Traditional Culture Encyclopedia - Traditional culture - Artistic Features of Black and White Decorative Paintings
Artistic Features of Black and White Decorative Paintings
Black and white art in decorative painting has a long history in China. In traditional painting, black and white is not only the main factor that constitutes the external formal beauty, but also is often given more meaning. In life, the relationship between light and shade and the difference of inherent color of objects under illumination can be summarized in black and white, which is also the objective basis of black and white art.
One black and one white are widely used in plastic arts and in all fields of social life. Black and white is the ultimate color in color and the limit of visual experience. The artistic effect is simple, clear and intense, and there is no absolute pure black or pure white in nature itself. Black-and-white consciousness belongs to the category of aesthetic consciousness, which absorbs some manifestations of printmaking and paper-cutting, and highly summarizes the rich colors of nature.
From this perspective, this simple expression has strong romanticism and lyricism. China's ink painting is a model of making full use of this romantic technique. This expression technique includes the relationship between the bottom of the picture and the form of point, line and surface, and the resulting relationship between black, white and gray.
"Black and white consciousness" is a kind of creative consciousness. The creative principle is that less wins more, black and white art is simple and colorless, and rich content is expressed with the simplest vocabulary. It is the result of the author's observation, understanding and exploration of nature according to his own artistic accomplishment, and it is also a comprehensive reflection of the face, thoughts, feelings and thinking of nature. By setting, distributing, sorting and combining the natural black and white, artists make the expression visually pleasing and aesthetic.
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