Traditional Culture Encyclopedia - Traditional culture - Analysis of the Audiovisual Language of The Thirteen Haircuts of the Golden Mahal
Analysis of the Audiovisual Language of The Thirteen Haircuts of the Golden Mahal
As for the audio-visual language, the TV series adopts the language and soundtrack style commonly used in costume dramas, and also adds some western instruments, making the whole drama more upbeat and the atmosphere more tense and suspenseful.
In terms of characterization, the drama adopts a multi-line parallel plot design, with each main character having its own unique personality and characteristics, such as Qin Huai-an as a benevolent and kind-hearted doctor, and Yun-niang as a smart and resourceful businesswoman, etc. These characters are given life through the performances of the actors and the shaping of the script.
In addition, the drama also skillfully utilized the background of historical events and the backdrop of the Hu-Vietnam dispute, leaving a deep impression on people. At the same time, the wisdom and courage of the female characters in the drama also brought out the image of traditional Chinese women in an impressive way.
In short, the audiovisual language of The Thirteen Haircuts of the Golden Hairpin successfully presents the audience with a picture of the characters and historical events during the Xinhai Revolution through rich and diverse language, soundtrack and characterization, which is of high ornamental value.
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