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Influence of New Culture Movement on Chinese Traditional Culture

The influence of the New Culture Movement on Chinese traditional culture:

1. It shook the dominance of feudal thought and made the personality equal.

2. It promoted the spread of Marxism-Leninism in China.

3. It favored the popularization and prosperity of culture.

4. The New Culture Movement Book Tong was an important link in the development of China's modern revolution.

5. It prompted people to break through the net of feudalism and explore new ways to save the country and the people. In modern China set off a storm of ideological liberation.

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What is the New Culture Movement

The New Culture Movement (the New Culture Movement) was an ideological liberation movement against feudalism initiated by some advanced intellectuals in China at the beginning of the 20th century. Its basic slogan was to support "Mr. Democracy" and "Mr. Science", that is, to advocate democracy and science.

The advocates of the New Culture Movement used the evolutionary viewpoint and the idea of personal liberation as their main weapons, and vigorously attacked the "past sages" represented by Confucius, vigorously advocating new morality and opposing the old morality, and advocating new literature and opposing the literary language.

In September 1915, Chen Duxiu founded the Youth Magazine in Shanghai, which was later renamed New Youth, and the New Culture Movement began. The movement strongly attacked and shook the dominance of feudal orthodoxy, awakened a generation of young people, and baptized Chinese intellectuals, especially young people, with the ideas of Western democracy and science, thus opening the floodgates that curbed the flow of new ideas, and setting off a vibrant trend of intellectual emancipation in the Chinese society.

This created favorable conditions for the spread of new ideas, especially Marxism, that suited China's needs.

The main content of the New Culture Movement:

As a vigorous ideological revolution, the main content of the New Culture Movement centered around the "Four Advocates, Four Oppositions," which were practiced in concrete ways. The essence of the former state was the struggle of the bourgeoisie's new culture against the old feudal culture.

The later period was dominated by the advanced intellectuals' efforts to publicize Marxism. There is a specific example can be seen: on the new culture, Hu Shi in the "literary improvement of the ruminations" in Peiqiao also put forward the famous eight not doctrine:

One said: must be said to have something to say; two said: do not copy the ancients; three said: must be grammatical; four said: do not do the moaning of the disease;

Five said: business to go to the bad tone of the set of words; six said: no The use of the dictionary; seven said: do not talk about the battle; eight said: do not avoid the vulgar word vulgar language.

He believed that the language of the new literature is vernacular, the style is free, so you can inject new content, new ideas.