Traditional Culture Encyclopedia - Traditional culture - Peking Opera green coat painting face with what things?

Peking Opera green coat painting face with what things?

1, with isolation cream base

2, theater oil color with flesh, yellow, white

3, 1:2 or so mixed, the whole face patted well. The specific color should be adjusted according to the stage lighting and personal skin color. Qingyi played a little white is not a big problem.3 red oil color a little near the eyes to rub open and play well specific range you look at the actor's photo will know

4, a little bit of flesh-colored oil color, under the bridge of the nose to play some shadow

5, the whole face brushed with white powder to set the makeup.

6 eye parts with a large makeup brush on the red rouge powder to well-proportioned

7, black oil paint outline the shape of the outside of the eyes is more difficult to hook To practice more Each person conditions are different. While hooking, once again to push up the eyes at any time to see the feeling of hanging up.

8, with mascara will lengthen and thicken the eyelashes, with eyeliner will be the root of the eyelashes and black oil color articulation, do not break.

9, finely drawn eyebrows

10, rouge dotted lips makeup steps are basically these. I don't know where you are, generally there are theater troupes where there are theater supplies stores. There complete. Drawing eyebrows and eyes of the pen is generally a brush.

Le head of the time before hanging eyebrows eyes. If you want to hang now, buy a face wash with a wider band, preferably with sticky ends that can be glued to each other to adjust the size of the tightening of the kind of head wrapped tightly along the trend of the eyebrow and eye to carry on, and then immediately use tape to fix the eye skin and the band. Tape Watson's sells, translucent, a roll of about finger width.

Expanded Information:

More p>Main Characteristics

The age of Qingyi generally ranges from youth to middle age, without old age, and old age becomes Lao Dan. Zheng Dan performance on the characteristics of the main singing work, movement range is relatively small, action is more stable.

Reading white is reading rhyming white, usually not read scattered white, and singing is quite heavy. Typical Zhengdan plays, such as the last part of The Legend of the White Snake, the Sacrifice to the Pagoda, the Sacrifice to the River, in which Sun Shangxiang heard of Liu Bei's death and went to the riverside to cry and offer sacrifices, the Meng Jiangnu of Meng Jiangnu Weeping at the Great Wall, Qin Xuemei of Snowing Plum Teaching Her Sons, Jiang Qiulian of Spring and Autumn Match, and the Queen of the Palace of the Queen of He of the Queen of He, etc., are all played by Zhengdan.

Lao She, "The Fourth Generation", II.4: "She can sing Qingyi, but her specialty is Hua Dan."

Baidu Encyclopedia - Qing Yi