further exaggerate the tragic atmosphere from two aspects: sound and color. Horn blare, originally is a very sad voice; Now echoing in the bleak autumn, it is naturally more tragic. Start with the sound here. "Stuffing with fat to coagulate night purple" is a contrast in color. At this time, the battlefield was covered with blood, showing a deep purple color under the condensation of dusk, adding a tragic color to this picture.

"Half-rolled red flag is near Yishui" and "half-rolled" have extremely rich meanings. Marching in the dark, to stop it, is to "surprise, attack unprepared": "coming to Yishui" not only shows the location of the battle, but also implies that the soldiers have a strong pride of "the wind blows and the water cools, and the strong men are gone forever" Then describe the bitter battle scene: as soon as the rescue troops approached the enemy camp, they beat gongs and drums and cheered and went into battle. But the night is so cold and frosty that even the drums can't move. Faced with many difficulties, the soldiers were not discouraged.

The above six sentences are based on heavy colors: black and purple, and decorated with purple and red, so that the artistic conception of the poem enters people's eyes in a low tone. With harsh horns and dumb drums, a tragic sound is introduced into people's eardrums. Sound and color set each other off, making the tragic atmosphere more intense and moving.

After rendering the atmosphere, the poet let his hero appear. "I want to report to you on the golden platform, and I want to take Yulong to your death." Huang Jintai was built in southeast Xiao during the Warring States Period. It is said that he once put a lot of gold on the stage, saying that he would not hesitate to spend a lot of money to attract scholars from all over the world. The poet quoted this story to express the soldiers' determination to serve the court.

Generally speaking, it is not appropriate to write tragic and tragic battle scenes with colorful words, and almost every sentence of Li He's poems has bright colors, such as gold, rouge and purple, which are not only bright but also rich in color. They are intertwined with black, autumn and jade white, forming a colorful picture. A poet, like a talented painter, is particularly good at coloring, expressing things with color, and touching people with color, not just sketching the outline. When he writes poetry, he seldom uses the technique of drawing lines, and always paints things with various novel and heavy colors with the help of imagination, which effectively shows their multi-level nature. Sometimes, in order to make the picture more vivid, he also mixed some things with different or even contradictory nature, making them parallel and dislocated, forming a strong contrast. For example, the dark clouds over the city symbolize the arrogance of the enemy, and the brilliance of the sun shows the heroic attitude of the soldiers guarding the city. The contrast between the two is bright, the color is bright, and the love and hate are clear. Li He's poems are not only wonderful, but also appropriate. Strangeness and appropriateness are the basic characteristics of his poetry creation. This poem, colorful and mottled, depicts a tragic and tragic battle scene, which is bizarre; However, this colorful and peculiar picture accurately shows the frontier fortress scenery and the rapidly changing war situation at a specific time and place, which is very appropriate. Only its strangeness makes it more novel; Only when it is appropriate can it feel true; Strange and just right, thus forming a muddy and emotional artistic conception. This is Li He's unique skill in writing poems, which is both valuable and valuable to him.

4. Appreciation of simple junior middle school ancient poems

Dengfeilai peak

Wang Anshi [Song Dynasty]

There is a towering tower at the top of Feilai Peak. It is said that crows come and the morning sun rises. (Feilai Mountain: Feilai Peak)

Don't be afraid of clouds covering your eyes, because you are in the floor.

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This poem reflects the dauntless and enterprising spirit of the poet to realize his political ambition. In the first sentence of the poem, the poet used the exaggerated word "Chihiro" to write the height of the ancient pagoda on the peak and write his own foothold. The second sentence of the poem skillfully writes out the brilliant scene of the rising sun seen on the tower, showing the poet's vigor, ambition of reform and confidence in the future, and becomes the emotional tone of the whole poem. The last two sentences of the poem follow the first two sentences to describe the scenery and express emotions, so that the poem has vivid images and profound philosophy. The ancients often worried about clouds covering the sun, evil ministers covering the wise, and poets added the word "fearless". It shows the poet's political vision, courage and determination not to be afraid of evil.

The last two sentences are the essence of the whole poem and contain profound philosophy: people should not only look at the immediate interests, but also look at the overall situation and the long term. In writing techniques, the first sentence is about the terrain of Feilai Peak, and there is a Chihiro Tower on the peak, which shows its height. This sentence is extremely written about the high risk of boarding. The purpose of writing sentences is extremely far away. As the saying goes, "The Story of the Xuanzhong" says: "There is a big tree in Du Taoshan, named Du Tao, with branches three thousand miles apart. There is a pheasant in the sky. At the beginning of the day, the tree shines, the pheasant crows, and the chickens in the world follow. " According to this test, the word "I heard that the rooster crows and the sun rises" is not only popular in Wanli, but also famous and powerful. Although it is a foreshadowing, it cannot be taken lightly. And the author is practical and ingenious. For example, the allusion "The sun shines on this tree and the cock crows at dawn" originally meant "The day after tomorrow", but Wang Anshi did not say "When you hear the cock crow at sunrise, you say" When you hear the cock crow at sunrise ",which means" The cock crows first, then the sun rises ". Poets are often subtle in their use of things, and they cannot aim at impartiality, or they make mistakes in their use of things for fear of having another meaning.

The word "not afraid" in the third sentence is stern and powerful. "Clouds cover your eyes" has an allusion. According to Professor Wu Xiaoru's research, people often compared floating clouds to evil villains in the Western Han Dynasty, such as "Shen Xinyu Wei Pian": "Therefore, evil ministers cover sages, and clouds still cover the sun." That's what the king's judgment means. He also has a seven-metrical poem "Reading History", in which a couplet says: "At that time, darkness was still a mistake, and the customs at the end were even more chaotic." If you want to achieve great things, the most terrible thing is to "cover your eyes with clouds" and "confuse the truth with vulgarity", and the new law that Wang Anshi subsequently implemented was precisely defeated by this. The poet's good intentions are shown in this poem. The fourth sentence uses "on the floor" to enhance the poetic realm, which has a far-sighted spirit. The author's finishing touch is the conclusion. As far as the situation is concerned, the word order should be "because I am in the layer, I am not afraid of clouds covering my eyes", but the author is the other way around, saying the result first and then the reason; The inversion of one cause and one effect shows the transformation of poetic vision. Although this is a common method of writing poetry, it also shows the author's profound conception.

"I am not afraid of clouds, I am in the layer." With Su Shi, "I don't know the true face of Lushan Mountain, but toward which corner of the mountain." In the same strain, the expression is very similar. In terms of affirmation, Wang's poems are metaphorical: "If you master the method of correct views and reach a certain level of understanding, you can see the essence through phenomena and you will not be confused by the illusion of things." Su Shi, on the other hand, is negative. He said, "People are confused by the illusion of things because they don't observe things comprehensively, objectively and correctly." Both of them are very philosophical and often used as mottoes.

It is a common phenomenon in Song poetry to expound political and academic views, discuss current events and comment on history with poems. This poem contains a strong interest in landscape description. The poet did not describe the process of climbing the mountain, nor did he write down the scenery in detail. On the contrary, he put himself on the floor of the Chihiro Tower on the mountain from the beginning to express his feelings. The whole poem consists of four sentences and twenty-eight characters, which contains extremely rich ideological content and abstract meaning in concrete things, and fully embodies the author's political and ideological ambitions and confident expression of the future. The main characteristics of this poem in explaining philosophy are shown in two aspects: first, philosophy is naturally extracted from specific situations; Secondly, philosophy is expressed in vivid language. In short, it is "poetic philosophy, poetic philosophy". Today, when we read this seven-character quatrain, we are still deeply impressed and heroic.

5. Appreciation of simple junior middle school ancient poems

Youshan west village

Lu You [Song]

Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.

The day of playing flute and drums is approaching, and the villagers are still dressed simply.

In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane.

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This is a lyric poem about a trip to the countryside in the south of the Yangtze River. The poet closely follows the word "you" in his poems, but he does not describe the process of visiting the village in detail, but cuts out the experience of visiting the village to reflect endless fun. In the whole poem, the first poet travels to the farmhouse, the second one writes about the scenery outside the village, copying the events in the village, and the last one writes about frequent night trips. Although each has its own emphasis, it runs through the whole village, harmoniously unifying the beautiful natural scenery and simple villagers' customs in a complete picture, forming a beautiful artistic conception and a calm and meaningful style. The theme of this poem is relatively common, but the idea is novel and ingenious, the technique is crude, and it is naturally interesting without scribbling.

The first couplet shows the quiet and joyful atmosphere in the countryside in the harvest year. The word "chicken and dolphin" expresses all the hospitality of farmers. The word "don't laugh" expresses the poet's appreciation of the simple folk customs in rural areas.

What Zhuan Xu wrote is the scenery along the mountains and rivers, which contains philosophy and has been widely quoted for thousands of years. "There is no doubt about mountains and rivers, and there is another village." Such a smooth, beautiful, cheerful and lively poem seems to see the poet strolling among the verdant forests, and the clear mountain springs gurgling through the winding streams. The more lush the vegetation, the more difficult it is to distinguish the winding mountain roads. When I was at a loss, I suddenly saw the flowers flickering in front of me, and several peasant cottages were looming among the flower trees, and the poet suddenly felt suddenly enlightened. The degree of excitement can be imagined. Of course, this realm has also been described by predecessors, but these two sentences are particularly euphemistic and chic. After reading this couplet, people will feel that in a certain situation in life, it has an amazing fit with what is written in the poem, so they feel more cordial. What is described here is that the poet walks confidently on the shady road, wondering if there is no road, and suddenly becomes cheerful, which not only embodies the poet's hope for the future, but also tells the philosophy of ups and downs of the world. Therefore, these two poems transcend the description of natural scenery and have strong artistic vitality.

The neck couplets, on the other hand, went from nature to personnel, depicting the rural customs in the early Southern Song Dynasty. It is not difficult for readers to understand the poet's deep affection for traditional culture. "Society" is the land god. Spring Festival club, the fifth day after beginning of spring. The Agricultural Sacrifice Society prayed for the New Year and was full of harvest expectations. Festivals and the origin of Zhou Li. Su Shi's "Die Lian Hua Zhou Mi Shang Yuan" also said: "Playing the flute is to enter the farming and mulberry society." It can be seen that the Song Dynasty was still very popular. Lu You is full of praise for this ancient local custom, and shows his love for our country and people with his "simple clothes and ancient customs".

As a result, the poet's pen changed, indicating that the poet has been "swimming" all day. At this time, the bright moon hung high, and the whole earth was shrouded in faint moonlight, which also dyed the village with a quiet color after the Spring Festival and became interesting. So these two words naturally flowed out of my chest: I hope that from now on, I can drink to the old farmer from time to time with crutches and Chai Fei. This situation is a great pleasure. The image of a poet who loves his hometown and is close to farmers is vividly on the paper.

When a poet returns to his hometown after being demoted, it is inevitable that he will be depressed. Compared with the hypocritical officialdom, simple living in my hometown will naturally have infinite comfort. In addition, although the poet seems to be leisurely, he still cares about state affairs. People who grasp the country are short-sighted and have no long-term plans. However, the poet did not lose heart and was sure that one day he would not be extremely successful. This state of mind coincides with the place where you want to go, so the two sides negotiated and produced a connection between "the weight of the mountain" and "the bright future".

Lu You's Seven Laws is rigorous in structure and prominent in main line. There is no "you" in the eight sentences of the whole poem, but the word "you" is cut everywhere, which is full of fun and endless. And hierarchical. In particular, the two couplets in the middle are neat and good at writing difficult scenes, such as pearls falling on jade plates, which are fluent and reach a high artistic level.